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Post by Martin Stett on Jan 16, 2020 5:52:48 GMT
So what books had those openings that grabbed you from the first page, and you knew you had to go through all the way?
My number 1 is a book I'm re-reading right now: Till We Have Faces by C.S. Lewis:
I was sold from there. In that short space, Lewis establishes important background information: Orual is queen, she has no close relations, the gods have a strong grip on Glome, etc. More importantly, he establishes the central conflict of the book: it is our protagonist making a complaint against the divine, who will not answer her charges. A bold statement from a "christian" writer, and the reason that this book isn't just beloved by people who agree with him theologically.
Where Lewis goes from there is fascinating in itself, but just focusing on the opening, this is a masterclass in getting a reader hooked and wanting to know more.
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Post by Deleted on Jan 16, 2020 6:00:04 GMT
Nice thread idea
Absolute favorite now and forever is the opening of Infinite Jest, Hal meets with the academic spokesmen and comes out - "I am in here."
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Post by ingmarhepburn on Jan 16, 2020 8:28:40 GMT
Lolita's opening is iconic, mainly because of how beautiful the language is.
The Catcher in the Rye is also worth noting, because it's so honest, and when you read it, you know you're about to enter into an unconventional first-person narrative. It really sets the tone for the rest of the book.
Toni Morrison's Song of Solomon also has one of the most memorable openings I've read.
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Post by jimmalone on Jan 16, 2020 10:55:12 GMT
For David Copperfield, which was his second work I read, Charles Dickens already had me with his opening line:
“Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show.”
Same goes for the beautiful written and irony dripping opening of "A Tale of Two Cities":
"It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way – in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only."
Jane Austen's "Pride and Prejudice" opens quite similiar with a reference to the time in which the novel takes place and amusing itsself over the conventions of it's time.
Raymond Chandler was a master of opening paragraphs as well. For example "The Little Sister": “The pebbled glass door panel is lettered in flaked black paint: “Philip Marlowe . . . Investigations.” It is a reasonably shabby door at the end of a reasonably shabby corridor in the sort of building that was new about the year the all-tile bathroom became the basis of civilization. The door is locked, but next to it is another door with the same legend which is not locked. Come on in—there’s nobody in here but me and a big bluebottle fly. But not if you’re from Manhattan, Kansas.”
Carlos Ruiz Zafon in The Shadow of the Wind manages to melt atmosphere, mystery and melancholy into what makes a wonderful opening. “I still remember the day my father took me to the Cemetery of Forgotten Books for the first time. It was the early summer of 1945, and we walked through the streets of a Barcelona trapped beneath ashen skies as dawn poured over Rambla de Santa Monica in a wreath of liquid copper.” After I read the first few pages of the book I already knew I would hardly put it down for the rest of the day.
Leo Tolstoy's opening for "Anna Karenina" is also great.
Antonio Tabucchi's "Pereira Maintains" is also very hypnotizing from the start with it's over and over repeated "Pereira Maintains".
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LaraQ
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Post by LaraQ on Jan 16, 2020 17:30:02 GMT
Nineteen Eighty- Four by George Orwell
"It was a bright cold day in April,and the clocks were striking thirteen".
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Post by stephen on Jan 17, 2020 19:42:18 GMT
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Post by DeepArcher on Jan 17, 2020 20:08:31 GMT
Yeah, I think nothing beats the opening passage of Lolita for me. The "(picnic, lightning)" bit might be my two favorite words written in a work of literature.
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Post by stephen on Jan 17, 2020 21:49:09 GMT
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Post by Deleted on Jan 17, 2020 22:44:32 GMT
Everything from that through Prentice's encounter with the Giant Adenoid is a god level opening.
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cherry68
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Post by cherry68 on Jan 18, 2020 7:20:51 GMT
jimmalone I think it sounds better in the original language " Sostiene Pereira " 😉
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Post by jimmalone on Jan 18, 2020 8:58:00 GMT
jimmalone I think it sounds better in the original language " Sostiene Pereira " 😉 Definitely. But I don't speak Italian so I had to read it as "Pereira erklärt"  . And the trick works in all languages.
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Post by cherry68 on Jan 18, 2020 12:34:08 GMT
jimmalone I think it sounds better in the original language " Sostiene Pereira " 😉 Definitely. But I don't speak Italian so I had to read it as "Pereira erklärt"  . And the trick works in all languages. Sure. I just think that Italian, giving you the chance to choose between "Sostiene Pereira" and "Pereira sostiene" (sorry for German obliging you to put the verb in the second position of the statement), is more effective 😀
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Post by jimmalone on Jan 18, 2020 12:39:33 GMT
Definitely. But I don't speak Italian so I had to read it as "Pereira erklärt"  . And the trick works in all languages. Sure. I just think that Italian, giving you the chance to choose between "Sostiene Pereira" and "Pereira sostiene" (sorry for German obliging you to put the verb in the second position of the statement), is more effective 😀 You can make this in German as well. You can build a sentence with "Pereira erklärt" as well as with "erklärt Pereira". The correct book title in german actually is "Erklärt Pereira". Which as a title sounds a bit strange though if you don't have read the novel and don't know how it is meant.
