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Post by DeepArcher on Feb 11, 2019 20:51:15 GMT
Just an announcement that these will be happening. Anticipated nomination announcement: Monday, February 18 (or one week from today) In the meantime, me narrowing down my lineups...
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Post by stephen on Feb 11, 2019 21:03:13 GMT
Be sure to watch Blaze before then.
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Post by DeepArcher on Feb 11, 2019 21:11:45 GMT
Be sure to watch Blaze before then. I'll be sure that I do.
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Post by DeepArcher on Feb 18, 2019 20:12:21 GMT
Alright, so I suppose I ought to write a bit of an introduction before I announce the nominees Basically, these are the 2018 DeepArcher Film Awards. This is the first time I’m ever holding an awards-like presentation of my own personal line-ups, and if it totally fails or if I find totally mundane and/or absolutely exhausting, then it could very well be the last one too. It’s kind of just an experiment for me (as well as an additional AMARA precursor!), and so I don’t really give a damn about what my audience thinks of it … which is probably good, because I’ve a feeling that some of these choices will be a bit polarizing. First things first, I should address eligibility. Basically, this is going by AMARA eligibility, which should follow logically because that’s what these lineups are ultimately going to be for. That means that eligible films are those released in their country of origin in 2018. That means that the following (excellent) films released in the U.S. in 2018 are ineligible (despite the fact that they appear on my “2018 Ranked” Letterboxd list): The Death of Stalin, Zama, Paddington 2, Let the Sunshine In -- and anything else that might fall under that same umbrella. There are some weird exceptions, most notably You Were Never Really Here, which was deemed 2018 for the AMARAs, and which I also personally consider 2018 because that’s when it was released in the U.K. and U.S. and the film seems almost entirely a production of those two countries … yada yada, you get the point. Naturally, I have not seen every single film released this year. So if you’re up in arms about a snub, well, there’s a good chance it’s because I don’t think The Favourite is the Citizen Kane of the 21st century, but there’s also a good chance that it’s because I haven’t seen that particular film. There are a number of films, especially international stuff, that I wasn’t able to see either because they weren’t released near me ( Capernaum, Never Look Away) or weren’t released in the U.S. at all yet ( The Wild Pear Tree, Dogman). You could also argue that High Life falls into that same category, but, uh, it’ll be interesting to see where this forum decides to sort that one -- I’ll probably put it into 2019 regardless because it’s obviously not here but I can already tell it’s gonna be my favorite thing ever -- anyway, moving on from that because it’s not relevant right now … There’s also a bunch of stuff that I just didn’t see due to lack of interest or because I just didn’t get around to it (more likely the former) that very well could’ve been worthy of appearing here somewhere. I also haven’t watched a ton of documentaries from this year, as docs are generally a huge blind spot for me, but also because, again, a lot of big names haven’t been available to me ( Free Solo, Hale County, etc.). Even still, nearly 80 films were eligible for these awards, which feels like a plenty sufficient number. Anyway, now I wanna address my particular categories and where some idiosyncrasies might arise. First of all, I approached each category with the intent of having five nominees. I prefer five nominees to the more expansive seven or ten that others do for the sake of exclusivity and ensuring that only the most worthy are being mentioned. That said, there are a number of exceptions here. A few categories proved super competitive and had to be expanded -- the most impressive one landed a whopping seven nominees here (seven was