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Post by quetee on Aug 12, 2021 0:14:21 GMT
Last month:
Added: Dune A Hero King Richard The Tragedy of Macbeth
Dropped: Benedetta The Whale Canterbury Glass - pushed to 2022 Blonde - pushed to 2022
Winner: House of Gucci
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Post by franklin on Aug 12, 2021 0:35:20 GMT
1. The Power of The Dog 2. Don't Look Up 3. Belfast 4. The Tragedy of Macbeth 5. House of Gucci 6. The French Dispatch 7. Dune 8. Last Night in Soho 9. Nightmare Alley 10. West Side Story
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Post by mhynson27 on Aug 12, 2021 1:04:55 GMT
The Power of the Dog
Three different choices in the last three months, but that's the nature of awards season this early out.
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Post by michael128 on Aug 12, 2021 1:27:01 GMT
Is it weird that I kind of think Black is King still has a shot? Gonna take a risk and go with that for now.
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morton
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Post by morton on Aug 12, 2021 2:11:36 GMT
I’ll still go with The Power of the Dog. Not really sure what else to go with.
I think it should do well nomination wise given the faith Netflix has in it, and maybe even win a few above the line prizes. Picture I’m not sure though because Netflix, not because of any bias, but just because I’m not sure they can sustain the needed buzz for one of their films to win. While this year seems to be an odd year, I still don’t think it will be quite as strange as last year, so I think that works against Netflix if they couldn’t win when last year when it seemed like the perfect time for them to win.
Still nothing else screams winner.
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dazed
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Post by dazed on Aug 12, 2021 12:21:35 GMT
Dune
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Post by TheAlwaysClassy on Aug 12, 2021 12:44:18 GMT
1. Power of the Dog 2. House of Gucci 3. Don't Look Up 4. Nightmare Alley 5. The French Dispatch
After that I dunno.
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Post by pacinoyes on Aug 12, 2021 12:58:53 GMT
Only Don't Look Up, Power of The Dog, Nightmare Alley and House of Gucci here fit the way I'm feeling - big movies, big stars, big hits, studio pictures - no indie sh it, no niche even if it's big niche (Dune etc) - no sci-fi,no Shakespeare, no musicals.
2 of those 4 (Nightmare Alley, Power Of The Dog) could be downbeat tragedies but Power of The Dog can transcend that and be "socially relevant" and uplifting (sort of) to all the sensitively woke wackadoodles out there. HoG and DLU are about tragedy but won't play as that I reckon but Power of the Dog is a different thing.......
Saying this in every post from now on - Kodi Smit-McPhee for all the reasons I have said before as the guy to watch in Supporting......for a nod at least.......
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Post by JangoB on Aug 12, 2021 13:36:12 GMT
So far I'll go safe and pick what seems like the biggest contender on paper - Don't Look Up. Every year there's a Netflix contender which finally seems to be the one only for it to end up losing but hey, in theory there're a lot of things going for it. Top cast, satirical presentation of pressing issues, all of that made by their beloved McKay whose Oscar streak may end up with him winning the big one... or maybe it'll be his "Joy"
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Post by Pittsnogle_Goggins on Aug 12, 2021 14:15:00 GMT
Still sticking with Don’t Look Up for now.
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Post by quetee on Aug 12, 2021 16:13:22 GMT
So far I'll go safe and pick what seems like the biggest contender on paper - Don't Look Up. Every year there's a Netflix contender which finally seems to be the one only for it to end up losing but hey, in theory there're a lot of things going for it. Top cast, satirical presentation of pressing issues, all of that made by their beloved McKay whose Oscar streak may end up with him winning the big one... or maybe it'll be his "Joy" The good news is that Leo is in the movie so people will at least check it out. The bad news is that if not enough people do then it won't win BP. The problem with Netflix BP nods is that nobody watched them. Netflix released their top ten movies last week and there was not one bp nod in sight.
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Post by quetee on Aug 12, 2021 19:34:29 GMT
The Power of the DogThree different choices in the last three months, but that's the nature of awards season this early out. That usually happens when we see the footage. I'm sure there will be some big changes next month after we get the results from the festivals.
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Post by pacinoyes on Aug 12, 2021 19:40:09 GMT
Some word about festivals btw: The important directors with new movies at the fall festivals this year are Pedro Almodovar, Jane Campion, Paul Schrader, Denis Villeneuve, Edgar Wright and Paolo Sorrentino … yikes.
