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Post by dadsburgers on Feb 3, 2018 21:53:36 GMT
He was never even on my radar. After he built up momentum, I look back and think he was very good and I respect the choice, but as big of a fan as I was/am of Get Out, I never thought twice about his performance before.
Had anyone been pushing for him until recently and I didn't notice? I feel like it just wasn't a notable year for Lead Actor.
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Post by wilcinema on Feb 3, 2018 21:58:06 GMT
He wouldn't have made it in a stronger year, but I feel like his performance has always been underappreciated. If the movie works - and it does - it's because it's filtered through his character. Whatever emotion the movie conveys, it's through him. I thought he showed some real range in Get Out, only confirming the potential he displayed in The Fades and Fifteen Million Merits, the second episode of the first series of Black Mirror.
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Post by FrancescoAbides on Feb 3, 2018 22:30:29 GMT
I was predicting him after watching the movie, 5th spot...then I started to count him out after April or something
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Post by Tommen_Saperstein on Feb 3, 2018 22:36:04 GMT
All this Get Out love seriously came out of nowhere. I wasn't expecting it for anything, both because of its early release and status as a low-budget, indie genre picture. I didn't think the critical love would carry over into a major awards run because it rarely does in these cases. There are soooooooooooo many spectacular indie pictures released every year that get so much critical love and are completely forgotten come Oscar season (and most of those aren't even horror films). I saw no reason why this would be different. Yes, it's timely and socially relevant, but so was Detroit (which was so much better and awards-friendly but I digress).
The fact that it's received so much love is a wonderful success story for independent film. It's just too bad it couldn't have happened to a better independent film.
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no
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Post by no on Feb 3, 2018 23:12:26 GMT
Well the Oscars gotta keep making efforts to not appear racist so there is that
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Post by Kirk-Picard on Feb 3, 2018 23:17:40 GMT
Well the Oscars gotta keep making efforts to not appear racist so there is that This is certainly one of the reasons and also the new members added to the academy?
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Post by mikediastavrone96 on Feb 3, 2018 23:35:39 GMT
I always thought Get Out had a good shot at being nominated for BP, but I did not think of Kaluuya as a possible contender until about September when the field of possibilities was starting to thin out. I'm happy with his nomination, though, as he does an absolutely terrific job emotionally carrying the film and opening his character up so much on screen for the audience to empathize with what he's going through without coming across as over-the-top or like he was Oscar baiting. The sunken place scene, which has become easily the most memorable moment in the film and has the potential for full-on iconic status, would not work nearly as well with a lesser actor who couldn't properly balance the unease, the flood of unresolved emotions springing forth from the character, that blank expression of horror that has become the film's defining image, it's really great work.
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Post by therealcomicman117 on Feb 4, 2018 8:23:05 GMT
Nope. I didn't even think the film would make much of an impact at the Oscars. Just seemed like the kind of film the academy would go for. Boy was I ever wrong.
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Post by stephen on Feb 5, 2018 0:18:50 GMT
Nobody was, at least not vocally. I was thinking Catherine Keener would have a shot, but for the most part, people weren't really registering it as a Top 5 contender until September-ish, and as the buzz kept climbing, I remember people thinking Kaluuya might be carried in by the love for the film if it were the one to beat for Best Picture. I myself thought that if he got in, it was a sign that it had actorly support, which was a major boon for its chances. But I rated him at sixth or seventh in line. I didn't register him as a comfortable threat for a nomination until he started scoring top critics' awards mentions, which made me realize that they were really digging him more than the other, arguably showier supporting roles.
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Post by stephen on Feb 5, 2018 0:52:28 GMT
Nobody was, at least not vocally. I was thinking Catherine Keener would have a shot, but for the most part, people weren't really registering it as a Top 5 contender until September-ish, and as the buzz kept climbing, I remember people thinking Kaluuya might be carried in by the love for the film if it were the one to beat for Best Picture. I myself thought that if he got in, it was a sign that it had actorly support, which was a major boon for its chances. But I rated him at sixth or seventh in line. I didn't register him as a comfortable threat for a nomination until he started scoring top critics' awards mentions, which made me realize that they were really digging him more than the other, arguably showier supporting roles. Did you like Williams? With a rewatch i was more impressed with her. I really, really didn't. She played it too arch and obvious from the start. I actually think that Peele fucked up majorly by not reining her in, as well as keeping in that opening scene. We should not be aware anything is more amiss than what it seems like at first glance.
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Post by quetee on Feb 5, 2018 0:57:38 GMT
Not for actor, but I did predict original screenplay nod.
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Post by quetee on Feb 5, 2018 0:59:18 GMT
Well the Oscars gotta keep making efforts to not appear racist so there is that Please. The movie made 175mil dollars at the box office and became a cultural phenomenon. You need to sit down.
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Post by PromNightCarrie on Feb 5, 2018 2:39:53 GMT
No, I didn't. When Get Out first came out and I saw it in theaters, even though I said at the time that I knew this was a movie that was going to spread and become bigger through word of mouth, I wasn't thinking about Oscars. It didn't seem like their cup of tea.
I think its nominations are just a testament to the fact that the Academy could not ignore its pop culture impact. Was there any movie of 2017 that caused more talk, more references, and more memes? It sort of reminds me of a smaller-scale version of the Sixth Sense in 1999/2000 in a way- a thriller movie that grossed more but kind of had a similar pop culture impact, spread through word of mouth, and ended up earning Oscar nominations.
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no
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Post by no on Feb 5, 2018 6:20:43 GMT
Well the Oscars gotta keep making efforts to not appear racist so there is that Please. The movie made 175mil dollars at the box office and became a cultural phenomenon. You need to sit down. Lmao the movie is great. I never said otherwise. All I am saying is ever since #OscarsSoWhite they've been covering their butts
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Post by wilcinema on Feb 5, 2018 7:21:54 GMT
I really, really didn't. She played it too arch and obvious from the start. I actually think that Peele fucked up majorly by not reining her in, as well as keeping in that opening scene. We should not be aware anything is more amiss than what it seems like at first glance. I will say she was a bit too tongue in cheek, but once she reverts to her ice cold true self I thought the performance worked well, especially with the milk. The phone call with Rod chills my spine every time.
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