the maximum that I allowed in any category), while five more categories demanded to be expanded into six. There are also a few categories that had to be shortened. For one, there are only three documentaries nominated, because, as I said, I haven’t seen many, and that’s just simply the amount that I found worthy of nominating; however, I do intend to watch a few more docs between now and the winner presentation, so the category could very well be revised. There are a couple of tech categories that were reduced too -- one only with four nominees, and another with a dire two nominees, because there were literally only two films that impressed me in that aspect this year. But, the base level was five, and that’s what most categories contain … however, because I place more importance on the worthiest of work being recognized, I was not married to keeping it five per category consistently. Now, addressing the categories themselves, it’s mostly the standard fare. I included a total of 22 categories, including the standard 8 “major,” “above-the-line” categories, the 10 standard technical categories recognized by the Oscars, and 4 “special” categories. The latter category includes the obvious ensemble cast category, as well categories for both debut feature and breakthrough performance to ensure the recognition of work that may otherwise go overlooked, and a category for documentaries. I suspect that some will find it strange that I have a category for docs and not for animated and foreign language films -- well, that’s because I find it pretty stupid that different “types” of films are segregated into different categories to begin with, and I don’t feel the need to give them their own categories in my personal awards to guarantee that they get their due. It’s gonna happen regardless. So, that’s why I omitted those two. However, I do still include a documentary line-up, because to me they are such a different form/medium from narrative film that they need to be recognized separately. Especially considering documentaries are inherently not eligible for most of the categories here, it seems only fair that they have their own category. They’re practically an entirely different art form all on their own, and so they deserve to be recognized elsewhere. (And yes you could argue the same thing about animation, but they are still essentially similar to live action features in that they consist of all the same components, so recognizing them separately doesn’t seem mandatory to me.) Okay, that was a lot, and I don’t expect many people to read that. I just wanted to get all of that out there in order to clarify things that may be confusing or objectionable or whatever. I guess I’ll finish this off by reiterating that I really loved this year in film. It wasn’t the best ever, but I was consistently stunned by its offerings, and ultimately my list of favorites runs pretty deep. The quality of 2018 cinema made these categories suuuper competitive, and narrowing down a lot of them was often a struggle. There are plenty of omissions that hurt me to have to cut out … but, ultimately, it’s just further proof that these nominees represent the absolute best of the best in my favorites of 2018 cinema. So, without further ado, let's get the ball rolling. Here to present this year's nominees is your FAVORITE STARYou know him from his beloved '90s sitcom...You know him as the host of America's favorite game show...That's right, iiiit's...MR. PEANUTBUTTER!!!
Just, give him a minute as he finishes putting the lineups together...
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Post by DeepArcher on Feb 18, 2019 20:20:08 GMT
First up, the nominees for the technical categories...
Best Original Score First Man ~ Justin Hurwitz If Beale Street Could Talk ~ Nicholas Britell Mandy ~ Jóhann Jóhannsson Suspiria ~ Thom Yorke You Were Never Really Here ~ Jonny Greenwood
Best Original Song Black Panther ~ “All the Stars” by Kendrick Lamar and SZA Hearts Beat Loud ~ “Hearts Beat Loud” by Keegan DeWitt A Star is Born ~ “Shallow” by Lady Gaga, Mark Ronson, Anthony Rossomando, & Andrew Wyatt Suspiria ~ “Suspirium” by Thom Yorke Suspiria ~ “Unmade” by Thom Yorke
