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Post by Martin Stett on Jul 8, 2024 14:27:03 GMT
Khufiya (2023) - A spy movie driven by everybody being really bad at their jobs. I'm okay with this - I found the screwups to be fun to watch - but the needless melodrama involving Tabu's character (her lesbian lover gets killed in duty AND SHE WANTS REVENGE but also she's not out of the closet and angsts about her teenage son incessantly) is frustrating and adds nothing to the spy plot. After the midway twist she becomes less important and the story improves. 6/10
Zatoichi and the Doomed Man (1965) - Another Zatoichi, not much to say. I liked it at the time, but I already forgot most of it. 6/10
Close Your Eyes (2023) - The meandering first half of this is pretty great - Erice sets up a series of two-handers in which one character is passive and the other character can tell a story, and I have always loved long monologues of characters telling stories. A midway twist changes the movie's direction and it becomes both more narratively focused and more artsy-fartsy and referential in its filmmaking, and all of the simple magic the film started with is lost. 6/10
The Hidden Blade (2004) - Yamada decided to just do The Twilight Samurai again but with less focus. The only plotline that really works - and boy does it work - is the friendship between Katagiri and his female servant Kie, which spawns scandalous rumors in the village. Unfortunately, the rest of the stuff about his samurai duties was done better in TTS. 6/10
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Post by Pittsnogle_Goggins on Jul 8, 2024 14:48:34 GMT
Titan A.E. (2000) Babe (1995) Late Night with the Devil (2024) Immaculate (2024) Imaginary (2024) Horizon: An American Saga - Chapter 1 (2024) Beverly Hills Cop: Axel F (2024) MaXXXine (2024) Despicable Me 4 (2024) The Outfit (1973)
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bigmilko
New Member
Posts: 213
Likes: 62
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Post by bigmilko on Jul 8, 2024 14:57:23 GMT
Hellraiser (2022) - 7/10: While I like most of the direction Bruckner took the, at this point, long tired IP, there were still a few choices that left me dissatisfied (naked Cenobites). The story is fairly engaging, as is where they take the established lore and build new good ideas into it, its probably got my least favorite Cenobite designs (where are their clothes)
War Horse (2011) - 5/10: Spielberg definitely at his schmaltziest, as well as even Kaminski and Williams. Just really trying too hard for that Oscar darling tear jerk movie. And while it is well made and I do like what Kaminski is doing, its really hard for me to care beyond 'I like animals, but dont like war'
M. Butterfly (1993) - 8/10 Honestly Cronenberg's hidden gem. At some points incredibly intimate, and then by the end beautifully tragic. Wasn't expecting anything out of this as it was a 'get this one out of the way so I can get to Crash' watch, but holy moly I kinda really loved it
Crash (1996) - 8/10 Really enjoyed it (somehow not as much as M. Butterfly) but the raw sexual energy, (mixed in with some great makeup) as well as a great Elias Koteas made for a rather engaging watch
Lincoln (2011) - 7/10 Feels more earned for its attempts at Oscar Glory than the last Spielberg Picture, but that all comes down to one having a Horse and the other having Dan Lewis
Twister (1996) - 9/10 Honestly rocks so fucking hard
Mulholland Drive (2001) - 9/10 Really though I was missing what all the hype was about and I guess anticipated something more Sinister like whenever Bob shows up in Twin Peaks (only a little into S2 right now), but once the final 20 minutes happen and the entire thing gets flipped upside down on me, that's when it all really clicked. It'll definitely only get better from here, I am sure of that
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Post by pacinoyes on Jul 8, 2024 15:57:05 GMT
M. Butterfly (1993) - 8/10 Honestly Croneberg's hidden gem. At some points incredibly intimate, and then by the end beautifully tragic. Wasn't expecting anything out of this as it was a 'get this one out of the way so I can get to Crash' watch, but holy moly I kinda really loved it It's also quite different from the play which played the material as an even bigger, tragic sucker for love .......as a film DC makes it more a self-deluded guilt piece - which ties into the politics - and Irons really excels at something quite hard to accurately portray.......I think people expected the play but it actually subverts the play imo Quite misunderstood and makes a good double feature with Damage.........and weirdly also Phantom Thread a little
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Post by JangoB on Jul 8, 2024 16:19:52 GMT
AGGRO DR1FT - I kinda have to chuckle at any serious analyses of this because to me it's clear that it was Korine and his buds just fucking around with AI and infrared and all that type of stuff, without any attempts to make a proper movie. I'm not even sure I'm supposed to look at it as a movie... but since it's kind of presented that way, I guess I gotta. And as a movie it clearly doesn't work. All the colors and all the vibes are cool but only for a little while - once you get used to them, there's nothing much to hang on to. Maybe you're meant to be high while watching this? I don't know. What I do know is that Korine has stated his desire to develop games... and if this "movie" is to be seen as a test drive for that idea, we're in for some pretty fucking boring games.
