Post by Ryan_MYeah on Oct 23, 2018 20:58:10 GMT
This was just something I did on a whim. I haven’t seen any of the Hobbit films since seeing Battle of the Five Armies in theaters, and I’ve always been curious to come back and see how they held up. For the record, I liked all of these movies at the time. They were by no means perfect and didn’t hold a candle to the Rings films, but I felt they did a splendid job of recapturing the magic of Middle Earth. But we grow older, and our tastes develop over time, so I felt like revisiting them to see how they held up. So I’m just gonna do a series of reviews over several days. Starting with...
An Unexpected Journey
A tad excessive, isn’t it? Yes it is. So needlessly excessive. I’m actually surprised by this, because I was never bothered by the pacing when I originally watched this. I can’t decide if I was just more patient than I am now, or if I’ve just got a better grasp of when my time’s being wasted. Regardless of which it was, this movie should have been slashed in half. Almost every single scene and sequence in this movie is so stretched out that it’s stitches barely hold together at the seams. I really don’t think this is helped by the sheer number of main characters in this movie. Book loyal or not, there is no reason that the band of thirteen dwarves couldn’t have been streamlined into a much more manageable tally, especially since some of these dwarves won’t even have any personality to work with. Some of them don’t even get individual speaking lines. When you factor in the gratuitous cameos - Gollum being the lone exception, the prolonged action scenes, and the attempt to build threads with absolutely no pay off in later entries, it’s about time you hire an editor.
But in the film’s defense, it is enjoyable to watch. While Peter Jackson isn’t the same filmmaker he was in 2001, his enthusiasm (exhausted though he may have been) did alleviate the sting of the excessive runtime, especially because of the same glorious eye candy realized by the same crew of the original Rings films. With some exceptions (Azog isn’t nearly as terrifying as practical orcs, occasional green-screen hiccups, and ballsack goblin), the visual effects are also in top form yet again, another feat of infectious imagination and technical mastery.
And the casting is spot on all across the board. Martin Freeman is a perfect Bilbo, his usual passive everyman persona a seamless fit for the contended and excitable misfit. Ian McKellan is also relishing his return as the commanding Gandalf, building a perfect bridge between the lighthearted wizard of Hobbit and the deathly serious wizard of Rings. While the dwarves begin to feel like glorified extras after a point, the camaraderie and chemistry experienced between them, best exemplified early on by the group singing of the Lonely Mountain Song, carries that theme and feeling of brotherhood with tremendous strength. And any excuse to have Andy Serkis return as Gollum, in the film’s best scene, is fine with me.
But still, I’m a firm believer that while the Middle Earth films is terrific at creating great sequences, I feel they are films that thrive based on moments. Moments of intense emotion and awestruck pay-off, whether those small moments be subtle or gigantic. This entry does have those, and I dare say the pity that stayed Bilbo’s hand (which played exactly as I’d always envisioned it) stood amongst the most emotionally powerful sections of this series. But those moments are few and far between in Journey, as it feels like twice the length with half those striking moments. So while it does have many a great pleasures, they’re unfortunately buried like wheels of cheese stacked much too high.
A tad excessive, isn’t it? Yes it is. So needlessly excessive. I’m actually surprised by this, because I was never bothered by the pacing when I originally watched this. I can’t decide if I was just more patient than I am now, or if I’ve just got a better grasp of when my time’s being wasted. Regardless of which it was, this movie should have been slashed in half. Almost every single scene and sequence in this movie is so stretched out that it’s stitches barely hold together at the seams. I really don’t think this is helped by the sheer number of main characters in this movie. Book loyal or not, there is no reason that the band of thirteen dwarves couldn’t have been streamlined into a much more manageable tally, especially since some of these dwarves won’t even have any personality to work with. Some of them don’t even get individual speaking lines. When you factor in the gratuitous cameos - Gollum being the lone exception, the prolonged action scenes, and the attempt to build threads with absolutely no pay off in later entries, it’s about time you hire an editor.
But in the film’s defense, it is enjoyable to watch. While Peter Jackson isn’t the same filmmaker he was in 2001, his enthusiasm (exhausted though he may have been) did alleviate the sting of the excessive runtime, especially because of the same glorious eye candy realized by the same crew of the original Rings films. With some exceptions (Azog isn’t nearly as terrifying as practical orcs, occasional green-screen hiccups, and ballsack goblin), the visual effects are also in top form yet again, another feat of infectious imagination and technical mastery.
And the casting is spot on all across the board. Martin Freeman is a perfect Bilbo, his usual passive everyman persona a seamless fit for the contended and excitable misfit. Ian McKellan is also relishing his return as the commanding Gandalf, building a perfect bridge between the lighthearted wizard of Hobbit and the deathly serious wizard of Rings. While the dwarves begin to feel like glorified extras after a point, the camaraderie and chemistry experienced between them, best exemplified early on by the group singing of the Lonely Mountain Song, carries that theme and feeling of brotherhood with tremendous strength. And any excuse to have Andy Serkis return as Gollum, in the film’s best scene, is fine with me.
But still, I’m a firm believer that while the Middle Earth films is terrific at creating great sequences, I feel they are films that thrive based on moments. Moments of intense emotion and awestruck pay-off, whether those small moments be subtle or gigantic. This entry does have those, and I dare say the pity that stayed Bilbo’s hand (which played exactly as I’d always envisioned it) stood amongst the most emotionally powerful sections of this series. But those moments are few and far between in Journey, as it feels like twice the length with half those striking moments. So while it does have many a great pleasures, they’re unfortunately buried like wheels of cheese stacked much too high.