Best Sound Mixing Cold War ~ Piotr Knop and Maciej Pawlowski First Man ~ Mary H. Ellis, Ai-Ling Lee, Frank A. Montaño, and Jon Taylor Roma ~ José Antonio García, Craig Henighan, and Skip Lievsay A Star is Born ~ Steven Morrow, Tom Ozanich, Jason Ruder, and Dean A. Zupancic You Were Never Really Here ~ Drew Kunin and Andrew Stirk
Best Sound Editing Annihilation ~ Glenn Freemantle First Man ~ Mildred Iatrou and Ai-Ling Lee The Guilty ~ Oskar Skriver Mission: Impossible — Fallout ~ James Mather A Quiet Place ~ Erik Aadahl and Ethan Van der Ryn
Best Film Editing American Animals ~ Nick Fenton, Chris Gill, and Julian Hart First Man ~ Tom Cross Madeline’s Madeline ~ Harrison Atkins, Josephine Decker, and Elizabeth Rao The Other Side of the Wind ~ Bob Murawski and Orson Welles You Were Never Really Here ~ Joe Bini
Best Visual Effects Annihilation ~ Sara Bennett, Richard Clarke, Simon Hughes, and Andrew Whitehurst First Man ~ Ian Hunter, Paul Lambert, Tristan Myles, and J.D. Schwalm
Best Production Design Cold War ~ Benoît Barouh, Marcel Slawinski and Katarzyna Sobanska-Strzalkowska Crazy Rich Asians ~ Nelson Coates The Favourite ~ Fiona Crombie If Beale Street Could Talk ~ Mark Friedberg Isle of Dogs ~ Paul Harrod and Adam Stockhausen
Best Costume Design The Ballad of Buster Scruggs ~ Mary Zophres Black Panther ~ Ruth E. Carter Crazy Rich Asians ~ Mary E. Vogt The Favourite ~ Sandy Powell If Beale Street Could Talk ~ Caroline Eselin
Best Makeup & Hairstyling Black Panther ~ Ken Diaz, Camille Friend and Joel Harlow The Favourite ~ Beverly Binda, Samantha Denyer, and Nadia Stacey Mandy ~ Oriane De Neve Vice ~ Kate Biscoe, Greg Cannom, and Patricia Dehaney
Best Cinematography The Ballad of Buster Scruggs ~ Bruno Delbonnel Cold War ~ Lukasz Zal First Man ~ Linus Sandgren If Beale Street Could Talk ~ James Laxton Mandy ~ Benjamin Loeb Roma ~ Alfonso Cuarón
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Post by DeepArcher on Feb 18, 2019 20:25:56 GMT
Next, the nominees for the four "special" categories...
Best Ensemble Cast The Ballad of Buster Scruggs Tim Blake Nelson, James Franco, Stephen Root, Liam Neeson, Harry Melling, Tom Waits, Zoe Kazan, Bill Heck, Grainger Hines, Tyne Daly, Brendan Gleeson, Jonjo O’Neill, et al. Casting by Ellen Chenoweth Crazy Rich Asians Constance Wu, Henry Golding, Michelle Yeoh, Gemma Chan, Awkwafina, Lisa Lu, Chris Pang, Harry Shum Jr., Sonoya Mizuno, Ken Jeong, Jimmy O. Yang, Ronny Chieng, Remy Hii, Nico Santos, et al. Casting by Terri Taylor The Favourite Rachel Weisz, Emma Stone, Olivia Colman, Nicholas Hoult, Joe Alwyn, et al. Casting by Dixie Chassay If Beale Street Could Talk Kiki Layne, Stephan James, Regina King, Colman Domingo, Teyonah Parris, Michael Beach, Brian Tyree Henry, Ed Skrein, Finn Wittrock, Dave Franco, Emily Rios, Pedro Pascal, Diego Luna, Aunjanue Ellis, et al. Casting by Cindy Tolan Private Life Kathryn Hahn, Paul Giamatti, Kayli Carter, Molly Shannon, John Carroll Lynch, et al. Casting by Rori Bergman and Jeanne McCarthy Shoplifters Lily Franky, Sakura Andô, Jyo Kairi, Mayu Matsuoka, Miyu Sasaki, Kirin Kiki, et al. Casting by Toshie Tabata
Best Debut Feature Film Blindspotting ~ Directed by Carlos López Estrada Eighth Grade ~ Directed by Bo Burnham Hereditary ~ Directed by Ari Aster Sorry to Bother You ~ Directed by Boots Riley Wildlife ~ Directed by Paul Dano
Best Breakthrough Performance Yalitza Aparicio ~ Roma Rafael Casal ~ Blindspotting Elsie Fisher ~ Eighth Grade Helena Howard ~ Madeline’s Madeline Thomasin Harcourt McKenzie ~ Leave No Trace
Best Achievement in Documentary Filmmaking Minding the Gap ~ Bing Liu Shirkers ~ Sandi Tan Won’t You Be My Neighbor? ~ Morgan Neville
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Post by DeepArcher on Feb 18, 2019 20:27:18 GMT
Gotta take a quick break before presenting the major categories to go switch out my laundry do something totally badass.
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Post by DeepArcher on Feb 18, 2019 20:42:04 GMT
Alright, and now, the nominees for the major categories...