Shanghai Noon - As "normal" and purely functional as this film is (and it's still pretty enjoyable), it's kind of amazing that a standard, mid-budget audience entertainment piece could look this pretty back in the day. I'm not saying that digital cinematography has ruined everything... but people have sure become lazier. There're shots here that put some of the recent Best Cinematography winners to shame.
Klute - REWATCH. The choice of title is so funny to me. Did they expect to turn it into a detective franchise or something? Were they planning to make a Poirot out of Donald Sutherland's highly peculiar and even somewhat creepy PI? Especially when everyone with eyes can see that the movie is focused on Jane Fonda's character? So many questions. Anyway, it's a good film and Fonda is just fantastic in it. Sutherland is too... but what a strange portrayal it is.
The Quintessential Quintuplets Movie - This is the culmination of the two-season anime series which I watched beforehand. It was my first (and maybe last) experience with the "harem" genre and I quite enjoyed it, especially S2 which dived deeper into the characters and actually provided some juicy dorama to go along with the romcom shenanigans. The movie has plenty of that S2 spirit as well and is overall pretty good, but I'm not sure I buy the resolution of the story because the movie doesn't give it enough time to truly register. As I understand it, it was the same with the manga too so I suppose the filmmakers were somewhat stuck with what the source material provided... but that's what adaptations are for. The whole show is predicated on one mystery -- which of the five twin sisters will our protagonist choose as his beloved -- and the answer revealed in the movie is quite puzzling. But maybe it wouldn't have been had the movie decidated more time to give some context for it. Peculiarly enough, said context was thrown in a special episode that was released after the movie. Which is, as they say, a choice. I liked the movie as I like these characters (well, the male lead is quite bland but I'm told he's a few notches above your standard harem MC so I have to take that into consideration) and their intertwined relationships but that oh-so-important reveal left a strange aftertaste in my mouth. Not even because I was shipping him to end up with a different girl (although I was) but because his eventual choice just came off as unearned. Now, is it my problem or the movie's? I'm still not sure.
All the President’s Men - REWATCH. Amazing. One of the most underrated Best Sound winners ever! No movie starts off with a bang quite like this one. At the same time, shame on the Academy for snubbing Gordon Willis all throughout the 70s. Stupid fucking old guard bullshit. Fuck. Forgive me for swearing but this movie got a PG despite having 10+ "fucks" in it so it felt appropriate.
Midnight in the Garden of Good and Evil - An insanely underrated Eastwood joint. 2.5 hours of Clint luxuriating in the colorful characters and in the curious place he's depicting. And look at him casting a real person (and a trans person too - who even did that back in those days? Clint's the man) as herself in one of the film's most important roles way before the 15:17 to Paris thingy. The bones of the movie consist of a murder story and a courtroom drama but that doesn't really matter when the real taste comes from the character/location meat around them. And there's so much meat to bite into here.
Liz and the Blue Bird - REWATCH. As much as I want to write a whole big essay about this masterpiece, I realize that I could never do it justice, especially when pretty much all of its separate scenes require an essay of their own. It's the most emotionally complex animated film ever made, and what's even more astonishing is that said complexity is achieved through depiction of the smallest and subtlest of gestures, glances, sighs, etc. Animation is the ultimate director's medium, and we've seen its great auteurs use it for incredible world-building. Naoko Yamada builds worlds too, but her gaze is directed within. Her entire career seems to be devoted to meticulously exploring and crafting the inner worlds of people's souls, not so much to unravel their deepest secrets but to gently peek behind them. This is why she's my favorite female filmmaker of all time, and Liz and the Blue Bird is her greatest feature-length triumph (at least so far - her new movie, Kimi no iro, comes out in Japan this August so I'll be ecstatic if she manages to top this). If there is a movie I wish more people would watch, it's this one. Provided they'd love it as much I do, of course.
