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Post by pupdurcs on Oct 2, 2020 10:22:29 GMT
Realised that these two share quite a lot of superficial similarities (appearance, casting type), but lately I've come to the conclusion that I much prefer the mercurial Swinton as a screen actress to the more rigid and technical Blanchett. Both accomplished stage actors as well, with Swinton's career starting as a member of the Royal Shakespeare Company.
Swinton seems oddly underrated to me. Maybe because much of her best work is underseen (she's outstanding in earlier works like Orlando and The War Zone). But to me, she's comfortably the finest or at least the most interesting working British film actress (including all the Dames) and while she is very respected, her stature should be more equivalent to someone like Daniel Day-Lewis in this game.
Aside from their acting styles, key differences are Swinton often having a more androgynous style/image, while Blanchett mostly tries to give off old school Hollywood glamor. And Blanchett has had much more mainstream success, though Swinton has been getting some of her own lately with her terrific casting as The Ancient One in Dr Strange.
So, who ya got?
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Post by pacinoyes on Oct 2, 2020 11:01:14 GMT
Well ........awards aren't everything but when one actress has 7 Oscar nods (which is 6 MORE) and beats the other in every group award (Globe, BAFTA etc), in filmography, major directors, acting range, and in types of of material - AND with more of all of that seeming more likely imminently .....it means something. So in the same way that Day-Lewis may lose a "GOAT" poll he will never logically lose a "Best Of His Generation" poll I figure - and that's the same with Blanchett for actresses. The only argument to me is where does she rank historically, not relative to lesser contemporaries in their 50s like Kidman or Swinton who I do like.......... but they aren't all-timers to me like Blanchett is. Plus she's hitting new peaks anyway that separate her ...... this year - I've already raved her in Mrs. America and she's marvelous in the difficult but worth seeing Stateless too. In Stateless:
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Post by pupdurcs on Oct 2, 2020 11:23:53 GMT
No one is talking about Stateless (or Blanchett in it. It's primarily an acting vehicle for Yvonne Strahovski, and she got by far the most plaudits. Many reviews barely spend more than a line on Blanchett's performance. If that is being hyped now as a big deal major work to prop her up, that's ridiculous to me), and as I said a few months back, Mrs America will be pretty much forgotten after this awards season cycle is over. She apparently went from being a GOAT level "undeniable" shoo-in for the Emmy in the eyes of some overenthusiatic backers, to struggling to overcome a woman who already had 3 Emmys and didn't really need another. The most overrated performance of the year by a mile, and it played out exactly as I saw it.
I think Blanchett is actually somewhat past her peak, and her recent work reconfirms that, imho (stale prestige TV efforts, dross like Oceans 8, The House With A Clock In It's Walls, Where'd You Go Bernadette? Haven't been wowed by her in anything since Carol). She's almost in Russell Crowe territory now, except people actually acknowledge that Crowe, while still pretty good when he wants to be, isn't the force he once was. Mrs America was her The Loudest Voice....a clear stab at the type of "biopic prestige" they were used to in movies that had enough trappings of prestige to get them strong notices (and Crowe's vehicle nabbed him a Golden Globe, so he is one up on her), but really pales in comparison to their better, earlier film work.
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Post by HELENA MARIA on Oct 2, 2020 11:32:54 GMT
La Blanchett . Nevr understood the fascination for Swinton.
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Drish
Badass
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Post by Drish on Oct 2, 2020 12:14:46 GMT
Blanchett. A thousand times Blanchett.
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Post by pupdurcs on Oct 2, 2020 12:29:29 GMT
La Blanchett . Nevr understood the fascination for Swinton. There is something quite pure about Swinton's talent. Even though someone like Nicole Kidman may have as much talent as Swinton, she also has built in advantadges like being regarded as a conventional beauty + sex appeal. Blanchett also leans towards conventional Hollywood glamor expectations, and that helped her enormously in career terms. Swinton never had any of that to work with. Never considered a conventional beauty by Hollywood standards, never played the feminine glamor game that makes you more appealing to both male and female fans, never fit the English Rose paradigm that usually propels British actresses like Kate Winslet to international stardom....her having a career as big as it ended up being seemed extremely unlikely. Her image simply didn't fit any boxes in terms of being a marketable female "movie star". Probably one of the reasons it took the industry a very long time to really ackowledge she could work pretty well in conventional, mainstream films....not just the super arty, obscure and experimental stuff she spent much of her career doing (and which to be fair, is still her bread and butter). Like I said, Swinton is underrated, in part because she lacks the obvious Hollywood glamor associated with the likes of Blanchett and other peers, which appeals strongly to us, consciously or not. But in terms of pure talent, Swinton is up there with any English speaking film actress in the world.
