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Post by JangoB on Sept 21, 2022 0:21:15 GMT
The movie that beat Belfast's ass at the Irish Academy Awards and became the highest-grossing Irish-language film of all time. It's also Ireland's submission for Best International Film at the upcoming Oscars.
I thought it was quite good. I've seen a few people describe it as 'deceptively simple' but I don't think there's anything deceptive about its simplicity at all - the movie is decidedly stripped-down and simple, and it is precisely from that simplicity that the power of the piece arises. We spend pretty much every minute of the film with the titular girl and I think we're meant to not only see but to perceive everything entirely from her point of view. Which is why we don't get big dialogue scenes or deep dives into the people around her. We experience them with and through her, gradually establishing a bond that is sure to prove heartbreaking by the end. Despite its rather obvious and expected nature, the finale is indeed as moving as anything I've seen in a 2022 film so far, making the fairly sparse and low-key preceding 90 minutes absolutely worth it.
The three main actors - Catherine Clinch, Carrie Crowley, Andrew Bennett - are very strong. There's a tremendous quality to Clinch's eyes which makes it feel like they can tell a hundred stories. Alongside deep sadness within them shines the light of curiosity and affection, and sometimes all of the above can be found in a single glance. Even if the film leaves you cold I can't quite imagine not being moved by her performance.
Has anyone else seen it? What did you think?
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Post by Tommen_Saperstein on Jan 25, 2023 19:02:03 GMT
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Post by stephen on Jan 25, 2023 19:03:45 GMT
I adore the hell out of this movie.
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Post by Tommen_Saperstein on Jan 25, 2023 19:15:35 GMT
saw this a few days ago and it's absolutely lovely. So happy it got a nomination. Slowly-paced and sparsely plotted but shows just enough for the engaged viewer to put the pieces together and grasp the emotionally heart-wrenching implications of this simple story. The compassionate presence of Colm Bairéad (in his feature narrative debut) is ever present in his directing. Catherine Clinch as Cáit conveys so much with her face and eyes and Carrie Crowley and Andrew Bennett are exceptional as this girl's temporary caretakers. Especially Crowley who imbues her role with so much tenderness in the face of loneliness and loss that it's nearly unbearable. Some people have so much love to give and nowhere to put it.
tonally I'd compare it to Petit Maman (without the narrative surrealism) and it definitely has the gradual pace, spiritual splendor and overflowing empathy of a Sciamma film. And like that film, it uses just enough of the stirring original score and in just the right places to tug on your heartstrings. Love it so, so much.
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Post by stabcaesar on Jan 25, 2023 19:34:41 GMT
Catherine Clinch, Carrie Crowley and Andrew Bennett are all absolutely spectacular in this film. I'm really glad that it got nominated.
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Post by stephen on Jan 25, 2023 19:38:12 GMT
Catherine Clinch, Carrie Crowley and Andrew Bennett are all absolutely spectacular in this film. I'm really glad that it got nominated. Ending of the year for me.
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avnermoriarti
Badass
Friends say I’ve changed. They’re right.
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Post by avnermoriarti on Jan 26, 2023 5:03:23 GMT
Didn't think much while watching it but has grown immensely with time for me. Mundane moments become crucial because of the perspective we're watching it and that ending is quite bold nowadays, just for the cheer confidence with which is done. Among my favourite oscar nominations.
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Post by Ryan_MYeah on Jan 26, 2023 5:37:04 GMT
I WANT TO WATCH IT
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Post by Tommen_Saperstein on Jan 26, 2023 6:42:09 GMT
I WANT TO WATCH IT the limbo in January/February of waiting for awards contenders to go to VOD is infuriating.
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