Your dozen favorite LGBTQ-themed films?

This is not going to go well with my first pick but I'll argue for it dammit........here's 10 that I enjoyed, not sure if this is a top 10 exactly but the first 10 that popped into my head:

Cruising
The Handmaiden
Heavenly Creatures
Children's Hour
A Man Of No Importance

My Own Private Idaho
My Beautiful Laundrette
Death in Venice
Angels in America
Fox and His Friends

I'm not very good at this kind of lists, I always forget titles, but this is what comes to mind:

Happy Together
Querelle 
Blue is the Warmest Color
The Bitter Tears of Petra von Kant
Fox and His Friends
Nighthawk
Weekend
Stranger by the Lake
Sunday Bloody Sunday
Satyricon
Knife+Heart
BPM

In no order:

Maurice
Brokeback Mountain
Get Real
Cabaret
Dog Day Afternoon
Longtime Companion
Beautiful Thing
The Crying Game
Call Me By Your Name
Milk
Sunday Bloody Sunday
The Hours

Beginners 
Brokeback Mountain
Carol
Dog Day Afternoon 
The Favourite  
The Handmaiden 
Happy Together
Moonlight 
Mulholland Drive
Tropical Malady

oh my god @tyler what a great catch!

here's my tentative list.

Bound (The Wachowskis)
Boys Don't Cry (Kimberly Peirce)
Brokeback Mountain (Ang Lee)
Call Me by Your Name (Luca Guadagnino)
Dog Day Afternoon (Sidney Lumet)
High Art (Lisa Cholodenko)
Midnight Cowboy (John Schlesinger)
Score (Radley Metzger)
Tomboy (Céline Sciamma)
Victim (Basil Dearden)

honorable mentions:
Carol (Todd Haynes)
The Children's Hour (William Wyler)
Far from Heaven (Todd Haynes)
La Cage aux Folles (Édouard Molinaro)
Milk (Gus Van Sant)
Sunday Bloody Sunday (John Schlesinger)
Weekend (Andrew Haigh)

some outlying honorable mentions:
The Servant (Joseph Losey) - not explicitly LGBT-themed but there's enough there to make it worth mentioning. Dirk Bogarde plays an effeminate manservant who takes control of his master's house, and Losey plays with a lot of homoerotic power dynamics in depicting the fraught relationship between the two men.

Lawrence of Arabia (David Lean) - this one's even more of a stretch, but some historians did believe Lawrence might have had homoerotic tendencies or was at least masochistic and I think Lean hints at that reading if O'Toole's performance straight-up plays into it. That aspect of the man's life isn't explored and doesn't have much to do with the story (apart from that beating he endures from the Turks which is all but framed as sadomasochistic fantasy), but I can't pretend that O'Toole's effeminate characterization isn't one of the things that draws me to the film and his performance. He's a fascinating oddity in big Hollywood historical epics.

also want to shout-out my queer favs from 2018, The Favourite and Disobedience, although I didn't want to include them because they're still too fresh on the mind.