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Post by Martin Stett on Feb 22, 2021 18:16:47 GMT
Lady in the Lake (1946) - A mediocre radio play disguised as a movie by the most distinctly uncinematic gimmick of all: having people stand in one place, look directly into the camera, and stiltedly mumble their lines while overemoting like they're in a high school play. An astoundingly bad movie. 2/10
The Discreet Charm of the Bourgeoisie (1972) - I don't get it. I don't care. 3/10
The Tenant (1976) - A pretty fun black comedy mocking people's treatments of immigrants and outsiders. The crossdressing stuff may offend some prudes, but I got a few laughs out of Polanski's morphing into a victim as he went along. 7/10
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Post by notacrook on Feb 22, 2021 18:22:11 GMT
First watch I Care a Lot (2021) - 6 Double Indemnity (1944) - 9
Re-watch The Hunger Games (2012) - 7
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Post by Mattsby on Feb 22, 2021 18:33:00 GMT
Laughter (1930) 6 The Testament of Mabuse (1933) 7 Scarlet Street (1945) 8 rewatch. “This is the Happy Household Hour…” Heat (1963) 7 The Lost Man (1969) 6 My Sweet Charlie (1970) 7.5 To Be Young Gifted and Black (1972) 7.5 rewatch The Secret Night Caller (1975) 6.5 The Deadly Tower (1975) 7.5 Mikey and Nicky (1976) 9.2 rewatch Paris by Night (1988) 7 Mostly Martha (2001) 7 rewatch The Statement (2003) 6.5 Body Brokers (2021) 5
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Post by wilcinema on Feb 22, 2021 18:39:47 GMT
My Name Is Joe: I was more on board during the first hour than when it later descends into the criminal world, but Loach's direction and Peter Mullan's performance keep it real and compelling throughout.
The Hunt (REWATCH): This one goes slightly down on a rewatch. Mads is still stellar though.
One Child Nation: Very good doc on China's one-child policy that had a terrible impact on families and the government brutality that ensued. It could have used a bit more context.
Falling Down: We Live In A Society: The Movie. Robert Duvall was better than Michael Douglas.
Gretel and Hansel: Visually beautiful, narratively inert.
Enter The Void: Definitely not a film for me. I was into it for the first 40 minutes but then it became an excruciating bore.
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Post by themoviesinner on Feb 22, 2021 19:01:07 GMT
The Discreet Charm of the Bourgeoisie (1972) - I don't get it. I don't care. 3/10 If you ever get the chance I'd recommend watching Bunuel's follow-up The Phantom Of Liberty (1974). It's a much better film (Bunuel's best and actually a masterpiece for me) and he goes full plotless and absurd on that. It's perhaps the single funniest film I've ever watched and the satire is incredibly on point. The films I watched last week were the following: When The Tenth Month Comes (1984) - 8/10 Judas And The Black Messiah (2021) - 7/10 Monster Hunter (2020) - 6.5/10 I Care A Lot (2020) - 6/10
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Post by Tommen_Saperstein on Feb 22, 2021 19:08:53 GMT
The Tenant (1976) - A pretty fun black comedy mocking people's treatments of immigrants and outsiders. The crossdressing stuff may offend some prudes, but I got a few laughs out of Polanski's morphing into a victim as he went along. 7/10 Always love a man in drag, even Polanski
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Post by Tommen_Saperstein on Feb 22, 2021 19:11:52 GMT
Black Bear - 8 Undine - 7.5 Let Him Go - 6 The Personal History of David Copperfield - 8 The Glorias - 5.5 Run - 8 Enola Holmes - 5 The Half of It - 7.5
and one doc: Dick Johnson Is Dead, which is really sweet and I cried my little heart out 8/10
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Post by therealcomicman117 on Feb 22, 2021 19:22:49 GMT
Ghostbusters II - 7.5 / 10
San Andreas - 5 / 10
Southland Tales - 6 / 10
American Pimp - 7 / 10
All Light Everywhere - 7.5 / 10
Paris Blues - 7.5 / 10
A Family Thing - 6 / 10
Harlem Nights - 4 / 10
Aladdin (1992) - 10 / 10
Normanland - 10 / 10
My Name is Doris - 7 / 10
To Have & Have Not - 7.5 / 10
The Other Boleyn Girl - 3.5 / 10
Lean On Me - 8 / 10
It's A Disaster - 7 / 10
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Post by Martin Stett on Feb 22, 2021 19:55:22 GMT
The Tenant (1976) - A pretty fun black comedy mocking people's treatments of immigrants and outsiders. The crossdressing stuff may offend some prudes, but I got a few laughs out of Polanski's morphing into a victim as he went along. 7/10 Always love a man in drag, even Polanski One of the top reviews on Letterboxd is all about how a man dressing as a woman is portrayed as a sign of madness in this film, which I think misses the point of what Polanski was attempting... but I understand how it could offend. As for me, I'm open to offending everybody. You can't do comedy if you're afraid to step on toes. You have to be careful, of course, but I feel that Polanski did a good job of making his character's madness have to do with the social pressures upon him, with the transformation into the previous tenant being an outcome of that, instead of a "ha ha, he's dressing as a woman, sure is crazy" bit of geek show taunting.
