Movies you love except for one awful flaw?

It's not really a single 'awful flaw', but I don't really like the William H. Macy subplot in Magnolia, and that's my second favourite movie of all time.

Could've done without some of the terrible dialogue in Interstellar, but I do love that movie overall and still think it is easily Nolan's best.

The back in time logic just at the end of About Time. It's in my top 5 of all time

The product placements in Piku

He's actually quite good in Hud, doing the whole teenage naivete that by the end finally sees the way things actually are rather than what everyone else tells him it's like. 

But sadly, he's also toe-to-toe with two all-timer performances in Neal and Newman. 

Sonny's embarrassing fight scene in The Godfather.

A whole lot of my favorites that fall into this category, actually. If a story moves me, it can be full of problems and I won't care. Whereas a movie could be pretty flawless and fail to connect.

The finale of The Village. I understand why it was done, but don't understand why no one stepped in and said "this is a bad idea."

Tarkovsky's Solaris could have done without a lot of the highway stuff or other needlessly long scenes. Would have been one of my top ten or so if not for that.

The obvious rewrites of The Fox and the Hound damage it; why would Copper be so hellbent on revenge if Chief is still alive? I just pretend that Chief is dead, now. Gives the movie the power it had when I was a kid.

I saw it just a couple days ago, but a few scenes in A Ghost Story were unnecessary. The party scene talks down to the audience, the pie scene could have been, oh, 2 minutes shorter. And I don't care in the slightest.

In Madoka Magica: Rebellion, Bebe is a useless character (every role she performs in the plot could have been fulfilled by Sayaka), the opening stretches of the film are trying too hard to push the "sweet 'n cheery" team dynamic, and throwing in the Sayaka/Kyoko romance angle was poorly done. But none of that hampers my enjoyment of the film as a whole.

It isn't a movie, but my favorite novel is The Westing Game by Ellen Raskin. For a book that does such an amazing job deconstructing stereotypes, I have to wonder what Raskin was smoking when she created Madam Hoo. Her stereotype of "foreigner no speakee English" is deconstructed, showing her desires and her thoughts (she wants to go back to China, back to home, where she knows the language and the people and isn't always so alone), but then.... we see her methods that she hopes will achieve that goal. I've seen smarter five year olds.

Agree with the rest of what you said, though. I honestly don't know if I can even give Psycho Best Picture anymore in good conscience with that fucking scene in it.

Yeah, Moore in Magnolia is a big one. Although, the last time I watched Magnolia, I didn't hate her performance nearly as much as I used to but I still think it's a terrible performance.

I've gotten a lot of hate for this previously, but I think the end to No Country for Old Men brings down the movie a whole point for me. I get what it was saying, but it's just so unsatisfying.

The Dark Knight Rises and it's multiple plot holes.

Speaking of It Follows, the character of Yara serves absolutely no purpose and it frustrates me. Also, why did It not kill her when she crashed the car? You don't have to be conscious to be pursued.

What was wrong with Naomi Watts??! Okay, she got the stupidest line in the whole movie, but nobody that has been born could have made that line work.