Almost every studio is skipping the festivals with movies that should have been big priorities. Suffice to say, it’s going to be another eccentric fall season. Yes, Telluride, Toronto and Venice will have strong content to showcase, but the list of movies not showing up anywhere just keeps getting bigger and the big director names are not showing up.
Just look at who is not going:
Nightmare Alley (Guillermo del Toro) Soggy Bottom (Paul Thomas Anderson) West Side Story (Steven Spielberg) Cry Macho (Clint Eastwood) Don't Look Up (Adam McKay) House of Gucci (Ridley Scott) Being the Ricardos (Aaron Sorkin) C'mon C'mon (Mike Mills) Tender Bar (George Clooney) A Journal for Jordan (Denzel Washington)
We always get some late comers or contenders that would normally skip festivals but not like this. Is it studio hesitation due to the unpredictability of COVID? Maybe. We are inevitably headed towards a fourth wave of the virus and maybe that could delay a few prominent contenders from being released this year. Stay tuned …
www.worldofreel.com/blog/2021/8/2ih3bjx8gwnpv360l48zbwi894g497
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Post by Pittsnogle_Goggins on Aug 12, 2021 21:08:07 GMT
So far I'll go safe and pick what seems like the biggest contender on paper - Don't Look Up. Every year there's a Netflix contender which finally seems to be the one only for it to end up losing but hey, in theory there're a lot of things going for it. Top cast, satirical presentation of pressing issues, all of that made by their beloved McKay whose Oscar streak may end up with him winning the big one... or maybe it'll be his "Joy" The good news is that Leo is in the movie so people will at least check it out. The bad news is that if not enough people do then it won't win BP. The problem with Netflix BP nods is that nobody watched them. Netflix released their top ten movies last week and there was not one bp nod in sight. How many people saw Nomadland?
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Post by quetee on Aug 12, 2021 23:20:43 GMT
The good news is that Leo is in the movie so people will at least check it out. The bad news is that if not enough people do then it won't win BP. The problem with Netflix BP nods is that nobody watched them. Netflix released their top ten movies last week and there was not one bp nod in sight. How many people saw Nomadland? That went the box office route first and then to streaming. It did not report its box office figures so not sure how much it made. As for streaming, it ended up in the top ten at least once, that I can remember and was in top ten in rentals. The netflix movies did not place in the streaming top ten.
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Post by futuretrunks on Aug 13, 2021 0:00:29 GMT
DLU is not winning Best Picture, come on. It would have to have the craziest leaked script to finished product evolution I've seen in the past few decades. I'm thinking Dune or West Side Story. Power of Dog sounds like an awards movie, but I don't buy Campion making something crowd-pleasing enough to win over well-received films with much more massive profiles. Let's not forget Nomadland won in a crazy year.
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Post by quetee on Aug 13, 2021 0:33:10 GMT
DLU is not winning Best Picture, come on. It would have to have the craziest leaked script to finished product evolution I've seen in the past few decades. I'm thinking Dune or West Side Story. Power of Dog sounds like an awards movie, but I don't buy Campion making something crowd-pleasing enough to win over well-received films with much more massive profiles. Let's not forget Nomadland won in a crazy year. I don't see either Dune or West Side Story winning bp. Power of the Dog, the story is a good one but it could be too small to win especially if other movies explode at the box office. We are still in a questionable year though especially with the delta variant and word is that we need a 3rd dose.
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LaraQ
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Post by LaraQ on Aug 13, 2021 11:42:54 GMT
The buzz around Power of the Dog is huge.That's my front runner,for now.