Best Original Screenplay Blindspotting ~ Rafael Casal and Daveed Diggs Eighth Grade ~ Bo Burnham The Favourite ~ Deborah Davis and Tony McNamara First Reformed ~ Paul Schrader Private Life ~ Tamara Jenkins Shoplifters ~ Hirokazu Kore-eda
Best Adapted Screenplay The Ballad of Buster Scruggs ~ Ethan and Joel Coen Segments based on “All Gold Canyon” by Jack London, “The Girl Who Got Rattled” by Stewart Edward White Can You Ever Forgive Me? ~ Nicole Holofcener and Jeff Whitty Based on the memoir of the same name by Lee Israel If Beale Street Could Talk ~ Barry Jenkins Based on the novel of the same name by James Baldwin Leave No Trace ~ Debra Granik and Anne Rosellini Based on the novel “My Abandonment” by Peter Rock Wildlife ~ Paul Dano and Zoe Kazan Based on the novel of the same name by Richard Ford
Best Supporting Actor Mahershala Ali ~ Green Book Jeff Bridges ~ Bad Times at the El Royale Rafael Casal ~ Blindspotting Richard E. Grant ~ Can You Ever Forgive Me? Alessandro Nivola ~ Disobedience
Best Supporting Actress Sakura Andô ~ Shoplifters Olivia Colman ~ The Favourite Elizabeth Debicki ~ Widows Regina King ~ If Beale Street Could Talk Michelle Yeoh ~ Crazy Rich Asians
Best Leading Actor Nicolas Cage ~ Mandy Willem Dafoe ~ At Eternity’s Gate Daveed Diggs ~ Blindspotting Matt Dillon ~ The House that Jack Built Ethan Hawke ~ First Reformed Joaquin Phoenix ~ You Were Never Really Here
Best Leading Actress Toni Collette ~ Hereditary Kathryn Hahn ~ Private Life Regina Hall ~ Support the Girls Helena Howard ~ Madeline’s Madeline Emma Stone ~ The Favourite Charlize Theron ~ Tully Rachel Weisz ~ The Favourite
Best Director Bo Burnham ~ Eighth Grade Panos Cosmatos ~ Mandy Josephine Decker ~ Madeline’s Madeline Lynne Ramsay ~ You Were Never Really Here Chloé Zhao ~ The Rider
Best Picture Eighth Grade First Reformed If Beale Street Could Talk Roma Shoplifters You Were Never Really Here
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Post by stephen on Feb 18, 2019 20:45:47 GMT
Here for the Mandy/You Were Never Really Here love . . . but the number imbalance in the categories is really irksome. (Also, Colman is not supporting.)
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Post by DeepArcher on Feb 18, 2019 20:54:50 GMT
Aaaand that's all! Some stats/trivia about the nominees: * If Beale Street Could Talk and The Favourite lead the pack with eight nominations each. You Were Never Really Here and First Man follow with six apiece (the latter exclusively in technical categories, making it the leader among that group). *A total of 44 films received at least one nomination across the 22 categories. *The studio that received the most nominations is Netflix, with 13 nominations from a total of five films. Amazon follows with 12 nominations from three films. The highest non-streaming based studio is Fox Searchlight, who scored 11 nominations from three films. *The individuals who received the most nominations are Bo Burnham, Rafael Casal, and Thom Yorke, with three each. The following individuals all received two nominations: Sakura Andô, Olivia Colman, Paul Dano, Josephine Decker, Daveed Diggs, Kathryn Hahn, Helena Howard, Zoe Kazan, Regina King, Ai-Ling Lee, Emma Stone, Rachel Weisz, and Michelle Yeoh. (The individuals whose names are in italics received nominations for their individual performance and for being a part of that ensemble.) *My favorite film from this year to not receive a single nomination is Thoroughbreds. My least-favorite film from the year that was nominated is A Star is Born. *The only film to receive nominations for Director, Screenplay, and Film Editing is ABSOLUTELY FUCKING NOTHING so don't try to use that bullshit to predict my awards!!
Anyway, the winner presentation is currently scheduled for the night of Thursday, February 28. This is subject to change as my next few weeks are gonna be insanely busy.