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Post by TerryMontana on Oct 2, 2020 14:22:49 GMT
Blanchett any day of the week. But it's a great idea for a poll.
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Post by pupdurcs on Oct 2, 2020 14:24:41 GMT
Blanchett any day of the week. But it's a great idea for a poll. I aims to please
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Post by countjohn on Oct 2, 2020 16:37:50 GMT
Blanchett is already a top 5 actress of all time and with older women getting better parts these days I could see her being second to Streep when her career is over. I find it hard to believe she does not get a third win at some point despite not being nodded the past few years.
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Post by pupdurcs on Oct 2, 2020 17:14:48 GMT
Blanchett is already a top 5 actress of all time and with older women getting better parts these days I could see her being second to Streep when her career is over. I find it hard to believe she does not get a third win at some point despite not being nodded the past few years. Off the top of my head, at this stage I can instantly name over 20 screen actresses that I'd comfortably put over Blanchett. She's not even the best actress from her own country in her own generation, imho. For me, Top 5 of all time is a bit much for someone who feels almost like a discount Meryl Streep. Maybe that's her secret. Her technique based aporoach is similar enough to Streep's that some people attach less critical thinking to her performances (like often happens with Streep), and just assume everything she does has to be "great", because her accent work sounds good enough or whatever. I feel like I definitely used to give her too much credit for that stuff, and Mrs America may have been the breaking point where I officially started to think she is overrated. Anyway: Meryl StreepJuliette Binoche Liv UllmanNicole KidmanGong LiCatherine DenueveSigourney WeaverBette DavisIngrid BergmanIsabelle AdjaniGena RowlandsVanessa RedgraveIsabelle HuppertCharlotte RamplingDeborah KerrJane FondaJessica LangeGlenn CloseSusan SarandonEllen BurstynSissy SpacekHelen MirrenJulianne MooreBarbara StanwyckBlanchett is a hugely accomplished actress, so it's not a ridiculous opinion if you personally consider her top 5 of all-time. But I don't feel like it's a nailed down thing that many would not challenge or strongly dispute, especially when you look at so many of the above names that many would see to be as good as her, or better.
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Post by pacinoyes on Oct 2, 2020 17:45:43 GMT
Is, as has been mentioned in this thread "Russell Crowe winning a Golden Globe" and not even getting an Emmy nod at all really "one up" on Cate Blanchett who lost the Emmy but actually got that Emmy nomination?
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Post by pupdurcs on Oct 2, 2020 17:47:57 GMT
Here is a hot take:
Crowe in The Loudest Voice >>>>>>>> Blanchett in Mrs America.
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Post by DanQuixote on Oct 2, 2020 18:14:29 GMT
Tilda, but love both.
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Post by themoviesinner on Oct 2, 2020 18:20:07 GMT
I like Blanchett quite a bit, but I definitely wouldn't consider her among the best actresses of all time, maybe not even among the top 5 of her generation. I feel the same about Swinton as well, but I do find her slightly more interesting in general.
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Post by urbanpatrician on Oct 2, 2020 18:32:35 GMT
My favorite actress vs an actress I really appreciate.
I'm sick and tired of Blanchett, Streep, Cotillard, and Hepburn destroying everyone when they're faced off against whomever else, and their fanboys shouting it from the rooftops like we don't get it. Yeah.... we get it, French Revolutionists.
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Post by Allenism on Oct 2, 2020 18:34:52 GMT
Tilda, and I'm a little surprised she's trailing so far behind. Blanchett is more transformative with more technical tricks up her sleeve, but you can see the wheels turning more often than not.
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Post by stephen on Oct 2, 2020 18:39:37 GMT
I think Blanchett is the better and more well-rounded actress, but Swinton's the bigger risk-taker. I think both of them won Oscars that don't really display their greatest strengths, though.
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Post by futuretrunks on Oct 2, 2020 22:13:10 GMT
Swinton easily. I cackle trying to imagine Blanchett pulling off something like I Am Love.
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Post by pupdurcs on Oct 3, 2020 2:27:00 GMT
Swinton easily. I cackle trying to imagine Blanchett pulling off something like I Am Love. Yeah, I don't see Blanchett faring well at all in a role like that. Swinton is remarkable in that though, I agree.
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Post by Tommen_Saperstein on Oct 3, 2020 4:19:30 GMT
They're both phenomenal.