Stardust Memories - REWATCH. Quite marvelous! Oh, the days when Woody Allen cared about the filmmaking and all that. I hope Fellini enjoyed it.
Save the Green Planet! - So... why exactly is Lanthimos planning to remake this? His brand is bizarre and uncomfortable, and this movie has already got plenty of that. What's there to add? All right, I'll be fair: another brand of his is the deadpan approach to humor, and I guess it would be somewhat interesting to look at this story with that tone. Because Jang Joon-hwan's filmmaking is anything but deadpan. But I just don't quite get why Lanthimos would want to take a second stab at something that's already pretty accomplished in its own right. Then again, I don't know what's cooking up in that mind of his so maybe he'll surprise me. Or maybe he just wants to shoot Emma Stone being tortured (Ariane Labed better check that script). At any rate, the original film is pretty good. Not entirely my type of thing but I can recognize a well-made flick when I see it. Isn't it crazy how South Korean cinema just decided to fucking explode onto the international scene in 2003? This movie, Oldboy, Memories of Murder, A Tale of Two Sisters, Spring, Summer, Fall, Winter… and Spring. It's insane.
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hilderic
Junior Member
Posts: 329
Likes: 140
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Post by hilderic on Jul 8, 2024 16:55:56 GMT
Food for Ravens The River Rhine Invincible A Foreign Field Who's Afraid of the Bogeyman Taste of Cherry
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sophiefox
Junior Member
Posts: 292
Likes: 204
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Post by sophiefox on Jul 8, 2024 17:03:38 GMT
Origin (Ava DuVernay, 2023) historical socio-political drama w/ Aunjanue Ellis-Taylor, Jon Bernthal, Vera Farmiga, Connie Nielsen, Blair Underwood, Nick Offerman 7/10
The Choirboys (Robert Aldrich, 1977) crime coming-of-age comedy drama w/ Charles Durning, Louis Gossett Jr., Perry King, Stephen Macht, Randy Quaid, Don Stroud, James Woods, Burt Young, Cheryl Smith, Blair Brown, Jim Davis 4/10
The Spy Who Dumped Me (Susanna Fogel, 2018) action spy comedy w/ Mila Kunis, Kate McKinnon, Justin Theroux, Sam Heughan, Gillian Anderson 6/10
The Gauntlet (Clint Eastwood, 1977) action thriller crime drama w/ Clint Eastwood, Sondra Locke, Pat Hingle, Bill McKinney 8/10
The Little Girl Who Lives Down the Lane (Nicolas Gessner, 1976) mystery thriller coming-of-age drama w/ Jodie Foster, Martin Sheen, Alexis Smith, Scott Jacoby 7/10
Switchblade Sisters (Jack Hill, 1975) action crime drama w/ Robbie Lee, Joanne Nail, Monica Gayle, Asher Brauner, Marlene Clark, Kitty Bruce, Janice Karman 8/10
Little Murders (Alan Arkin, 1971) crime comedy drama w/ Elliott Gould, Donald Sutherland, Marcia Rodd, Vincent Gardenia, Elizabeth Wilson, Lou Jacobi, Doris Roberts, Alan Arkin 7/10
Secret in Their Eyes (Billy Ray, 2015) crime thriller drama w/ Chiwetel Ejiofor, Nicole Kidman, Julia Roberts, Dean Norris, Alfred Molina, Joe Cole, Zoe Graham 6/10
A Vigilante (Sarah Daggar-Nickson, 2018) thriller drama w/ Olivia Wilde, Tonye Patano 7/10
Doctors' Wives (George Schaefer, 1971) relationship drama w/ Dyan Cannon, Richard Crenna, Gene Hackman, Carroll O'Connor, Rachel Roberts, Janice Rule, Diana Sands, Cara Williams, Richard Anderson, Ralph Bellamy 4/10
Sleep with Me (Rory Kelly, 1994) gen x relationship comedy drama w/ Meg Tilly, Eric Stoltz, Craig Sheffer, Lewis Arquette, Todd Field, Parker Posey, Joey Lauren Adams, Vanessa Angel, June Lockhart, Adrienne Shelly, Quentin Tarantino 7/10
Safe House (Daniel Espinosa, 2012) crime action spy thriller w/ Denzel Washington, Ryan Reynolds, Vera Farmiga, Brendan Gleeson, Sam Shepard, Rubén Blades, Nora Arnezeder, Robert Patrick, Liam Cunningham, Joel Kinnaman 5/10
Run, Angel, Run! (Jack Starrett, 1969) exploitation action thriller w/ William Smith, Valerie Starrett 6/10
Bloody Mama (Roger Corman, 1970) crime drama w/ Shelley Winters, Pat Hingle, Don Stroud, Diane Varsi, Bruce Dern, Robert De Niro, Scatman Crothers 8/10
Dirty Mary Crazy Larry (John Hough, 1974) road-movie action adventure crime comedy w/ Peter Fonda, Susan George, Adam Roarke, Kenneth Tobey 7/10
The Anderson Tapes (Sidney Lumet, 1971) heist thriller crime drama w/ Sean Connery, Dyan Cannon, Martin Balsam, Ralph Meeker, Christopher Walken, Val Avery, Scott Jacoby 7/10
Last Summer (Frank Perry, 1969) coming-of-age drama w/ Barbara Hershey, Richard Thomas, Catherine Burns, Bruce Davison 8/10