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Post by DeepArcher on Feb 18, 2019 21:00:38 GMT
Here for the Mandy/You Were Never Really Here love . . . but the number imbalance in the categories is really irksome. (Also, Colman is not supporting.) Yeeeahh, I'm gonna try to figure out how to keep a consistent number for the future, because it's bothered me too. The problem mostly arises with categories like Visual Effects where I haven't seen that many films with VFX work in general, and a lot of the ones I have seen had visual effects work that I honestly hated ( Infinity War, Black Panther, Ready Player One), and I'm not going to give nominations to things I don't find worthy just to meet a quota. With regards to cutting down categories ... I probably could've just sucked it up and removed things that I didn't want to. And, agree to disagree on Colman I could very well change my mind on her upon re-watch, but that's still the impression I got from my first viewing, and it had the added bonus of providing an easy way to nominate all three with less collateral damage.
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Post by Tommen_Saperstein on Feb 19, 2019 7:23:26 GMT
wow, I was NOT expecting a nod for "Shallow" most of these techs are great, I especially love that inspired sound mixing nod for Cold War. I'm surprised you left out Roma from sound editing though. Clearly the mixing did the heavy lifting but for me it's one of those examples where the two categories overlap because there's just so many sounds in the film and they're all so well-defined even if though common and mundane sounds. They way Cuaron uses them to recreate 1970s Mexico City is breathtaking. LOVE the costume + prod. design nods for Crazy Rich Asians and the Madeline's Madeline editing nod is quite inspired. I didn't like the film much but it definitely was on my sound mixing radar. Can't say I care for Mandy's makeup, or rather I didn't care for the fact that I couldn't see any of it because of how low-lit all the shots are. but dude, those VFX lineups I'm not crazy about last year's VFX contenders either but surely MI Fallout and A Quiet Place would have been compelling fillers
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Post by DeepArcher on Feb 19, 2019 21:45:44 GMT
wow, I was NOT expecting a nod for "Shallow" most of these techs are great, I especially love that inspired sound mixing nod for Cold War. I'm surprised you left out Roma from sound editing though. Clearly the mixing did the heavy lifting but for me it's one of those examples where the two categories overlap because there's just so many sounds in the film and they're all so well-defined even if though common and mundane sounds. They way Cuaron uses them to recreate 1970s Mexico City is breathtaking. LOVE the costume + prod. design nods for Crazy Rich Asians and the Madeline's Madeline editing nod is quite inspired. I didn't like the film much but it definitely was on my sound mixing radar. Can't say I care for Mandy's makeup, or rather I didn't care for the fact that I couldn't see any of it because of how low-lit all the shots are. but dude, those VFX lineups I'm not crazy about last year's VFX contenders either but surely MI Fallout and A Quiet Place would have been compelling fillers Yeah, I think I kinda surprised myself with that nod for "Shallow" But even as one of the most outspoken critics of A Star is Born from the start, I still have always admitted that I really like that song. Am I getting sick of it now? Sure. But there's no doubt it's an exhilarating piece of music and Gaga's performance on it is just tremendous. One of the few aspects of the film that I'm a big fan of, and I honestly didn't really care for much of the rest of the soundtrack. Roma just narrowly missed for sound editing. The deciding factor to leave it out is ultimately that, as you say, the sounds created for the film are indeed mundane and ordinary (that being the point, obviously) and it's a category where I usually value recognizing more creativity. Obviously the selection of those sounds are impressively specific and vivid, and the level of immersion wouldn't work without it, but, again, the sound mixing does more of the heavy-lifting in creating that mood. I eventually decided on putting The Guilty into that line-up instead because I was just floored by its ability to tell an entire half (or more) of its story through the sound effects on the other side of the phone alone. But Roma was reeeally close there, yes. Madeline's Madeline also just missed for sound mixing for me too I ultimately gave it to Cold War instead which is more consistently immersive, but they were close. The makeup recognition for Mandy more has to do with its prosthetic effects than anything. Stuff like the climatic exploding head are admittedly juvenile, yes, but it's those effects that I think really fit the film's world/tone so damn well. The makeup really adds a vivd bloodied and bruised appearance to its characters, and I loved it. Under-recognized aspect of the film, if you ask me. I honestly never really considered either of those films for my Visual Effects lineup. Neither really stood out to me in that regard. I mean, I haven't seen A Quiet Place in almost a year, but I can't even recall how many VFX shots there even were in the film. I feel like it's really just the monsters, and honestly their sound design was much more impressive to me than their visual design and CGI rendering. And it's sort of the same with Fallout -- the immaculate stuntwork does so much of the heavy-lifting that I feel like VFX wasn't even required for most of it. The only sequence I can think of that really would've required a lot of VFX work is the final chase sequence with the helicopters, and, again, the work done there didn't necessarily stand out to me. I don't know, I know that the line-up of two is super awkward, but I don't do filler nominees and I certainly didn't want to scrap the category altogether. So, oh well.
