Post by Brother Fease on Dec 22, 2017 23:41:05 GMT
I am assuming that the following films are locks:
DUNKIRK (War epic, nominated for Best Picture at the Globes, Satellite, and Critics Choice awards, and getting heavy Best Director talk)
GET OUT (Nominated for Best Picture at the Globes, Satellite, Critics Choice, and SAG awards)
LADY BIRD (Same reason as GET OUT)
THE SHAPE OF WATER (Critically acclaim fantasy story, nominated for Best Picture at the Globes, Satellite, and Critics Choice Awards, and getting heavy Best Director talk)
THREE BILLBOARDS NEAR EBBING, MISSOURI (Same reason as GET OUT and LADY BIRD)
Close to a lock:
CALL ME BY YOUR NAME (Great reviews. Nominated for Best Picture at the Satellite, Globes, and Critics Choice awards)
THE BIG SICK (Great reviews. Nominate for Best Picture at the Critics Choice, Satellite, and SAG awards)
THE POST (NBR winner. Nominated for Best Picture at the Critics Choice and Globes)
The Wild Cards:
I, TONYA (Satellite and Globe Best Picture nominee. Janney and Robbie are sure-fire Oscar nominees)
MUDBOUND (Satellite and SAG Best Picture nominee.)
THE DARKEST HOUR (Critics Choice Best Picture nominee, Gary Oldman buzz)
THE FLORIDA PROJECT (Critics Choice Best Picture nominee, Willem Dafoe buzz)
THE DISASTER ARTIST (Globe Best Picture nominee, James Franco buzz)
ALL THE MONEY IN THE WORLD (Great buzz for Williams and Plummer. Globes gave Ridley Scott a Best Director nomination)
WONDER WOMAN (Don't be shocked if they want to award the film for its great box-office and critics success, and its female empowerment themes)
MOLLY'S GAME (Getting screenplay buzz. Why not be a player here?)
DUNKIRK (War epic, nominated for Best Picture at the Globes, Satellite, and Critics Choice awards, and getting heavy Best Director talk)
GET OUT (Nominated for Best Picture at the Globes, Satellite, Critics Choice, and SAG awards)
LADY BIRD (Same reason as GET OUT)
THE SHAPE OF WATER (Critically acclaim fantasy story, nominated for Best Picture at the Globes, Satellite, and Critics Choice Awards, and getting heavy Best Director talk)
THREE BILLBOARDS NEAR EBBING, MISSOURI (Same reason as GET OUT and LADY BIRD)
Close to a lock:
CALL ME BY YOUR NAME (Great reviews. Nominated for Best Picture at the Satellite, Globes, and Critics Choice awards)
THE BIG SICK (Great reviews. Nominate for Best Picture at the Critics Choice, Satellite, and SAG awards)
THE POST (NBR winner. Nominated for Best Picture at the Critics Choice and Globes)
The Wild Cards:
I, TONYA (Satellite and Globe Best Picture nominee. Janney and Robbie are sure-fire Oscar nominees)
MUDBOUND (Satellite and SAG Best Picture nominee.)
THE DARKEST HOUR (Critics Choice Best Picture nominee, Gary Oldman buzz)
THE FLORIDA PROJECT (Critics Choice Best Picture nominee, Willem Dafoe buzz)
THE DISASTER ARTIST (Globe Best Picture nominee, James Franco buzz)
ALL THE MONEY IN THE WORLD (Great buzz for Williams and Plummer. Globes gave Ridley Scott a Best Director nomination)
WONDER WOMAN (Don't be shocked if they want to award the film for its great box-office and critics success, and its female empowerment themes)
MOLLY'S GAME (Getting screenplay buzz. Why not be a player here?)