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Post by TerryMontana on Feb 22, 2021 20:17:14 GMT
Only Re-watches
Husbands and Wives The Killing of a Sacred Deer Midnight Express Terminator Genisys The Assassination of Jesse James by the Coward Robert Ford Star Wars: Episode VI - Return of the Jedi Sleepless in Seattle Pan's Labyrinth
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Nikan
Based
Posts: 3,212
Likes: 1,595
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Post by Nikan on Feb 22, 2021 20:33:40 GMT
Finally watched Lynch's Dune yesterday. yep, it's all true...
Happy Birthday Agent Cooper... hope to see you in better things.
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Post by Pittsnogle_Goggins on Feb 22, 2021 22:39:15 GMT
X-Men: Days of Future Past The Lobster Little Children Zero Dark Thirty Flora & Ulysses I Care a Lot
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Post by mhynson27 on Feb 22, 2021 22:51:18 GMT
50 First Dates Dead Pigs Coming to America Splash
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Post by stabcaesar on Feb 23, 2021 2:33:04 GMT
The Nest Never Rarely Sometimes Always Ma Rainey's Black Bottom The Personal History of David Copperfield (the only one I liked) I'm Thinking of Ending Things
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Post by Martin Stett on Feb 23, 2021 4:52:24 GMT
The Discreet Charm of the Bourgeoisie (1972) - I don't get it. I don't care. 3/10 If you ever get the chance I'd recommend watching Bunuel's follow-up The Phantom Of Liberty (1974). It's a much better film (Bunuel's best and actually a masterpiece for me) and he goes full plotless and absurd on that. It's perhaps the single funniest film I've ever watched and the satire is incredibly on point. I liked Tristana as a drama. The Exterminating Angel was a brilliant piece of surreal horror (I label it closer to horror than anything else), which is a genre I'd love to see more of, as many of my favorite comic books use more abstract modes of horror and I love the horrible dream logic of those books. I disliked Viridiana for being pointless and randomly plotted, and that's the problem with Discreet Charm. I don't get what the movie is doing, and there is nothing to hook me in. I don't care enough to read anything into it. Surreal comedy is a term that doesn't make me very excited, as it conjures up images of random nonsense that tries to make you laugh at its randomness. That can work to a point - I enjoyed the bit with the diplomat firing a warning shot at the terrorist outside of embassy - but it gets so very boring if you don't have a skeleton to hang your kookiness on. If you do have that skeleton - also known as a plot - you can make something surreal and wonderfully odd while still obeying an unseen set of rules, or as I called it before, a "dream logic." The Trouble with Harry is perhaps the single funniest film I've ever watched, and I'd label it as surreal comedy... but it had rules. Nobody acted in any sort of objectively logical way in that movie, but they all seem to follow a set of laws that are known only to them. In the world of Harry, it's not all that strange to discover a corpse in a field and use it as a model for your painting. What you say about The Phantom of Liberty gives me a lot of trepidation, as it sounds much more like The Discreet Charm of the Bourgeoisie than The Trouble with Harry.