Captive State (Rupert Wyatt, 2019) dystopian sci-fi thriller drama w/ John Goodman, Ashton Sanders, Jonathan Majors, Vera Farmiga, Alan Ruck, James Ransone, D.B. Sweeney, Machine Gun Kelly, Madeline Brewer 6/10
First Reformed (Paul Schrader, 2017) surreal spiritual introspective socio-political drama w/ Ethan Hawke, Amanda Seyfried, Cedric the Entertainer, Victoria Hill, Philip Ettinger 9/10
re-watches: The Godfather (Coppola, 1972) 9/10 Mean Streets (Scorsese, 1973) 7/10 The Long Goodbye (Altman, 1973) 10/10
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Post by Martin Stett on Jul 8, 2024 17:57:24 GMT
The Quintessential Quintuplets Movie - This is the culmination of the two-season anime series which I watched beforehand. It was my first (and maybe last) experience with the "harem" genre and I quite enjoyed it, especially S2 which dived deeper into the characters and actually provided some juicy dorama to go along with the romcom shenanigans. The movie has plenty of that S2 spirit as well and is overall pretty good, but I'm not sure I buy the resolution of the story because the movie doesn't give it enough time to truly register. As I understand it, it was the same with the manga too so I suppose the filmmakers were somewhat stuck with what the source material provided... but that's what adaptations are for. The whole show is predicated on one mystery -- which of the five twin sisters will our protagonist choose as his beloved -- and the answer revealed in the movie is quite puzzling. But maybe it wouldn't have been had the movie decidated more time to give some context for it. Peculiarly enough, said context was thrown in a special episode that was released after the movie. Which is, as they say, a choice. I liked the movie as I like these characters (well, the male lead is quite bland but I'm told he's a few notches above your standard harem MC so I have to take that into consideration) and their intertwined relationships but that oh-so-important reveal left a strange aftertaste in my mouth. Not even because I was shipping him to end up with a different girl (although I was) but because his eventual choice just came off as unearned. Now, is it my problem or the movie's? I'm still not sure. Liz and the Blue Bird - REWATCH. As much as I want to write a whole big essay about this masterpiece, I realize that I could never do it justice, especially when pretty much all of its separate scenes require an essay of their own. It's the most emotionally complex animated film ever made, and what's even more astonishing is that said complexity is achieved through depiction of the smallest and subtlest of gestures, glances, sighs, etc. Animation is the ultimate director's medium, and we've seen its great auteurs use it for incredible world-building. Naoko Yamada builds worlds too, but her gaze is directed within. Her entire career seems to be devoted to meticulously exploring and crafting the inner worlds of people's souls, not so much to unravel their deepest secrets but to gently peek behind them. This is why she's my favorite female filmmaker of all time, and Liz and the Blue Bird is her greatest feature-length triumph (at least so far - her new movie, Kimi no iro, comes out in Japan this August so I'll be ecstatic if she manages to top this). If there is a movie I wish more people would watch, it's this one. Provided they'd love it as much I do, of course. *Ahem* If you're going to watch a harem anime, Ouran High School Host Club is right over there and it is hilarious. One-part harem parody and one equal part the anime version of Triangle of Sadness. Also ahead of its time in its accepting portrayal of queer characters. The show does take a little bit of time to find its footing, but it is remarkably touching and *extremely* funny once it fully establishes the characters. It is one of my comfort shows for just sitting down and watching something goofy when my brain isn't working. Actually, it is probably *the* comfort show. My vote for the single funniest episode of television goes to Ouran and the one in which the all-lesbian theatre club from a neighboring girls' school abducts Haruhi, so her harem of men has to infiltrate the school posing as lesbian fans to keep them from stealing her precious innocence. It's right up there with the other episode in which a super-tough gangster can't figure out his sexuality after falling for a dude. Even the episode about the kid who has gotten his whole romantic and sexual education from hentai comics is surprisingly sweet and wholesome. Also, seconding that Liz and the Blue Bird is a masterpiece and perhaps the foremost directorial achievement in cinema. Yeah, I said it.