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cherry68
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Post by cherry68 on Jan 18, 2020 13:40:18 GMT
Sure. I just think that Italian, giving you the chance to choose between "Sostiene Pereira" and "Pereira sostiene" (sorry for German obliging you to put the verb in the second position of the statement), is more effective 😀 You can make this in German as well. You can build a sentence with "Pereira erklärt" as well as with "erklärt Pereira". The correct book title in german actually is "Erklärt Pereira". Which as a title sounds a bit strange though if you don't have read the novel and don't know how it is meant. Have you seen the movie with Mastroianni btw?
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Post by jimmalone on Jan 18, 2020 14:03:57 GMT
You can make this in German as well. You can build a sentence with "Pereira erklärt" as well as with "erklärt Pereira". The correct book title in german actually is "Erklärt Pereira". Which as a title sounds a bit strange though if you don't have read the novel and don't know how it is meant. Have you seen the movie with Mastroianni btw? Yes, a very good adaptation, which transfers the novel's spirit quite well. I think I nod Mastroianni as well as Morricone's beautiful score.
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chris3
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Post by chris3 on Jun 28, 2020 19:51:29 GMT
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Post by TerryMontana on Jun 28, 2020 21:22:40 GMT
King's IT opening haunted me as a child...
"The terror, which would not end for another twenty-eight years — if it ever did end — began, so far as I know or can tell, with a boat made from a sheet of newspaper floating down a gutter swollen with rain.”
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Post by Deleted on Jun 29, 2020 7:04:50 GMT
Moby Dick has a pretty stunning opening chapter
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Post by Nikon on Jul 2, 2020 20:24:09 GMT
" When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin. "
and
'Hale knew, before he had been in Brighton three hours, that they meant to murder him'.
This is how you start a book...
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Post by pacinoyes on May 21, 2022 10:50:43 GMT
Journey to the End of The Night by Céline "Here's how it started. I'd never said a word. Not one word. It was Arthur Ganate that made me speak up. Arthur was a friend from med school. So we meet on the Place Clichy. It was after breakfast. He wants to talk to me. I listen. "Not out here," he says. "Let's go in." We go in. And there we were. "This terrace," he says, "is for jerks. Come on over there." Then we see that there's not a soul in the street, because of the heat; no cars, nothing. Same when it's very cold, not a soul in the street; I remember now, it was him who had said one time: "The people in Paris always look busy, when all they actually do is roam around from morning to night; it's obvious, because when the weather isn't right for walking around, when it's too cold or too hot, you don't see them anymore; they're all indoors, drinking their cafés crèmes or their beers. And that's the truth. The century of speed! they call it. Where? Great changes! they say. For instance? Nothing has changed. They go on admiring themselves, that's all. And that's not new either. Words. Even the words haven't changed much. Two or three little ones, here and there…" Pleased at having proclaimed these useful truths, we sat looking at the ladies in the café."
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cherry68
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Post by cherry68 on May 21, 2022 12:51:43 GMT
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Post by cherry68 on May 21, 2022 12:56:31 GMT
I promessi sposi (1827)
Quel ramo del lago di Como che volge a mezzogiorno tra due catene non interrotte di monti, tutto a seni e a golfi, a seconda dello sporgere e del rientrare di quelli, viene quasi a un tratto a ristringersi e a prender corso e figura di fiume, tra un promontorio a destra, e un’ampia riviera di rincontro […]
The betrothed (British edition 1944)
That branch of the lake of Como, which extends towards the south, is enclosed by two unbroken chains of mountains, which as they advance and recede, diversify its shores with numerous bays and inlets. Suddenly the lake contracts itself, and takes the course and form of a river, between a promontory on the right, and a wide open shore on the opposite side...
The English version doesn't work well unfortunately.
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Post by PromNightCarrie on Jun 7, 2022 12:22:16 GMT
What comes to mind would be the opening pages of Suttree (Cormac McCarthy) where we're given the grimiest and most vivid description of the finding of a dead body in a river. That's not my favorite McCarthy, but I think that's his best opening right there.
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Post by pacinoyes on Sept 3, 2022 19:19:57 GMT
Not a novel but this may be the best opening to anything, ever: Poe's "The Cask of Amontillado" The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult, I vowed revenge.
You, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat. At length I would be avenged; this was a point definitely settled--but the very definitiveness with which it was resolved, precluded the idea of risk.
I must not only punish, but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.

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Post by pacinoyes on Mar 9, 2023 20:15:18 GMT
Notes From Underground obviously - and you can get it on a shirt to pick up girls because it intrigues them.......  
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