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Post by Martin Stett on Apr 22, 2024 13:21:38 GMT
Umberto Eco: A Library of the World (2023) - One of the most unfocused documentaries I've ever seen, somewhat salvaged by the affability of its subject. Unfortunately, I don't think anything he says or views he holds make any sense at all when broken down (his ramblings on how we need to curate information on the internet clashes directly with his thoughts on the curating of books, for example) - but this may be the director's fault, rather than the subject's. 4/10
Zatoichi and the Chest of Gold (1964) - Ichi seems to be settling into a formula a bit more now, but this is still solid enough. More stylized photography and blood and far better fight choreography in this one - this is necessary, as we don't get any real exploration of Ichi as a character this time around. 6/10
Indiana Jones and the Dial of Destiny (2023) - Insulting and lifeless. Helena hijacks the movie away from the title character with her smug, extremely punchable face, in a shittier, glossier version of far better movies. As a side note, this movie is really fucking stupid. 3/10
Iron Monkey (1993) - (Miramax cut, unfortunately. I thought I found the original, but I was wrong.) A delightfully silly Hark production (I understand that director Yuen Wo Ping is pretty big in HK cinema, but this screams Hark to me - perhaps if I knew the director more, I'd see more of his style) with some mindblowing fight choreography and lots of great gags and visual comedy. Very slight, but good fun. 7/10
Nimona (2023) - Ballister is a pretty great character who gets his movie hijacked by the title character. And how I hate her ADHD bullshit and moral perfection (she is never, ever in the wrong about anything and we're clearly meant to root for her at all times instead of ever questioning our own beliefs about her). A good plot crippled by simplistic moralizing and hyper "humor." 4/10
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Post by mhynson27 on Apr 22, 2024 13:40:20 GMT
White Men Can't Jump (1992) Austin Powers: The Spy Who Shagged Me Tucker and Dale vs. Evil
Slowly getting back into the swing of things.
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Post by Pittsnogle_Goggins on Apr 22, 2024 13:42:52 GMT
The Locksmith (2023) Bob Marley: One Love (2024) Drive-Away Dolls (2024) Last Hurrah for Chivalry (1979) French Connection II (1975) War for the Planet of the Apes (2017) The Ministry of Ungentlemanly Warfare (2024) Rebel Moon - Part Two: The Scargiver (2024)
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bigmilko
New Member
Posts: 143
Likes: 33
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Post by bigmilko on Apr 22, 2024 14:54:33 GMT
RW Battle for the Planet of the Apes (1973) - 5/10: Roddy McDowall is still as great as he has been, but its still a lackluster ending for the original run of Apes movies. Just like things happen, just to happen so they can have a final movie.
Behind the Planet of the Apes (1998) - 8/10: A super enjoyable BTS look at how these movies actually managed to work so well.
RW Planet of the Apes (2001) - 2/10: honestly the first 5 minutes of Marky Mark running around Ape City made me think this was gonna be a really funny and bizarro bad movie, but the rest of the movie happpens and im just watching Burton get rid of any good idea established by the original in favor Helena Bonham Carter in a fuckass bob. Just blood boiling and infuriating
RW Rise of the Planet of the Apes (2011) - 9/10: honestly just a great final act, top tier Apes stuff going on here
Con Air (1997) - 10/10: Might be the best movie ever made
RW Dawn of the Planet of the Apes (2014) - 8/10: Reeves and Serkis are doing great things with Caesar this time around, and huge big ups to Toby Kebell as Koba. Good Shit here
Dune (1984) - 5/10: I love the production and costume work going on, but its insane the amount of speed running they go through during the back half of the movie, and thats with only the Villeneuve films to base off of
RW War for the Planet of the Apes (2017) - 8/10: Same feelings about this one as Dawn
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tylosaur
New Member
Posts: 194
Likes: 109
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Post by tylosaur on Apr 22, 2024 17:27:58 GMT
Con Air (1997) - 10/10: Might be the best movie ever made Absolutely correct. Haters of Con Air probably were held by their mothers too much or not enough and were picked last at kickball. Happiness for them hurts.
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Post by thomasjerome on Apr 22, 2024 17:33:52 GMT
Con Air (1997) - 10/10: Might be the best movie ever made Simon Pegg is kinda right here.
