|
|
Post by Brother Fease on Mar 2, 2024 12:21:33 GMT
NOMINEES
Golda - Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue Maestro - Kazu Hiro, Kay Georgiou and Lori McCoy-Bell Oppenheimer - Luisa Abel Poor Things - Nadia Stacey, Mark Coulier and Josh Weston Society of the Snow - Ana López-Puigcerver, David Martí and Montse Ribé
Only Maestro and Poor Things won any precursors for M&H category. Maestro won the MUAH, Poor Things took the BAFTA. It's basically a battle between Willem Dafoe's face and Cooper's face.
It took 6 hours to put on Dafoe's makeup. For Maestro, it took 2 hours for younger Bernstein and 5 hours for old man Bernstein.
|
|
|
|
Post by JangoB on Mar 2, 2024 13:13:01 GMT
Maestro hasn't generated enough passion in the main categories but I think its makeup achievement has been a big enough deal this season to take this. I think it also helps that it's present throughout the entire film, while in Poor Things the showy stuff is essentially all about Dafoe who is a supporting character (albeit a prominent one).
|
|
|
|
Post by DanQuixote on Mar 2, 2024 13:30:15 GMT
I’m not betting against Kazu Hiro at this point. Maestro it is.
|
|
|
|
Post by stabcaesar on Mar 2, 2024 13:53:53 GMT
If there's any justice in the world, Society of the Snow should take it. But since there isn't, LMAOstro is most likely winning.
|
|
|
|
Post by Brother Fease on Mar 2, 2024 15:14:53 GMT
Maestro hasn't generated enough passion in the main categories but I think its makeup achievement has been a big enough deal this season to take this. I think it also helps that it's present throughout the entire film, while in Poor Things the showy stuff is essentially all about Dafoe who is a supporting character (albeit a prominent one). I agree. Plus, Netflix has won at least one Oscar since 2018. |
|
|
|
Post by stephen on Mar 2, 2024 15:23:00 GMT
I would say Maestro has the slight advantage here (as it is the one that's gotten the most press, it's a real person, and the Academy loves old-age makeup), but we've been so focused on the actor-makeup correlation so much with Cooper that we've been overlooking that it could easily apply to Stone if she wins.
|
|
|
|
Post by Joaquim on Mar 2, 2024 15:44:46 GMT
I’m sorry but it’s a fucking hate crime if Bradley Cooper’s nose wins a fucking Oscar
|
|
|
|
Post by Brother Fease on Mar 2, 2024 15:58:00 GMT
I’m sorry but it’s a fucking hate crime if Bradley Cooper’s nose wins a fucking Oscar How so?
|
|
|
|
Post by finniussnrub on Mar 3, 2024 2:29:09 GMT
I would say Maestro has the slight advantage here (as it is the one that's gotten the most press, it's a real person, and the Academy loves old-age makeup), but we've been so focused on the actor-makeup correlation so much with Cooper that we've been overlooking that it could easily apply to Stone if she wins.I'm not predicting it, but I wonder if there could be an Oppenheimer dark horse swerve here, if it goes into an extreme sweep mode. |
|
|
|
Post by stabcaesar on Mar 3, 2024 6:48:58 GMT
I’m sorry but it’s a fucking hate crime if Bradley Cooper’s nose wins a fucking Oscar How so?
Probably because it looks like it's gonna melt off of Cooper's face when he sweats. |
|