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Post by urbanpatrician on Oct 3, 2020 6:37:07 GMT
Finally, some non-plebs chime in. Tilda absolutely blows Blanchett out of the water. Here's why: As a nobleman/royalty, Swinton kicks Blanchett's ass. Tilda's performance in Orlando is much more of an actor's showcase. You can just hand that role to her and give her the reigns and she'll make something out of material that would not have much life without someone as skilled as Tilda. Blanchett's performance in Elizabeth is certainly decent, but that's just it. It's decent. It's nothing special. Also, you can tell the director had a hand in that performance whereas in Orlando, Tilda was completely in control of her own work. Emily Watson was the far more impressive in the year, a much more seething performance. It's the type of performance that you can't take your eyes off of. I understand, however that Blanchett was just a newbie in Elizebeth, and she would later become a much stronger actress and lay waste to that promising debut. So I don't hold that against her. Or that she wasn't in control of her work. As a transformative artist, Tilda also wins. Tilda can transform easily. I don't even need to cite examples, but if you think Swinton can't transform, you can't be taken seriously. It's one of her top strengths. As for playing against type, Swinton also wins. Blue Jasmine is Blanchett's best performance. It took a high degree of vested interest from a veteran at the top of her art form. I commend Blanchett highly for that performance. But do you think Swinton couldn't have played Blanchett's best performance? LOL. Swinton would've been different, but she would've been at best an equal to Blanchett in Jasmine, and at worst very good. Could Blanchett play Swinton's best performance? Can she do Julia? LOL at the thought. The answer is no. People just haven't seen Julia. No way Blanchett can lay a finger on Julia. Swinton is also known as a transgender icon, so I guarantee she could've played I'm Not There too. In Orlando, she played a man for half of the movie. She was deftly skilled at it. I will say, however that Blanchett has her strengths. The Man Who Cried is the type of performance that transcends a career. She should play strong women more often, because that aspect came out the best in that movie out of all of her other movies. She is good at strong women, I'll give her that. She really moved me in that role. Sadly underevaluated film and performance, but I'm telling you.... it's much better than most of her other kitschy stuff. Blanchett is also possibly the better entertainer, and can do accents really well. That mess in The Aviator aside. No idea how anyone sees that as anything but caricature. Swinton won for a performance that was legit at least and didn't make a mockery of herself - even if it's not her best work. Blanchett won for a very weak performance. Last but not least, Blanchett put me to sleep in Carol. ZZZZZZZZ That's such old shit at that point, done before stuff. Give me Swinton in I Am Love anyday, much better version of Carol. Looking at Blanchett's nominations, it's a shocker that she has 7 and Swinton has only 1. Only 1 of Blanchett's nominations are deserved.... Blue Jasmine. I call that bogus. If it's not obvious enough who I think is the better actress........... This seems too easy. Blanchett might be better than Streep, but she doesn't touch the clearly more varied and haute coutured Swinton. Also, I trust that Blanchett is a very high IQ person, but I think Swinton's IQ is off the charts.
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Post by pupdurcs on Oct 3, 2020 7:39:38 GMT
Looking at Blanchett's nominations, it's a shocker that she has 7 and Swinton has only 1 This is definitely one of those cases where a disparity in awards attention means little to nothing when it comes to assessing talent and standard of performance and skill in their body of work. The vast majority of Swinton's best performances come in films that have little appeal to Oscar voters, and in most cases most Oscar voters probably never saw. Julia, The Deep End, Orlando, I Am Love, The War Zone, We Need To Talk About Kevin, A Bigger Splash etc. As soon as she does a relatively conventional Oscarbait with George Clooney, she wins an Oscar. But most of her best work simply isn't on the radar of voters, while most of Blanchett's work is.
Like I said, I've come to the conclusion that Swinton deserves to be recognised as the most exceptional and gifted working British film actress, yet she has a far weaker Oscar record than many whom I consider less than her on film (ie Winslet, Dench, Weisz etc). But Swinton chose a career path where she must have known she'd be forfeiting mainstream awards glory for a commitment to creating the most challenging art she could. She's one of those artists whose legacy will stand or fall their body of work, not in their awards tally.
There are other great film artists like that. I don't think Charlotte Rampling can be seriously considered less of an actress than Amy Adams, because Adams has 6 Oscar nominations and Rampling has 1. Sometimes it's very clear why the work of some great film actors and artists is not on the radar of certain mainstream awards bodies.
