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Post by michael128 on Dec 31, 2020 0:01:08 GMT
Golden Globe SAG BAFTA Critic's Choice
2007 The Devil Wears Prada The Devil Wears Prada
2010 The Young Victoria The Young Victoria
2013 Salmon Fishing in the Yemen Looper
2015 Into the Woods Edge of Tomorrow (Winner)
2016 Sicario
2017 The Girl on the Train The Girl on the Train
2019 Mary Poppins Returns Mary Poppins Returns + A Quiet Place (Winner) Mary Poppins Returns (x2)
Has she ever been close?
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Post by futuretrunks on Dec 31, 2020 0:22:54 GMT
I think she was close in supporting for Prada, and never again a serious contender.
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Post by Deleted on Dec 31, 2020 0:35:53 GMT
I think she was likely in sixth place for The Devil Wears Prada, The Young Victoria, and Mary Poppins Returns.
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Post by mhynson27 on Dec 31, 2020 1:50:26 GMT
I think she was likely in sixth place for The Devil Wears Prada, The Young Victoria, and Mary Poppins Returns. And quite possibly A Quiet Place too.
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Post by michael128 on Dec 31, 2020 2:04:46 GMT
I think she was likely in sixth place for The Devil Wears Prada, The Young Victoria, and Mary Poppins Returns. And quite possibly A Quiet Place too. She WON the SAG for crying out loud. And had a borderline banner year
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Post by Christ_Ian_Bale on Dec 31, 2020 2:27:19 GMT
I'm guessing "bullshit" falls under the "unlucky" category?
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Post by michael128 on Dec 31, 2020 4:19:36 GMT
I think she was close in supporting for Prada, and never again a serious contender. She’s my WIN for Prada. A truly fantastic supporting turn.
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Post by TerryMontana on Dec 31, 2020 14:34:58 GMT
2 "major" awards in a total of 11 nominations... I think it's even more than what she deserves.
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Post by bob-coppola on Dec 31, 2020 15:39:15 GMT
I think she was #6 for both MPR and A Quiet Place that year. I think it was one of those cases where having a banner-year disrupts a campaign instead of helping. With two strong performances in beloved contenders, I guess people just didn't know for sure where to reward her.
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morton
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Post by morton on Dec 31, 2020 20:04:31 GMT
I think she was #6 for both MPR and A Quiet Place that year. I think it was one of those cases where having a banner-year disrupts a campaign instead of helping. With two strong performances in beloved contenders, I guess people just didn't know for sure where to reward her. True. I also think it didn’t help that both films were in genres that voters generally ignore for acting.
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thomasjerome
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Post by thomasjerome on Dec 31, 2020 20:24:24 GMT
It's little bit of everything.
Snubbed: "Devil Wears Prada", "A Quiet Place" and "Mary Poppins Returns". She was most likely sixth for all of them.
Unlucky: I think a film like "Sicario" needed a bigger push. It's a shame that the film didn't get much love in the awards season. "Girl on the Train" could also got her a nom maybe if there was a stronger campaign. Those SAG and BAFTA noms showed that people did actually love the performance.
Not a contender/just right: "Into the Woods" and "Young Victoria" didn't do much splash in general, so I won't consider them a snub. "Yemen" was a Globes-only thing (well-deserved though, she's lovely in that) and "Edge of Tomorrow" win was in a genre category at CCA which means it definitely didn't matter.
Personally, I think her time will come sooner or later. Terrific actress, consistent, obviously liked and respected in the industry.
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Post by bob-coppola on Dec 31, 2020 20:48:51 GMT
I think she was #6 for both MPR and A Quiet Place that year. I think it was one of those cases where having a banner-year disrupts a campaign instead of helping. With two strong performances in beloved contenders, I guess people just didn't know for sure where to reward her. True. I also think it didn’t help that both films were in genres that voters generally ignore for acting. Exactly. Her campaign needed to rally behind one performance as the "hey, this the the one you should consider me for". It wasn't like ScarJo playing an actress-mother in a family drama and a mother in a WW2-themed movie.
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Post by sirjeremy on Dec 31, 2020 23:25:07 GMT
I don't think she was sixth for A Quiet Place. Her SAG win was likely because Stone and Weisz cancelled each other out and there wasn't much momentum for Adams and Robbie (the latter was lucky to be nominated). Of course, she was heavily advantaged by King's omission. I can't remember the deal with King - wasn't she not nominated because SAG didn't get the If Beale Street Could Talk screeners or something? A Quiet Place got one tech nomination from AMPAS, so she probably wouldn't have been on their radar for that, and as she and her husband were campaigning like crazy for that film and it was a weak-ish year for the category, I can see why she was nominated by SAG in the first place.
So, I'd say Mary Poppins Returns is where she came closest simply because of her campaigning, the beloved character she played and because she had Disney behind her. All she needs is an acclaimed performance and her film to be popular with AMPAS and she'll be in.
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Post by countjohn on Jan 1, 2021 1:55:40 GMT
I would have nodded her for Young Victoria, Sicario, and Girl on the Train (not a good movie but a hell of a performance).
Marry Poppins is also a surprising "snub" since as we see in the OP she got in for 3/4 of the precursors with one win even. Definitely the closest she ever was to a nod, she has to have been a close sixth.
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Post by MsMovieStar on Jan 1, 2021 2:03:07 GMT
Oh honey, she's got John Krasinski, isn't that enough?
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Post by Deleted on Jan 1, 2021 20:23:15 GMT
I don't think she was sixth for A Quiet Place. Her SAG win was likely because Stone and Weisz cancelled each other out and there wasn't much momentum for Adams and Robbie (the latter was lucky to be nominated). Of course, she was heavily advantaged by King's omission. I can't remember the deal with King - wasn't she not nominated because SAG didn't get the If Beale Street Could Talk screeners or something? A Quiet Place got one tech nomination from AMPAS, so she probably wouldn't have been on their radar for that, and as she and her husband were campaigning like crazy for that film and it was a weak-ish year for the category, I can see why she was nominated by SAG in the first place. So, I'd say Mary Poppins Returns is where she came closest simply because of her campaigning, the beloved character she played and because she had Disney behind her. All she needs is an acclaimed performance and her film to be popular with AMPAS and she'll be in. Agreed. I think both Claire Foy ( First Man) and Margot Robbie (M ary, Queen of Scots) were ahead of her there - I just can't imagine enough voters buying the category fraud in a genre film, especially since SAG was the only awards body who bit.
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