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Post by ganzehrlich on Apr 10, 2017 21:39:45 GMT
In my view, they're two of the best modern directors, who generally make really memorable/moving films. I know they're not that comparable, indeed they have very different styles of filmmaking, but which Michael do you prefer? My pick is Haneke  |
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Post by Deleted on Apr 10, 2017 23:20:10 GMT
Haneke, although I have more to see from both. The White Ribbon is considerably better than anything I've seen from Mann.
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Post by moonman157 on Apr 10, 2017 23:25:44 GMT
Mann by far.
I need to see more Haneke though.
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Post by therealcomicman117 on Apr 11, 2017 1:11:43 GMT
Mann easily.
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Post by Deleted on Apr 12, 2017 14:54:04 GMT
Haneke
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tobias
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Post by tobias on Apr 15, 2017 2:03:34 GMT
Haneke, although I have more to see from both. The White Ribbon is considerably better than anything I've seen from Mann. You seen Collateral? I think it's his absolute best from what I've seen (and I even almost doubt he could make a better film). I would also vote Haneke btw. (mostly based on Cache and The White Ribbon, if anything from Mann matches that level, it's Collateral) even though I think I have seen a few more from Mann. |
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Post by moonman157 on Apr 15, 2017 16:33:41 GMT
Haneke, although I have more to see from both. The White Ribbon is considerably better than anything I've seen from Mann. You seen Collateral? I think it's his absolute best from what I've seen (and I even almost doubt he could make a better film). I would also vote Haneke btw. (mostly based on Cache and The White Ribbon, if anything from Mann matches that level, it's Collateral) even though I think I have seen a few more from Mann. I wouldn't even put Collateral in Mann's top 3. |
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Post by The_Cake_of_Roth on Apr 15, 2017 18:59:49 GMT
It's funny, I think Haneke's last 3 non-English language films are by far the best things he's ever done and while I'm actually a fan of Mann's recent output (Public Enemies and Blackhat included), none of it touches his "big 3" of the 90s. Though based just on Cache, The White Ribbon, and Amour, ultimately I'd go with Haneke.
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Post by Deleted on Apr 15, 2017 19:02:11 GMT
Haneke, although I have more to see from both. The White Ribbon is considerably better than anything I've seen from Mann. You seen Collateral? I think it's his absolute best from what I've seen (and I even almost doubt he could make a better film). I would also vote Haneke btw. (mostly based on Cache and The White Ribbon, if anything from Mann matches that level, it's Collateral) even though I think I have seen a few more from Mann. Yeah, although I much prefer Heat as far as Mann's work goes. |
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eliuson
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Post by eliuson on Apr 15, 2017 19:10:54 GMT
Mann, easily.
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tobias
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Post by tobias on Apr 16, 2017 0:01:58 GMT
You seen Collateral? I think it's his absolute best from what I've seen (and I even almost doubt he could make a better film). I would also vote Haneke btw. (mostly based on Cache and The White Ribbon, if anything from Mann matches that level, it's Collateral) even though I think I have seen a few more from Mann. I wouldn't even put Collateral in Mann's top 3. To each his own. I would put Heat at the bottom of what I've seen. |
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Post by Viced on Apr 16, 2017 0:19:01 GMT
I wouldn't even put Collateral in Mann's top 3. To each his own. I would put Heat at the bottom of what I've seen. Well, I'm sorry to tell you this... but you're a complete blockhead. |
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Post by MsMovieStar on Apr 16, 2017 6:14:08 GMT
Oh honey, Haneke!  |
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Post by HELENA MARIA on Apr 22, 2017 12:50:33 GMT
Mann ( but I love Hanneke too )
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