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Post by Pavan on Apr 23, 2017 20:38:37 GMT
should have been nominated for the Oscars instead of Passengers. Abel Korzeniowski
did a wonderful job with A Single Man and this.
He got snubbed both times.
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Post by Ryan_MYeah on Apr 23, 2017 21:52:05 GMT
It's good. His Romeo & Juliet was better.
And there's a lot of stuff should have been nominated over Passengers (Kubo, Rogue One, Fantastic Beasts to name a few).
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Post by harlequinade on Apr 24, 2017 4:27:28 GMT
One of the very few things in this movie I didn't hate.
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Post by tenenbaumkingdom on Apr 24, 2017 5:27:54 GMT
I loved the score to this film. Reminded me a lot of a modern take on the Bernard Herrmann scores to Hitchcock's films (mainly Psycho with the emphasis on the strings); thinking of the way Tom Ford wrote and shot this film, I'd say it's very much a modern Hitchcock film mixed with the touch of bizarre directly of David Lynch's filmography. This was the one really big nomination I'd hope the film would at least receive, but I was pretty disappointed with this year's Original Score nominees.
The opening track ("Wayward Sisters") and the final track ("Table for Two") are the best songs of the entire score, in my opinion.
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Post by therealcomicman117 on Apr 24, 2017 20:50:27 GMT
It's a great score, powerfully haunting too, and it solidified Korzeniowski as one of my favorites composers working in the business. Between this, Penny Dreadful & Escape From Tomorrow, dude is one of the greats right now. He's not afraid to write "old-fashioned film music".
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Post by Tommen_Saperstein on Apr 24, 2017 22:28:38 GMT
he was also snubbed for W.E. in 2011.
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speeders
Based
Posts: 4,165 
Likes: 2,255
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Post by speeders on Apr 24, 2017 22:49:45 GMT
Best score of 2016 hands down.
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Post by taranofprydain on Apr 24, 2017 23:06:42 GMT
I thought it was a pretty good score, especially in the final scene of the film.
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