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Post by Real Duality on Feb 27, 2017 17:12:56 GMT
First off, I don't mean in any way to suggest that Moonlight isn't a deserving winner, and that it didn't win on its own merits. I think it is not just a great artistic movie, but one that can reach a wide audience. The way it was told so beautifully made it easy for most to relate to it. Seeing, though, how dominant La La Land had been, it is safe to say we were all surprised by the win. La La Land lost a sizable lead. Where did they go wrong? What was the Draymond Green nut tap if you will?
I have a theory. La La Land ran a campaign saying their movie was about diversity, struggling against the Hollywood system, and even opposing Trump. Here they were making outstanding claims, when the stars were two White media darlings, it was a celebration of Hollywood uniting multiple hot names, and it was a simple non-political love story. Meanwhile, here was Moonlight, which actually lived up to these words. It was like they played right into Moonlight's hands, like Draymond reacting to LeBron James stepping over him. La La Land didn't just have to be the more popular movie-they had to be the more meaningful one, and that did them in.
Thoughts?
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Post by stephen on Feb 27, 2017 17:22:20 GMT
I think that it was a combination of the following things:
1. Both films were exceedingly well-received by critics and audiences (even if one of them dwarfed the other in B.O.) 2. La La Land started getting a lot of backlash. ("Is this really deserving of record-setting attention?") 3. In the wake of #OscarsSoWhite, voters were probably very cognizant of the Academy's image. 4. In hindsight, I can see the preferential ballot favoring Moonlight, especially as I feel a lot of people sick of La La Land were probably voting against it, whereas I don't really see a lot of that happening with Moonlight.
There were an awful lot of thinkpieces and articles about Moonlight coming out at the peak time for voting (I also think this radically helped The Salesman), talking about how it was better for the Academy and for cinema culture in general to recognize something as daring and esoteric as Moonlight rather than "retreat into film escapism once again."
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Post by Real Duality on Feb 27, 2017 17:27:40 GMT
4. In hindsight, I can see the preferential ballot favoring Moonlight, especially as I feel a lot of people sick of La La Land were probably voting against it, whereas I don't really see a lot of that happening with Moonlight. I definitely see this as a major factor, especially when you account for how Damien won Best Director.
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Post by stephen on Feb 27, 2017 17:29:11 GMT
4. In hindsight, I can see the preferential ballot favoring Moonlight, especially as I feel a lot of people sick of La La Land were probably voting against it, whereas I don't really see a lot of that happening with Moonlight. I definitely see this as a major factor, especially when you account for how Damien won Best Director. I feel like many voters saw it as an opportunity to reward Jenkins, Lonergan and Chazelle individually by giving the former two writing wins and Chazelle Director. Best Picture, I feel, was probably a tight race but a little bit of backlash can go a long way, especially with the other mitigating factors I mentioned.
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Post by Real Duality on Feb 27, 2017 17:31:16 GMT
I definitely see this as a major factor, especially when you account for how Damien won Best Director. I feel like many voters saw it as an opportunity to reward Jenkins, Lonergan and Chazelle individually by giving the former two writing wins and Chazelle Director. Best Picture, I feel, was probably a tight race but a little bit of backlash can go a long way, especially with the other mitigating factors I mentioned. Do you think La La Land's own campaign contributed to the backlash in some way? I noticed a lot of people were mocking them, which could have led to more stories.
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Post by stephen on Feb 27, 2017 17:33:02 GMT
I feel like many voters saw it as an opportunity to reward Jenkins, Lonergan and Chazelle individually by giving the former two writing wins and Chazelle Director. Best Picture, I feel, was probably a tight race but a little bit of backlash can go a long way, especially with the other mitigating factors I mentioned. Do you think La La Land's own campaign contributed to the backlash in some way? I noticed a lot of people were mocking them, which could have led to more stories. I don't know. I wasn't really paying much attention to the actual campaigns.
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Post by phenix714 on Feb 27, 2017 17:48:08 GMT
I think La La Land is just as relevant for society, probably more, than Moonlight. The thing is, La La Land's themes are going to connect with way less people than Moonlight's. Its emotional core relies on the nostalgia for the past and the heartbreaking feeling that the modern world doesn't care about those things anymore and that dreamers and artists are sort of like outcasts. So it is by design not going to speak to most people, since most people precisely constitute the current world the movie is lamenting about. It is only going to truly connect with the minority that shares Mia and Seb's melancholy.
Moonlight in contrast deals with themes that are very "hip" these days. Most people agree that racism and homophobia are bad things that need to be stopped, so obviously a movie like this is going to resonate and be seen as a very important one.
