Post by pupdurcs on Jul 4, 2018 16:13:13 GMT
Bringing it back to Clift and Brando for a sec....I'd argue that Clift might actually have at least as strong a collection of film classics as Brando from the late 40's through the 60's.
Think about it.
Red River
A Place In The Sun
From Here To Eternity
Suddenly, Last Summer
The Misfits
Judgement At Nuremberg
Those are SEVEN stone cold classic movies of that era. Clift's problem may be that his style was actually too understated for his own good. He's sharing screen time with massive movie icons in almost all these films, and their screen presences mostly feel bigger than his. John Wayne, Elizabeth Taylor, Burt Lancaster, Frank Sinatra,, Katherine Hepburn, Marilyn Monroe, Clark Gable, Spencer Tracy, Judy Garland etc.
Red River (Wayne)
From Here to Eternity (Kerr)
Suddenly, Last Summer (Taylor + Hepburn)
The Misfits (Monroe)
Judgment at Nuremberg (Schell + Garland)
But like I said, I'm no Brando fanboy or anything. I have my biases, but speaking for myself, I'd honestly take Charlton Heston over both. See how things work?
Yep...The Heiress was the 7th classic, which I thought I included.
Honestly, I kind of agree with you. I admire Clift's naturalism and truthfulness in performance, but I sometimes wonder if he was overrated in his day, and if some modern cinephiles (myself included) overrate him a bit now. A terrific actor, but his inability to fully dominate a picture has to be considered a weakness. In some ways, I think Clift may be the Ethan Hawke of the 1950's. Consistent, natural, believable.....but not blessed with that screen presence that centres the gravity of a picture and bends it to his will.