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Post by Miles Morales on Aug 13, 2021 11:56:43 GMT
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Post by JangoB on Aug 13, 2021 12:17:57 GMT
DLU is not winning Best Picture, come on. It would have to have the craziest leaked script to finished product evolution I've seen in the past few decades. I'm thinking Dune or West Side Story. Power of Dog sounds like an awards movie, but I don't buy Campion making something crowd-pleasing enough to win over well-received films with much more massive profiles. Let's not forget Nomadland won in a crazy year. Sight unseen, I think DLU (with its package) makes much more sense as a potential BP winner than a sci-fi epic which can easily go the 'techs only' route and a musical re-do which won BP the first time round. If you'd read the script of Parasite before the hoopla, would you think you were looking at a BP winner? I think these days the Academy is open to more out-there stuff, as long as it's topical. And I wish folks stopped judging movies based on reading leaked scripts. First of all, scripts constantly change (and in this case we know for a fact that DiCaprio worked on it with McKay pretty intensely). Secondly, movies are not their scripts! They can be/feel different and make more sense on the screen rather than on the page. I remember once some dude on AW read the leaked script of "The Post" and thought it would be completely uncinematic and then they released a clip from the movie and he was like 'I remember than scene in the script...why is it done in one shot? Why does it look like that?' which meant that he looked at that scene in the script with a basic unimaginative eye and a proper director was able to transform it into something lively. Unless McKay is going full Anchorman on this one, I can see it registering with the Academy just like his latest two flicks did. Again, sight unseen and a word from the script unread
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Post by stephen on Aug 13, 2021 12:31:02 GMT
Sticking with Dune for the hell of it. Conventional wisdom says that if it amazing they would delay rewarding it until the sequel, but unlike The Lord of the Rings, the sequel hasn't been shot and isn't in the can. But it's a massively beloved property and I think Villeneuve is a strong Best Director contender and it promises to be the big tech player of the year. Yes, I see the pitfalls and they are numerous for it, but the pedigree is there, and I don't mind sticking to my guns on it.
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Post by Pittsnogle_Goggins on Aug 13, 2021 13:48:23 GMT
Sticking with Dune for the hell of it. Conventional wisdom says that if it amazing they would delay rewarding it until the sequel, but unlike The Lord of the Rings, the sequel hasn't been shot and isn't in the can. But it's a massively beloved property and I think Villeneuve is a strong Best Director contender and it promises to be the big tech player of the year. Yes, I see the pitfalls and they are numerous for it, but the pedigree is there, and I don't mind sticking to my guns on it. Do you think the DGA will bend its rules to make him eligible? If not, do you think him not being eligible for a DGA nom will actually give him more traction for Best Director as many voters will feel he got unfairly shafted?
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Post by stephen on Aug 13, 2021 14:04:15 GMT
Sticking with Dune for the hell of it. Conventional wisdom says that if it amazing they would delay rewarding it until the sequel, but unlike The Lord of the Rings, the sequel hasn't been shot and isn't in the can. But it's a massively beloved property and I think Villeneuve is a strong Best Director contender and it promises to be the big tech player of the year. Yes, I see the pitfalls and they are numerous for it, but the pedigree is there, and I don't mind sticking to my guns on it. Do you think the DGA will bend its rules to make him eligible? If not, do you think him not being eligible for a DGA nom will actually give him more traction for Best Director as many voters will feel he got unfairly shafted? I think that there might be a lot of directors who think the DGA's ruling is bullshit and who rally behind Villeneuve in other areas. It's like how Affleck's snub in 2012 pretty much clinched the Best Picture win for Argo. If Villeneuve becomes a critical favorite in Best Director and he's got the tech muscle behind him, then just because the guild overlooks him for a reason that isn't even in Villeneuve's own control, his absence there could be the elephant in the room.
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morton
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Post by morton on Aug 22, 2021 18:25:56 GMT
Still keeping my vote for The Power of the Dog because it’s definitely possible it will have enough festival buzz to win Best Picture in another pandemic year.
This schedule from Netflix still gives me a little worry because they just have so many contenders, and with their release model, in a normal year I don’t know that anything is going to gain enough momentum. Even in a not so normal year, it could still be very difficult if other alternatives emerge as Nomadland did last year. Still The Power of the Dog looks to have a lot going for it, and so that might be enough if nothing else emerges as a strong alternative.
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Post by Brother Fease on Aug 22, 2021 23:12:22 GMT
Here are the Best Picture odds from Gold Derby:
1. Midnight Alley - 8/1 2. Untitled Paul Thomas Anderson - 19/2 3. The Tragedy of Macbeth - 10/1 (311 predicted to win) 4. House of Gucci - 10/1 (252 predicted to win) 5. The Power of the Dog - 11/1 (377 to win) 6. Dune - 11/1 (117 to win) 7. West Side Story - 13/1 8. Don't Look Up - 15/1 9. The French Dispatch - 20/1 (53 predicted to win) 10. CODA - 20/1 (23 predicted to win)
The alternative 10 are: tick, tick... Boom!, King Richard, In the Heights, Mass, The Humans, Belfast, Last Night in Soho, Passing, A Hero and The Last Duel.
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