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Post by JangoB on Jan 4, 2024 14:26:18 GMT
Excellence in Contemporary Film“American Fiction” – Rudy Mance “May December” – April Napier “Nyad” – Kelli Jones “Renfield” – Lisa Lovaas “Saltburn” – Sophie Canale Excellence in Period Film“Killers of the Flower Moon” – Jacqueline West “Maestro” – Mark Bridges “Napoleon” – Janty Yates & Dave Crossman “Oppenheimer” – Ellen Mirojnick “Poor Things” – Holly Waddington Excellence in Sci-Fi/Fantasy Film“Barbie” – Jacqueline Durran “Haunted Mansion” – Jeffrey Kurland “The Hunger Games: The Ballad of Songbirds & Snakes” – Trish Summerville “The Little Mermaid”- Colleen Atwood & Christine Cantella “Rebel Moon – Part One: A Child of Fire” – Stephanie Porter variety.com/2024/artisans/news/costume-designers-guild-nominations-2024-1235860936/
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Post by stephen on Jan 4, 2024 14:31:42 GMT
Guilds coming out for Saltburn, I see. Not that I expect it to get a nomination, but still.
Wonka is a surprising miss, and The Color Purple missing is a definite shocker.
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Post by finniussnrub on Jan 4, 2024 14:42:30 GMT
Show of strength for Oppenheimer, particularly with The Color Purple and Wonka misses, as the costumes are period accurate in a decidedly unshowy way.
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Post by finniussnrub on Jan 4, 2024 14:43:46 GMT
Though how is Poor Things period and not sci-fi/fantasy?
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Post by stephen on Jan 4, 2024 14:45:25 GMT
Show of strength for Oppenheimer, particularly with The Color Purple and Wonka misses, as the costumes are period accurate in a decidedly unshowy way. Yeah, Costume Design feels like the tech that I can see Oppenheimer miss just by virtue of it not being flashy at all, but at the same time, Oppenheimer's look (which has become signature, with his fedora and pipe) is distinct enough that I can see it getting name-checked. Funnily enough, I think it's fighting with Maestro for the same general slot, as I feel Barbie, Killers and Poor Things are safe and Napoleon is showy and substantial enough that I can't see it missing. |
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Post by stephen on Jan 4, 2024 14:46:06 GMT
Though how is Poor Things period and not sci-fi/fantasy? I mean, it is a period piece as well, but they just wanted to have their cake and eat it, too, so they can reward Poor Things and Barbie (the de facto top two). |
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Post by DanQuixote on Jan 4, 2024 14:53:20 GMT
I knew it wasn’t going to happen, but it’s a disgrace that Passages didn’t get into Contemporary.
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Post by JangoB on Jan 4, 2024 14:59:59 GMT
Show of strength for Oppenheimer, particularly with The Color Purple and Wonka misses, as the costumes are period accurate in a decidedly unshowy way. Really hope it gets in because Ellen Mirojnick not being nominated once in her entire career is a disgrace (and because the work is deserving). |
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Post by DanQuixote on Jan 4, 2024 15:04:05 GMT
Oppenheimer and Maestro are fighting for that fifth spot in costumes in my opinion. Both are similar levels of showy (but not THAT showy). Oppenheimer is the bigger film, but Mark Bridges is the bigger name.
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Post by JangoB on Jan 4, 2024 15:08:50 GMT
I hope the Nyad nomination was for this:  |
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Post by Brother Fease on Jan 4, 2024 22:42:18 GMT
Guilds coming out for Saltburn, I see. Not that I expect it to get a nomination, but still. Wonka is a surprising miss, and The Color Purple missing is a definite shocker. TCP seems to be underperforming here. No AFI. No Globe. It got in for CC, but no nods for directing, writing, and editing. Missing at CDG either means, they didn't get their screeners on time OR they don't have a passion for the production. |
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Post by Tommen_Saperstein on Jan 5, 2024 1:16:37 GMT
maybe Janty Yates finally gets another Oscar nom
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Post by JangoB on Jan 5, 2024 2:34:23 GMT
maybe Janty Yates finally gets another Oscar nom It's high time. |
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Post by Tommen_Saperstein on Jan 5, 2024 2:48:34 GMT
maybe Janty Yates finally gets another Oscar nom It's high time. I wish the CDG and makeup & hair guild made submissions public like the ADG.  I was just browsing this year's slate of art direction presentations and they really give you a whole new appreciation for a movie's production design that's usually hard to soak in when you're just watching it. |
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Post by JangoB on Jan 5, 2024 3:21:43 GMT
I wish the CDG and makeup & hair guild made submissions public like the ADG. I was just browsing this year's slate of art direction presentations and they really give you a whole new appreciation for a movie's production design that's usually hard to soak in when you're just watching it. Oh wow, thanks for the heads-up! Didn't know the presentations were out, great news  |
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Post by JangoB on Feb 22, 2024 15:45:49 GMT
WINNERS:
Excellence in Contemporary Film
“Saltburn” – Sophie Canale
Excellence in Period Film
“Poor Things” – Holly Waddington
Excellence in Sci-Fi/Fantasy Film
“Barbie” – Jacqueline Durran
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Post by Brother Fease on Feb 22, 2024 17:17:15 GMT
WINNERS: Excellence in Contemporary Film “Saltburn” – Sophie Canale Excellence in Period Film “Poor Things” – Holly Waddington Excellence in Sci-Fi/Fantasy Film “Barbie” – Jacqueline Durran Going to be a close race between Barbie and Poor Things.
I am still going with Barbie.
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Post by stephen on Feb 22, 2024 17:19:27 GMT
Saltburn had a low-key great guild run.
I think Poor Things wins out here by the poofy-dress rule (when in doubt, pick the film with the frilliest dresses), and the fact it's gaining momentum at the critical voting time. Barbie's win equity has winnowed substantially in the intervening months; Song is its only safe bet now. Poor Things is far more traditional in what they reward in Costumes and Production Design, pink paint be damned.
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Post by Tommen_Saperstein on Feb 22, 2024 17:19:45 GMT
I'd be fine with Barbie edging out Poor Things in costumes as long as Poor Things takes production design.
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Post by ibbi on Feb 22, 2024 17:56:41 GMT
Seriously, I know it's basically just winning awards in the contemporary category when all the actual contenders are in the other categories, but Saltburn has walked away with awards from 4 different Guilds so far  I'm pretty sure it's the most awarded film yet across them all, yet zero Oscar noms. It's got to be some kind of record. |
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I was just browsing this year's slate of art direction presentations and they really give you a whole new appreciation for a movie's production design that's usually hard to soak in when you're just watching it.
I'm pretty sure it's the most awarded film yet across them all, yet zero Oscar noms. It's got to be some kind of record.