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Post by urbanpatrician on Jul 8, 2024 18:10:56 GMT
Last 2 weeks
Ghost of Frankenstein - My favorite of the Frankenstein series besides Bride of Frankenstein. Son of Frankenstein was just so boring. This, although probably more on the campy and cartoony side.... is at least a fun movie. Maybe even more fun than Bride of Frankenstein, but it's close. Bride of Frankenstein has the creation scene and Dr. Pretorius. Ghost had those fun brain transplants and the monster's love for the little girl and his kidnapping of her which all added to the juice. 7.5/10
Winter's Bone - My first thought was...... this would make for good TV. A small crime story taking place in a sleepy town is ripe FX or HBO material. Very good stuff. J. Law is aces. One of my favorites from her. I like how the crime story unfolds, and J. Law's character gets more interesting as it goes along, a sort of an unlikely protagonist mixed up with the most unlikely people. The unlikeliness of everything here was the main interest point. I might even slot it into my Top 15 of the early 2010s... actually I will. 2010 was just a fantastic year 8/10
An American Werewolf in London - I still like it, but feels less interesting than before. Still interesting and a good movie, but it wouldn't be a perennial horror classic like The Evil Dead. Probably #10-12 of 1981 is the best I can do. Of course I like looking at Jenny Agutter naked, but who doesn't. 7/10
Frankenstein Meets The Wolf Man - Pretty good... had its moments of interestingness. My 3rd or 4th favorite of the franchise. Might take it over the original Frankenstein. Son of Frankenstein is last. 7/10
My Week With Marilyn - Good week for me. Every movie is at least good. This is enjoyable. I enjoyed Michelle Williams too.... it's a really good performance from her, she did the best she can with what she was given - she's just not close to looking like Marilyn. Nobody seems to care for her work here and instead all drool over Ana De Armas. I haven't seen Blonde because it's not on DVD - but I never was interested in her over Michelle Williams. But I still wanna see Blonde.... just to see the take and raunchiness. 7/10
La Chienne - Jean Renoir is so damn good. His takes on society - and the sheer examination and depiction of society is a stand alone among filmmakers of its era. Even tho the Italians do those poverty tales in the same era, they weren't doing it as well as Renoir and his class deconstructions. Hollywood was also way behind in 1931. There were probably limitations and laws against what they can and can't do, but still... there were talented artists of any era ... but just wasn't any rising to the top in 1931. We get boring generic gangster stories like Public Enemy and Little Caesar, and very slight horror films like Dracula and Dr. Jekyl and Mr. Hyde... pretty much every American movie of 1931 was so boring but you got the contributions from Jean Renoir doing these adult themed movies with such scathing power that are so ahead of its time. Yes, a beautiful woman probably won't love an ugly man - a common motif rings with truth and profundity under the hand of Renoir. Also, this was remade by Hollywood and Fritz Lang called Scarlet Street 8.5/10
Rogue One: A Star Wars Story - Well, bad title aside - this is better than all the new sequels. The Last Jedi and The Rise of Skywalker might have started pretty good, or at about the same level - but it quickly became a series of Star Wars routines with a bombastic finale. It was just too predictable - kinda knew they were setting up an epic confrontation which was boring. Rogue One has the side story aspect to it(which I prefer), Jyn Erso (more interesting than any new Star Wars character), and it's just much less overall predictable. Would take it over all movies except Revenge of the Sith, original Star Wars, and The Empire Strikes Back.... basically episode 3-5. The First Order boring crap and the EWOKs which clearly indicated the story ran out of gas was what did those other movies in. 8/10
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Post by JangoB on Jul 8, 2024 21:33:58 GMT