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Post by Tommen_Saperstein on Apr 22, 2024 17:35:33 GMT
Harriet Craig (1950) - Crawford plays a tyrannical perfectionist housewife who drives everyone away because of her daddy issues. Crawford is the main (and only) event but it's worth seeing for her. 7.5 The Catered Affair (1956) - Gore Vidal adapts a Chayefsky kitchen sink teleplay for this early Richard Brooks film. Surprisingly wonderful melodrama about poverty and money and how it ruins everything, when Bette Davis gets it into her head to give daughter Debbie Reynolds an extravagant wedding that threatens to upend the family and their community. Has some incredibly touching moments and Ernest Borgnine and Debbie Reynolds are the MVPs in touching and moderated performances. Some like Bette Davis too, but she felt really out of place to me as this working class Irish mother. 8.5 Escape from Fort Bravo (1953) - another disappointing John Sturges. Civil War-era western where the contentious North and South has to finally unite against their common indigenous enemy in the West. Has some lovely desert-y cinematography from Robert Surtees but the story never comes together. I watched for Eleanor Parker but she's got nothing to do but be the love interest caught in the middle of a North & South love triangle. 5 With a Song in My Heart (1952) - diegetic musical biopic about Jane Froman (played by Susan Hayward), a singer and entertainer who performed for US troops in WWII and was crippled in an airplane crash. It's a fairly basic film but where it surprises is in Haywayd's charismatic performance and Ritter as her staunch #2 in the backhalf as a feisty army nurse who gets Froman back on her feet (well, not literally). The music and costumes are also beautiful, and there's a pair of really heart-tugging scenes involving a shy army kid in Froman's audience before and after shellshock. 7 The Horse's Mouth (1958) - Alec Guinness is having so much fun playing a gruff hermit artist in this British art farce penned by Guinness himself. Feels a bit long and unfocused with all of the artist's shenanigans and it's rarely laugh-out-loud funny, but Guinness's fun is infectious. 7.5 The Caine Mutiny (1954 REWATCH) - always loved this one. The melodrama on the side with momma's boy Keith and his beau is mostly a waste of time, but whenever we're on the boat or in the court martial the drama is absolutely electric. Love Bogart's performance as the neurotic captain with his little metal rolling balls (1954's version of a fidget spinner), especially his testimony in the court martial which slowly breaks down from this illusion of confidence into a paranoid rant, but I also love that the signs of paranoia even break through Queeg's façade like how he seems to describe everyone as "disloyal" or "unreliable" (a performance of a performance). It was wrong to nominate Tully when Ferrer was right there killing it as the defense attorney who publicly humiliates Queeg and feels awful for it. I just love with how much confidence Ferrer reads his lines. He's all business and he knows what he's doing, there's guilt but no doubt, especially not in himself. And the disdain with which he annihilates Fred MacMurray in the climax is just iconic. Brilliant supporting turn. 8.5 (only reason I don't rate it higher is because of the Keith/May stuff and I wish Maryk's role had been fleshed out more) "If you want to do anything about it, I'll be outside. I'm a lot drunker than you, so it'll be a fair fight"
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Post by therealcomicman117 on Apr 22, 2024 21:20:31 GMT
Civil War - 7 / 10
Rollerball (2003) - 2 / 10
I Love You Man - 7 / 10
What Happens Later - 4 / 10
Godzilla Vs. Mechagodzilla - 6 / 10
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Post by ingmarhepburn on Apr 22, 2024 22:53:37 GMT
The Fugitive (1993). What a ride! One of the best thrillers I've seen in years. 8.5/10
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Post by JangoB on Apr 23, 2024 1:23:09 GMT
Walkabout - REWATCH. Great. Lisztomania - Man, to think that this was a Warner Bros release... the 70s rocked! The movie's nuts. If only all music biopic were this creative and unhinged. Three Days of the Condor - REWATCH. Excellent, one of Pollack's best. And Redford's. Dead Shot - Among the lamer IRA-related movies out there. The Devils - REWATCH. Hysterical! Love it. Angel's Egg - I certainly appreciate the animation and the vibe of it but as much as I support the "don't try to understand it, feel it" philosophy, I found it a little hard to feel that many feelings during this watch since pretty much the entire movie's mode of communication is the language of abstraction. I respect this one more than I actually love it. Reds - REWATCH. How crazy is it that back in the day a huge studio like Paramount could give a filmmaker today's equivalent of a 100+ million bucks for an intelligent 3-hour slowburn regarding the Russian Revolution? And that the movie would actually make the money back? Great, great stuff. It's my third time watching this and I never admired Diane Keaton here as much as I did now. What a staggering performance, easily her best. I so want to give her my win for 1981... but unfortunately she's up against my favorite female performance of all time (Adjani in Possession). Too bad
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hilderic
Junior Member
Posts: 307
Likes: 132
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Post by hilderic on Apr 27, 2024 1:19:28 GMT
Lenz Forfaiture 1 Berlin-Harlem Tiempo dos Tiempo de pasión Mujer contra toro Espacio muerto Pêcheur d'Islande On the Waterfront
Notwithstanding its recent restoration, Lenz still feels closer to a TV production like The Ash Tree or Schalcken the Painter than to cinema, though the Baltic German title character and snow-covered, folkloric setting also made me think of Lokis: A Manuscript of Professor Wittembach. There's plenty here to signal this is no mainstream film: the incongruently modern score (featuring tabla), the casting of a Warhol "superstar" as a country pastor, the glowing, otherworldly cinematography, the slow pace and long silences. This is also a very thorough (maybe too thorough) adaptation: 133 minutes to cover just a few pages by Büchner (who also wrote Woyzeck). I think not a single line or incident is omitted, and no attempt is made at giving them some shape, explaining them or even showing what is and isn't real. And yet, for all these idiosyncrasies, it used to be a popular work: it was hailed as the best German film in years, called a milestone (alongside Herzog's Signs of Life) and even won three German Film Awards (film, actor and cinematography). It seems to have then sunk into oblivion, but it'll perhaps regain some of its stature now that more people have been able to see it.
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