The reason I feel La La Land is more relevant is because it sides with the underdog. The world doesn't really need Moonlight to combat bigotry, since tolerance is already the consensus opinion and things will keep going in the right direction. La La Land on the other hand goes against the grain. We absolutely need movies like it, if we don't want the things we are nostalgic about to get lost forever. Just like Seb is doing his part to try to save Jazz, La La Land is doing its part to try keep those things alive.
Moonlight goes with the flow. La La Land is an uphill battle.
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Post by Real Duality on Feb 27, 2017 18:00:46 GMT
The world doesn't really need Moonlight to combat bigotry, since tolerance is already the consensus opinion and things will keep going in the right direction. La La Land on the other hand goes against the grain. The White House issued a Holocaust denial, and the media didn't point that out.
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Post by Billy_Costigan on Feb 27, 2017 18:01:49 GMT
I think it mostly had to do with being the front runner. People had months to try and pick everything apart and jump to conclusions that weren't even there. They convinced themselves that it was "racist" or socially problematic. Overall, La La is such an innocent and charming film. With the political climate, maybe people wanted something with more bite.
Some people may have been sick of it winning, had some of these thoughts, and decided to put it further down the ballot. At this time, Moonlight just had more universal appeal.
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Post by phenix714 on Feb 27, 2017 18:06:12 GMT
The world doesn't really need Moonlight to combat bigotry, since tolerance is already the consensus opinion and things will keep going in the right direction. La La Land on the other hand goes against the grain. The White House issued a Holocaust denial, and the media didn't point that out. The popular vote actually favoured Hillary. Also, most of those who abstained from voting would have gone with Hillary if they did. As showed the polls shortly after his election, the majority of Americans were not Trump supporters. And this is just the USA. The occidental world in general is more progressive.
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Post by cornnetto on Feb 27, 2017 18:07:11 GMT
The world doesn't really need Moonlight to combat bigotry, since tolerance is already the consensus opinion and things will keep going in the right direction. La La Land on the other hand goes against the grain. The White House issued a Holocaust denial, and the media didn't point that out. Are you talking about this ?: www.whitehouse.gov/the-press-office/2017/01/27/statement-president-international-holocaust-remembrance-day“It is with a heavy heart and somber mind that we remember and honor the victims, survivors, heroes of the Holocaust. It is impossible to fully fathom the depravity and horror inflicted on innocent people by Nazi terror.
“Yet, we know that in the darkest hours of humanity, light shines the brightest. As we remember those who died, we are deeply grateful to those who risked their lives to save the innocent.
“In the name of the perished, I pledge to do everything in my power throughout my Presidency, and my life, to ensure that the forces of evil never again defeat the powers of good. Together, we will make love and tolerance prevalent throughout the world.”If so, can someone explain how that message deny the existence of the Shoah, I'm not sure to fully follow. I felt like there is some maybe Americans particularity involved. Because who can read that statement and conclude that the Shoah didn't occur from it ? As for the media not pointing it out, maybe it didn't reach that conclusion but it was everywhere that a statement about the holocaust didn't mention the word Jew/Jewish people/etc..., on cnn for example: www.cnn.com/2017/01/28/politics/white-house-holocaust-memorial-day/Times, The guardians, Usa Todays, etc... As for this thread question, it is hard to say how in advance La la land was, it was not SAG choice for assemble and it didn't win WGA, for a lot of the rest of the season and for the ACE awards it was in is own musical/comedy category, making it harder to access if it was really in advance over Moonlight/Manchester.
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Post by Real Duality on Feb 27, 2017 18:15:04 GMT
In response to Cornnetto, this has long been a way neo-Nazis deny The Holocaust. The State Department pointed this out, and told them to fix it before it went out, and they refused. They were called out after it happened. They, then, doubled down. There is no debate to be had here.
As for your point about La La Land, that does make sense.
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Post by cornnetto on Feb 27, 2017 18:19:49 GMT
In response to Cornnetto, this has long been a way neo-Nazis deny The Holocaust. The State Department pointed this out, and told them to fix it before it went out, and they refused. They were called out after it happened. They, then, doubled down. There is no debate to be had here. You mean they use as a first step that, to say that it was not particularly against or harder for the Jews than a lot of group of people (communist and so on) as a first step ? That make sense (specially if you are at the WhiteHouse level, you cannot start with a full blown denial and burn your card, you need smaller steps), not a denial that it happened but a denial that the Jewish people were specially targeted for being Jewish.
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