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Post by stephen on Oct 5, 2017 16:21:31 GMT
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Post by MsMovieStar on Oct 5, 2017 20:12:35 GMT
Oh honey, is this the one where he eats Emma Thompson?
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Post by hugobolso1 on Oct 13, 2017 15:37:27 GMT
The girl that portrays Cordelia is very good
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Post by Johnny_Hellzapoppin on Oct 13, 2017 17:07:01 GMT
I remember reading about this last week. It sounds promising for sure.
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Post by Mattsby on May 14, 2018 1:06:50 GMT
First clip has been released... the up and coming Florence Pugh gets a moment here too... And it looks like this will be airing (UK) in a few weeks : "The film will air on BBC2 in the last week of May."
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Post by Pavan on May 14, 2018 8:05:52 GMT
First clip has been released... the up and coming Florence Pugh gets a moment here too... And it looks like this will be airing (UK) in a few weeks : "The film will air on BBC2 in the last week of May." I had no idea that this has a dystopian setting
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wattsnew
Full Member
Posts: 712
Likes: 347
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Post by wattsnew on May 14, 2018 10:32:43 GMT
Remains of the Day is one of my favorite films, happy to see these two together again!
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Post by pacinoyes on May 14, 2018 11:45:14 GMT
I have mixed feelings in these crypto-fascist updates of Shakespeare particularly Lear - obviously McKellan's Richard III gets a lot of credit for this and true it provided a spectacular showcase for its star indeed. But there's a lot to be said to seeing Richard III in its setting, in period too - and if not enough people can get it, oh well too bad. But with Lear you wonder if, unlike Richard, the update is going to start to dwarf the text........guess we'll find out. On the plus side, of all the great actors, Hopkins is of the very best at penetrating, foreboding silences something you would think would be monumental as Lear. Lear is of course a great role (the greatest, ever?) but it's funny that for all the cracks at it - no one really gets thought of as a definitive Lear while playing Lear - Olivier's TV version (a personal favorite), McKellan's recent and towering stage version, Scofield's film version (done I think before he was 50!), and now Hopkins - these are all time great actors of course but most would answer an adaptation almost entirely removed from the source (Kurosawa's Ran) is the standard. Many more productions are always discussed too (Pacino on film, I think on stage would be a big mistake, Washington on stage seems a strong possibility in the next few years, Ian Holm, Langella and Kline have already done it, Rylance will obviously do it at some point, Lithgow did it.......Morgan Freeman maybe could be a good one, I think that would cause a lot of interest, James Earl Jones has done it, Antony Sher JUST did it, and last but certainly not least, Glenda Jackson). It's kind of crazy ......just like the old King himself
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Post by Mattsby on May 14, 2018 22:15:59 GMT
Hopkins is of the very best at penetrating, foreboding silences something you would think would be monumental as Lear. Lear is of course a great role (the greatest, ever?) but it's funny that for all the cracks at it - no one really gets thought of as a definitive Lear while playing Lear - Olivier's TV version (a personal favorite), McKellan's recent and towering stage version, Scofield's film version (done I think before he was 50!), and now Hopkins - these are all time great actors of course but most would answer an adaptation almost entirely removed from the source (Kurosawa's Ran) is the standard. Many more productions are always discussed too (Pacino on film, I think on stage would be a big mistake, Washington on stage seems a strong possibility in the next few years, Ian Holm, Langella and Kline have already done it, Rylance will obviously do it at some point, Lithgow did it.......Morgan Freeman maybe could be a good one, I think that would cause a lot of interest, James Earl Jones has done it, Antony Sher JUST did it, and last but certainly not least, Glenda Jackson). It's kind of crazy ......just like the old King himself I've always thought Hopkins was such a great "thinking" actor. The way he uses his eyes between sentences and off other actors. Didn't know Scofield was that young when he did Lear. Olivier was 75 I think? Hopkins was 79 when his filmed. I remain hopeful that Pacino will do his Lear soon or when he turns 80 maybe. I just came across a quote from '12 or '13 Pacino said: "To die onstage! Literally, not figuratively. What could be better than that?" And think how they completely changed the ending from the book The Humbling - there's definitely a desire Pacino has to do Lear "last" or something. I just wish he'd do it on film now, and then he can talk about doing it on stage for as long as he wants ! Another thing......the Hopkins version - at 115m - will have to cut out a lot. I'm curious how Eyre (who also directed Holm's Royal National Theater Lear production in '97) will shape it.
