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Post by cheesecake on Nov 21, 2019 21:55:54 GMT
This was a lonnnng time coming and I actually suffered some montage block because it's been so long since I made one. Hope you guys enjoy!
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Post by DeepArcher on Nov 21, 2019 23:05:06 GMT
This is perfection! Love it!
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Post by cheesecake on Nov 22, 2019 2:58:58 GMT
Damn you're back!!! Gonna see it later   I finally made it, Ray!  |
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Post by Christ_Ian_Bale on Dec 20, 2019 6:21:48 GMT
Can't believe I let a month go by without seeing this.  I have my favorites of ones you've done, but this may be the best. Starting with that gloominess with the "Meal Ticket" dialogue over it (the way it matches with the images is almost freaky), then getting more upbeat (that Barry Pepper cut Viced mentioned is, indeed, perfect) then that abrupt cut into the bleak with the Chigurh bathroom shot that stops the music, then into the melancholic and existential. I can't think of a more perfect way to encapsulate everything they've ever done, and their masterful understanding of tone, into seven minutes. I also can't get enough of that cut from A Serious Man's last shot to Barton looking at the picture for some reason. It's also a nice reminder that, while overshadowed by Deakins' brilliance, Sonnenfeld's work on their earlier movies has always been greatly underappreciated. Loved the inclusion of Paris, je t'aime, which helps it feel complete. Amazing.  |
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