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Post by DeepArcher on Feb 28, 2019 2:17:36 GMT
It's all set. Winner presentation tomorrow night at 8PM EST. #BringTheHammers
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Post by DeepArcher on Mar 1, 2019 1:00:46 GMT
Alright so I'm just gonna get started.
So this is the DAFAs I guess. Thanks to my 1+ viewer(s) for indulging me ... look at that still doing better than the Oscars ... ha ha, easy target, I can do better. Aaanyway I put way too much effort into making this look all nice and pretty. I loaded this thing up with a bunch of videos and images so beware because this thread is about to take 30 minutes to load! Obviously selection is limited so not all of my visuals are ideal, in fact some actors' clips are just trailers (that nonetheless get the job done), but, uh, to paraphrase the epigraph of a 2018 film that did not receive many nominations from this awards body ... I did my fucking best.
Okay, enough with the talk, time to get this party started.
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Post by DeepArcher on Mar 1, 2019 1:18:34 GMT
The first category to be announced is BEST SUPPORTING ACTOR
Here to present is last year's DAFA winner for Best Supporting Actress, Lesley Manville, because that's the way it's fucking done folks
Uh, anyway, the nominees are...Mahershala Ali as "Don Shirley”in Green Book
Jeff Bridgesas “Father Daniel Flynn / Dock O’Kelly”in Bad Times at the El RoyaleRafael Casal as "Miles"in BlindspottingRichard E. Grant as “Jack Hock”in Can You Ever Forgive Me?Alessandro Nivola as “Dovid Kuperman”in Disobedience
And the DAFA goes to...Richard E. Grant in Can You Ever Forgive Me?Also I lied there won't be any acting clips for the time being due to some unforeseen technical difficulties...
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Post by DeepArcher on Mar 1, 2019 1:32:14 GMT
The nominees for BEST PRODUCTION DESIGN are...Cold WarBenoît Barouh, Marcel Slawinski and Katarzyna Sobanska-Strzalkowska Crazy Rich AsiansNelson Coates The FavouriteFiona Crombie If Beale Street Could TalkMark Friedberg isle of DogsPaul Harrod and Adam Stockhausen And the DAFA goes to...Paul Harrod and Adam Stockhausen for ISLE OF DOGS The nominees for BEST COSTUME DESIGN are...The Ballad of Buster Scruggs
Mary Zophres Black Panther
Ruth. E Carter Crazy Rich Asians
Mary E. Vogt The Favourite
Sandy Powell If Beale Street Could Talk
Caroline Eselin And the DAFA goes to...Sandy Powell for THE FAVOURITE
The nominees for BEST MAKEUP AND HAIRSTYLING are... Black Panther
Ken Diaz, Camille Friend, and Joel Harlow The Favourite
Beverly Binda, Samantha Denyer, and Nadia Stacey Mandy
Orlene De Neve ViceKate Briscoe, Greg Cannom, and Patricia Dehaney And the DAFA goes to...
Orlene De Neve for MANDY
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Post by stephen on Mar 1, 2019 1:35:30 GMT
Hate the production design win, LOVE that makeup winner.