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Post by urbanpatrician on Oct 3, 2020 9:02:48 GMT
Looking at Blanchett's nominations, it's a shocker that she has 7 and Swinton has only 1 This is definitely one of those cases where a disparity in awards attention means little to nothing when it comes to assessing talent and standard of performance and skill in their body of work. The vast majority of Swinton's best performances come in films that have little appeal to Oscar voters, and in most cases most Oscar voters probably never saw. Julia, The Deep End, Orlando, I Am Love, The War Zone, We Need To Talk About Kevin, A Bigger Splash etc. As soon as she does a relatively conventional Oscarbait with George Clooney, she wins an Oscar. But most of her best work simply isn't on the radar of voters, while most of Blanchett's work is.
Like I said, I've come to the conclusion that Swinton deserves to be recognised as the most exceptional and gifted working British film actress, yet she has a far weaker Oscar record than many whom I consider less than her on film (ie Winslet, Dench, Weisz etc). But Swinton chose a career path where she must have known she'd be forfeiting mainstream awards glory for a commitment to creating the most challenging art she could. She's one of those artists whose legacy will stand or fall their body of work, not in their awards tally.
There are other great film artists like that. I don't think Charlotte Rampling can be seriously considered less of an actress than Amy Adams, because Adams has 6 Oscar nominations and Rampling has 1. Sometimes it's very clear why the work of some great film actors and artists is not on the radar of certain mainstream awards bodies.
....... I'm not seeing what stands out about Blanchett. I get why Hepburn, Bergman, Streep, Ullmann, and Huppert stands out. There's no one like Hepburn. Bergman is like the classic legendary star developed into better actress later on. Streep was one of those "anointed early" types that built various stages to her career, and slowly added credibility. Kinda like Huppert except Huppert has done much better work after 2002. Not that Blanchett wasn't anointed early, but.... I don't see her like Streep. I even see why Kidman stands out. Kidman is like Bergman. Star for a decade before becoming a better actress. I grew up with the image of her naked bootie undressing, scarring my childhood. But Blanchett... what's her defining characteristic besides awards attention? I guess she was part of that early 00s troupe. The anointed 4 with Watts, Winslet, Blanchett, and Kidman. Those 4 were THE word-of-the-mouth of the early 00s, and everybody singled those out. They were the only ones talked about on IMDB in the early 00s with any regularity apart the golden age stars. But I dunno...... nobody would deny she hasn't had great work in her career, but.... her mass appeal is kinda strange. She feels like part of the group of Watts and Cotillard and Ronan. Some crazy fanboys who speak mostly out of love and fanaticism while simultaneously trying to destroy the work of other talents. But... to me, she's not some distinct entity. Tilda Swinton is much more distinct, imo. I get why Jennifer Lawrence, Michelle Williams, and Nicole Kidman stand out. They have pop culture appeal. I grew up watching 2 of those while they were still sweethearts. Only reason I didn't have the same experience with Lawrence is because I was already 23 when her first big movie was released, and 25 when she was blasted onto the pop culture scene. But my overall point is that... I just have a difficult time seeing Blanchett as distinct given she doesn't have any stand out attributes apart from a regal look and an elegant image.
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Post by Allenism on Feb 18, 2023 23:41:32 GMT
Bumping this bitch. I stand by my original answer.
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Post by pacinoyes on Feb 19, 2023 0:23:04 GMT
Surprised Swinton didn't get Oscar heat this year - she gave a tour de force in The Eternal Daughter.......but it's Blanchett still - especially now - in 2023 - when Blanchett is coming off THAT performance.....Swinton is great and a better actress than Kidman or anyone else in that 50s class (Swinton is in her 60s) but I straight up could put Blanchett at #3 all-time (I think she was 6th or 7th in our MAR GOAT poll).......not saying I would necessarily ........but I could do it easily and she's 53 ffs A lot of people think Swinton could have played Tar ........I think she could have too.......and I think she wouldn't have played it as well, or have given that kind of rounded cinematic portrayal and been simpler and easier to read and would have grown tiresome .......meanwhile Blanchett would have killed The Eternal Daughter..... Like I said awards don't matter - but there's a huge reason Blanchett has 7 more Oscar nominations etc - and some of that is about how much more of a star and a better actress she actually is.......across all material...... I said this somewhere on here before: Cate Blanchett has pulled off a trick that no male English speaking actor and maybe only Streep has ever really pulled off - she gives the illusion of being able to play everything - across material and type (or, um, uh, gender) which is an absolute lie - no actor can play everything......yet she has actually done it in her career - in a way...... to a degree that no one else has quite matched......she has sort of outfoxed her competition and manuevered her career and position in this kind of way - she checks off the most boxes aside from Streep / Huppert ....
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