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Post by Martin Stett on May 14, 2018 23:11:25 GMT
I have mixed feelings in these crypto-fascist updates of Shakespeare particularly Lear - obviously McKellan's Richard III gets a lot of credit for this and true it provided a spectacular showcase for its star indeed. But there's a lot to be said to seeing Richard III in its setting, in period too - and if not enough people can get it, oh well too bad. But with Lear you wonder if, unlike Richard, the update is going to start to dwarf the text........guess we'll find out. On the plus side, of all the great actors, Hopkins is of the very best at penetrating, foreboding silences something you would think would be monumental as Lear. Yeah, this bothers me some. It worked for that production, no doubt. But I don't really see how it adds to most Shakespeare plays. What does making Lear or Coriolanus or Henry V (actually, that would be interesting!) fascists help to enlighten the themes of the text? I have nothing against modern garb or ambiguously designed productions, but fascism is so specific in its stylings -- and so removed from modern sensibilities. Most of us don't look up to people dressed as Nazis or imagine our modern military goosestepping. It places a layer between the audience and the text, instead of helping to ease the audience into the text.
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Post by Mattsby on May 18, 2018 2:15:18 GMT
Are they also dropping this on Amazon Prime in the US soon after its BBC premiere? To be Emmy eligible doesn't it have to "air" before June 1st or something?
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Post by pacinoyes on May 19, 2018 16:57:08 GMT
Yes if it airs in US I think prior to June 1st its eligible. F*ck that's the last thing Pacino needed this year is more competition, This year is just stacked for Best Actor - how can anyone say this category is less competitive than BA at the Oscars anymore - and Pacino who I thought was majorly great in Paterno is not a really a 100% lock to even get in - Cumberbatch, Mclaughlin, Shannon (Waco), Daniels, Criss (who I think is your winner but I wasn't that impressed), Hopkins (possibly), Jordan, Banderas, Plemons, etc. Apparently Hopkins has already screened this for, among other people, Rylance.
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Post by stephen on May 19, 2018 17:02:50 GMT
Yes if it airs in US I think prior to June 1st its eligible. F*ck that's the last thing Pacino needed this year is more competition, This year is just stacked for Best Actor - how can anyone say this category is less competitive than BA at the Oscars anymore - and Pacino who I thought was majorly great in Paterno is not a really a 100% lock to even get in - Cumberbatch, Mclaughlin, Shannon (Waco), Daniels, Criss (who I think is your winner but I wasn't that impressed), Hopkins (possibly), Jordan, Banderas, Plemons, etc. Apparently Hopkins has already screened this for, among other people, Rylance. I mean, Kitsch should be sweeping the year, but I guess they're gonna try and push him in supporting.
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Post by Mattsby on May 20, 2018 23:55:58 GMT
Good interview about this project with the director Richard Eyre, from The Guardian.He also notes he might do a Strindberg play with Lesley Manville and Ralph Fiennes...
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Post by stephen on May 24, 2018 19:21:43 GMT
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Post by pacinoyes on May 25, 2018 0:16:32 GMT
I don't know how this will come off but he has such a conversational manner (which I actually dislike in actors often, yet not here, with him) you can see how great he might be - understands the text enough to own the text. I can't understand how this is 115 minutes(?)
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Post by pacinoyes on May 27, 2018 11:29:37 GMT
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Post by Mattsby on May 29, 2018 1:23:06 GMT
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Post by stephen on Aug 20, 2018 21:50:23 GMT
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