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Post by DeepArcher on Mar 1, 2019 1:42:55 GMT
The nominees for BEST SOUND MIXING are...Cold War
Piotr Knop and Maciej Pawlowski First Man
Marry H. Ellis, Ai-Ling Lee, Frank A. Montaño, and Jon Taylor Roma
José Antonio García, Craig Henighan, and Skip Lievsay A Star is Born
Steven Morrow, Tom Ozanich, Jason Ruder, and Dean. A Zupancic You Were Never Really Here
Drew Kunin and Andrew Sirk And the DAFA goes to... Drew Kunin and Andrew Sirk for YOU WERE NEVER REALLY HERE
The nominees for BEST SOUND EDITING are...Annihilation
Glenn Freemantle First Man
Mildred Iatrou and Ai-Ling Lee The Guilty
Oskar Shriver Mission: Impossible -- Fallout
James Mather A Quiet Place
Erik Aadahl and Ethan Van der Ryn And the DAFA goes to... Glenn Freemantle for ANNIHILATION The nominees for BEST VISUAL EFFECTS are...Annihilation
Sara Bennett, Richard Clarke, Simon Hughes, and Andrew Whitehurst First Man
Ian Hunter, Paul Lambert, Tristan Myles, and J.D. Schwalm And the DAFA goes to...
Ian Hunter, Paul Lambert, Tristan Myles, and J.D. Schwalm for FIRST MAN
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Post by DeepArcher on Mar 1, 2019 1:45:06 GMT
Okay I am literally unable to post any videos or images right now ... did the admins take away my privileges?? Seriously don't know what's happening. Guess I'll keep going with this...
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Post by DeepArcher on Mar 1, 2019 1:52:49 GMT
The nominees for BEST ENSEMBLE CAST are... The Ballad of Buster Scruggs
Tim Blake Nelson, James Franco, Stephen Root, Liam Neeson, Harry Melling, Tom Waits, Zoe Kazan, Bill Heck, Grainger Hines, Tyne Daly, Brendan Gleeson, Jonjo O’Neill, et al. Casting by Ellen Chenoweth Crazy Rich Asians
Constance Wu, Henry Golding, Michelle Yeoh, Gemma Chan, Awkwafina, Lisa Lu, Chris Pang, Harry Shum Jr., Sonoya Mizuno, Ken Jeong, Jimmy O. Yang, Ronny Chieng, Remy Hii, Nico Santos, et al. Casting by Terri Taylor The Favourite
Rachel Weisz, Emma Stone, Olivia Colman, Nicholas Hoult, Joe Alwyn, et al. Casting by Dixie Chassay If Beale Street Could Talk
Kiki Layne, Stephan James, Regina King, Colman Domingo, Teyonah Parris, Michael Beach, Brian Tyree Henry, Ed Skrein, Finn Wittrock, Dave Franco, Emily Rios, Pedro Pascal, Diego Luna, Aunjanue Ellis, et al. Casting by Cindy Tolan Private Life
Kathryn Hahn, Paul Giamatti, Kayli Carter, Molly Shannon, John Carroll Lynch, et. al Casting by Rori Bergman and Jeanne McCarthy Shoplifters
Lily Franky, Sakura Andô, Jyo Kairi, Mayu Matsuoka, Miyu Sasaki, Kirin Kiki, et al. Casting by Toshie Tabata And the DAFA goes to...SHOPLIFTERS The nominees for BEST ACHIEVEMENT IN DOCUMENTARY FILMMAKING are...Minding the Gap
Bing Liu ShirkersSandi Tan Won’t You Be My Neighbor?
Morgan Neville And the DAFA goes to...
Bing Liu for MINDING THE GAP The nominees for BEST BREAKTHROUGH PERFORMANCE are...Yalitza Aparicio as “Cleo” in RomaRafael Casal as “Miles” in BlindspottingElsie Fisher as “Kayla” in Eighth GradeHelena Howard as “Madeline” in Madeline’s MadelineThomasin Harcourt McKenzie as “Tom” in Leave No TraceAnd the DAFA goes to...