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Post by themoviesinner on Feb 23, 2021 8:35:25 GMT
I liked Tristana as a drama. The Exterminating Angel was a brilliant piece of surreal horror (I label it closer to horror than anything else), which is a genre I'd love to see more of, as many of my favorite comic books use more abstract modes of horror and I love the horrible dream logic of those books. I disliked Viridiana for being pointless and randomly plotted, and that's the problem with Discreet Charm. I don't get what the movie is doing, and there is nothing to hook me in. I don't care enough to read anything into it. Surreal comedy is a term that doesn't make me very excited, as it conjures up images of random nonsense that tries to make you laugh at its randomness. That can work to a point - I enjoyed the bit with the diplomat firing a warning shot at the terrorist outside of embassy - but it gets so very boring if you don't have a skeleton to hang your kookiness on. If you do have that skeleton - also known as a plot - you can make something surreal and wonderfully odd while still obeying an unseen set of rules, or as I called it before, a "dream logic." The Trouble with Harry is perhaps the single funniest film I've ever watched, and I'd label it as surreal comedy... but it had rules. Nobody acted in any sort of objectively logical way in that movie, but they all seem to follow a set of laws that are known only to them. In the world of Harry, it's not all that strange to discover a corpse in a field and use it as a model for your painting. What you say about The Phantom of Liberty gives me a lot of trepidation, as it sounds much more like The Discreet Charm of the Bourgeoisie than The Trouble with Harry. I'd say The Phantom Of Liberty is closer to something like Monty Python's The Meaning Of Life as it's just a series of vignettes that are very loosely connected (for instance a random passerby in one scene becomes the protagonist of the next). It doesn't have a bigger narrative that ties everything together (hence why I called it plotless). But it definitely is similar to The Discreet Charm Of The Bourgeoisie in that it is the same kind of satire, only with a different approach. I think that bigger narrative is what doesn't work very well in The Discreet Charm Of The Bourgeoisie. Even though it does have several great individual moments, it's also too interested in tying it's narrative together that it looses focus of it's main objective, to criticize and satirize societal norms and prejudices. And that's what brings the film down. Well, The Phantom Of Liberty doesn't have that problem and if you like Bunuel's caustic, absurd humor then I think you'll enjoy it very much. Also, I haven't seen The Trouble With Harry, even though I'm a big fan of Hitchcock. Your description of it just peaked my interest. I'm definitely going to watch it soon.
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Post by Sharbs on Feb 24, 2021 16:21:47 GMT
Irresistible (2020) - silly, bad, somewhat fun twist. Has Carrell and Byrne, so I gave it a go. - 5/10
The Lord of the Rings: The Return of the King (2003, rewatch) - Had IMAX to myself, Glorious movie. Dying to see extended versions of these. - 9.5/10
Saint Maud (2020) - Morfydd (what a name) is spectacular and this is movie is great at depicting what isn't and what could be there. - 8.5/10
Black Bear (2020) - HOW WAS PLAZA NOT ON THE LIPS OF AWARDS PROGNOSTICATORS AT THE ONSET???? - 8/10
Let Them All Talk (2020, rewatch) - Add this to the “movies I’ll never adore fully, but will get the hankering to rewatch every few years” list - 7/10
Judas and the Black Messiah (2021) - Full of life with awesome performances. Infuriating. - 9/10
The Personal History of David Copperfield (2020) - really charming film. Patel anchors soundly, but Laurie is MVP - 7.5/10
The Life Ahead (2020) - Loren is decidedly awesome in this, cool message, other execution isn't up to Loren. - 6/10
The Audition (2019) - Hoss is great, nothing else is. - 6/10
Minari (2020) - beautiful in every way - 10/10
The World to Come (2021) - Much better than I expected. Like 60% of this is Katherine Waterston doing voiceover with flowery descriptive language, which I'm all for. Score is perfect - 9/10
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