The Quintessential Quintuplets Movie - This is the culmination of the two-season anime series which I watched beforehand. It was my first (and maybe last) experience with the "harem" genre and I quite enjoyed it, especially S2 which dived deeper into the characters and actually provided some juicy dorama to go along with the romcom shenanigans. The movie has plenty of that S2 spirit as well and is overall pretty good, but I'm not sure I buy the resolution of the story because the movie doesn't give it enough time to truly register. As I understand it, it was the same with the manga too so I suppose the filmmakers were somewhat stuck with what the source material provided... but that's what adaptations are for. The whole show is predicated on one mystery -- which of the five twin sisters will our protagonist choose as his beloved -- and the answer revealed in the movie is quite puzzling. But maybe it wouldn't have been had the movie decidated more time to give some context for it. Peculiarly enough, said context was thrown in a special episode that was released after the movie. Which is, as they say, a choice. I liked the movie as I like these characters (well, the male lead is quite bland but I'm told he's a few notches above your standard harem MC so I have to take that into consideration) and their intertwined relationships but that oh-so-important reveal left a strange aftertaste in my mouth. Not even because I was shipping him to end up with a different girl (although I was) but because his eventual choice just came off as unearned. Now, is it my problem or the movie's? I'm still not sure. Liz and the Blue Bird - REWATCH. As much as I want to write a whole big essay about this masterpiece, I realize that I could never do it justice, especially when pretty much all of its separate scenes require an essay of their own. It's the most emotionally complex animated film ever made, and what's even more astonishing is that said complexity is achieved through depiction of the smallest and subtlest of gestures, glances, sighs, etc. Animation is the ultimate director's medium, and we've seen its great auteurs use it for incredible world-building. Naoko Yamada builds worlds too, but her gaze is directed within. Her entire career seems to be devoted to meticulously exploring and crafting the inner worlds of people's souls, not so much to unravel their deepest secrets but to gently peek behind them. This is why she's my favorite female filmmaker of all time, and Liz and the Blue Bird is her greatest feature-length triumph (at least so far - her new movie, Kimi no iro, comes out in Japan this August so I'll be ecstatic if she manages to top this). If there is a movie I wish more people would watch, it's this one. Provided they'd love it as much I do, of course. *Ahem* If you're going to watch a harem anime, Ouran High School Host Club is right over there and it is hilarious. One-part harem parody and one equal part the anime version of Triangle of Sadness. Also ahead of its time in its accepting portrayal of queer characters. The show does take a little bit of time to find its footing, but it is remarkably touching and *extremely* funny once it fully establishes the characters. It is one of my comfort shows for just sitting down and watching something goofy when my brain isn't working. Actually, it is probably *the* comfort show. My vote for the single funniest episode of television goes to Ouran and the one in which the all-lesbian theatre club from a neighboring girls' school abducts Haruhi, so her harem of men has to infiltrate the school posing as lesbian fans to keep them from stealing her precious innocence. It's right up there with the other episode in which a super-tough gangster can't figure out his sexuality after falling for a dude. Even the episode about the kid who has gotten his whole romantic and sexual education from hentai comics is surprisingly sweet and wholesome. Hmm... I'll keep it in mind (especially for the "hilarious" part - always good to keep something funny by your side) but I'm not sure when I'm gonna come back to the harem genre. Sorta feels like a "I enjoyed my first one but that feels like enough for now" situation. I have a bunch of shows lined up anyway (started Mitsuboshi Colors for the lolz and to fill up time before all episodes of Girls Band Cry are available, and then I wanna switch gears from CGDCT and go for either Frieren or Vinland Saga) so harems will have to wait. But thanks for the rec!
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Post by therealcomicman117 on Jul 9, 2024 6:09:48 GMT
Horizon: Part One - 6 / 10
Meet Joe Black - 4 / 10
Beverly Hills Cop: Axel F - 5 / 10
Serial Mom - 7 / 10
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