Helena Howard in Madeline's Madeline The nominees for BEST DEBUT FEATURE FILM are... BlindpsottingDirected by Carlos López Estrada Eighth Grade
Directed by Bo Burnham HereditaryDirected by Ari Aster Sorry to Bother You
Directed by Boots Riley WildlifeDirected by Paul Dano And the DAFA goes to...Bo Burnham for Eighth Grade
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Post by DeepArcher on Mar 1, 2019 1:57:50 GMT
The nominees for BEST SUPPORTING ACTRESS are...Sakura Andô as “Nobuyo Shibata”in ShopliftersOlivia Colman as “Queen Anne”in The FavouriteElizabeth Debicki as “Alice”in WidowsRegina King as “Sharon Rivers”in If Beale Street Could TalkMichelle Yeoh as “Eleanor Young”in Crazy Rich AsiansAnd the DAFA goes to...Olivia Colman in The Favourite
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Post by DeepArcher on Mar 1, 2019 2:01:55 GMT
And the nominees for BEST ORIGINAL SONG are... “All the Stars”by Kendrick Lamar and SZA from Black Panther“Hearts Beat Loud”
by Keegan DeWitt from Hearts Beat Loud“Shallow”
by Lady Gaga, Mark Ronson, Anthony Rossomando, & Andrew Wyatt from A Star is Born“Suspirium”
by Thom Yorke from Suspiria“Unmade”
by Thom Yorke from SuspiriaAnd the DAFA goes to... Thom Yorke for "Suspirium"
The nominees for BEST ORIGINAL SCORE are...
First Man
Justin Hurwitz If Beale Street Could Talk
Nicholas Britell Mandy
Jóhann Jóhannsson SuspiriaThom Yorke You Were Never Really Here
Jonny Greenwood And the DAFA goes to... Jonny Greenwood for You Were Never Really Here
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Post by DeepArcher on Mar 1, 2019 2:05:53 GMT
The nominees for BEST FILM EDITING are...American Animals
Nick Fenton, Chris Gill, and Julian Hart First Man
Tom Cross Madeline’s Madeline
Harrison Atkins, Josephine Decker, and Elizabeth Rao The Other Side of the Wind
Bob Murawski and Orson Welles You Were Never Really Here
Joe Bini And the DAFA goes to... Joe Bini for YOU WERE NEVER REALLY HERE
The nominees for BEST CINEMATOGRAPHY are...
The Ballad of Buster Scruggs
Bruno Delbonnel Cold War
Lukasz Zal First Man
Linus Sandgren If Beale Street Could Talk
James Laxton MandyBenjamin Loeb RomaAlfonso Cuarón And the DAFA goes to...
James Laxton for IF BEALE STREET COULD TALK
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Post by DeepArcher on Mar 1, 2019 2:11:29 GMT
The nominees for BEST ADAPTED SCREENPLAY are...The Ballad of Buster Scruggs
by Ethan and Joel Coen Segments based on “All Gold Canyon” by Jack London, “The Girl Who Got Rattled” by Stewart Edward White
Can You Ever Forgive Me?
by Nicole Holofcener and Jeff Whitty Based on the memoir of the same name by Lee Israel If Beale Street Could Talk
by Barry Jenkins Based on the novel of the same name by James BaldwinLeave No Trace
by Debra Granik and Anne Rosellini Based on the novel “My Abandonment” by Peter Rock Wildlifeby Paul Dano and Zoe Kazan Based on the novel of the same name by Richard FordAnd the DAFA goes to...Joel and Ethan Coen for The Ballad of Buster Scruggs The nominees for BEST ORIGINAL SCREENPLAY are...Blindspotting
by Rafael Casal and Daveed Diggs Eighth Grade
by Bo Burnham The Favourite
by Deborah Davis and Tony McNamara First Reformed
by Paul Schrader Private Life
by Tamara Jenkins Shoplifters
by Hirokazu Kore-eda And the DAFA goes to...Paul Schraderfor First Reformed
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