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Post by JangoB on Mar 1, 2021 19:21:05 GMT
Outstanding Achievement in Sound Editing – Feature AnimationThe Croods: A New Age Onward Over the Moon Soul Wolfwalkers Outstanding Achievement in Sound Editing – Feature DocumentaryBee Gees: How Can You Mend a Broken Heart Crip Camp John Lewis: Good Trouble My Octopus Teacher The Reason I Jump Rebuilding Paradise The Social Dilemma Zappa Outstanding Achievement in Sound Editing – Foreign Language FeatureBacurau The Eight Hundred I’m No Longer Here Jallikattu The Life Ahead Outstanding Achievement in Sound Editing – Feature UnderscoreThe Invisible Man The Midnight Sky News of the World Sound of Metal Tenet The Trial of the Chicago 7 Wonder Woman 84 Outstanding Achievement in Sound Editing – Feature MusicalEurovision Song Contest: The Story of the Fire Saga The High Note I Am Woman The Forty-Year-Old Version Ma Rainey’s Black Bottom The Prom Outstanding Achievement in Sound Editing – Feature Dialogue / ADREmperor Greyhound Ma Rainey’s Black Bottom Mank News of the World Nomadland Sound of Metal Trial of the Chicago 7 Outstanding Achievement in Sound Editing – Feature Effects / FoleyCherry Greyhound The Midnight Sky News of the World Sound of Metal Tenet Wonder Woman 84 deadline.com/2021/03/golden-reel-awards-2021-nominations-sound-editors-mpse-1234704003/
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Post by Tommen_Saperstein on Mar 2, 2021 19:13:58 GMT
no Tenet nomination for ADR? You don't say!
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Post by JangoB on Apr 17, 2021 9:51:54 GMT
THE WINNERS:Outstanding Achievement in Sound Editing – Feature Animation Soul Outstanding Achievement in Sound Editing – Feature Documentary The Reason I Jump Outstanding Achievement in Sound Editing – Foreign Language Feature The Eight Hundred Outstanding Achievement in Sound Editing – Feature Underscore Tenet Outstanding Achievement in Sound Editing – Feature Musical Eurovision Song Contest: The Story of the Fire Saga Outstanding Achievement in Sound Editing – Feature Dialogue / ADR The Trial of the Chicago 7 Outstanding Achievement in Sound Editing – Feature Effects / Foley Greyhound
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Post by JangoB on Apr 17, 2021 9:56:02 GMT
Sound of Metal goes empty handed but I think that was kind of predictable in every nomination that it got - it's not necessarily a heavy sound effects movie and Greyhound very much is so losing the Feature Effects category is not a surprise; it's not a heavy dialogue movie while Chicago 7 very much is so the loss there makes sense too; and it's not really a music-heavy movie too while Tenet obviously is with its heart-pumping score so once again the Sound of Metal loss is clear.
Since the Oscars have only one general Sound category now, I think Metal is still gonna win it quite comfortably.
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