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Post by TheAlwaysClassy on Oct 17, 2023 14:25:26 GMT
I feel weird being this hyped for a Holocaust movie.
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Post by TylerDeneuve on Oct 17, 2023 20:12:28 GMT
The little boy is looking at human teeth at the 51 second mark, right?
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Post by pacinoyes on Oct 23, 2023 22:16:50 GMT
The little boy is looking at human teeth at the 51 second mark, right? Actually - yes ^ and this poster is fascinating too in that you can't quite process what you are seeing in contrast........two of the partygoers are headless. Like a whole lot of thought went into this poster. I always say A24 - love 'em or hate 'em do a lot of hard work on the peripheral stuff that goes along with the movie itself..........their trailers are almost always great (even if the movie sucks) and visual arts, etc.
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Post by JangoB on Dec 5, 2023 14:22:18 GMT
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Post by pacinoyes on Dec 5, 2023 14:35:40 GMT
I said this before in another thread and it was a great point - if I do say so myself (um) - not a "pretty good one" or whatever the fnck it was called by Southern Goth .......this movie is the movie of precisely this time - whatever side you're on ......and it's going to clean up on nods I reckon - UNLESS it is seen as in bad taste.....which if that happens will be Maestro's more safer gain
From 30 seconds to 50 seconds this is an extremely disturbing trailer - and nobody does trailers like A24 does - they are great at it:
Man in white lingering downward as an Angel of Death, the bones of the 2 kids backs, flowers bloom followed by a chemical (or water spray) to that ominous and haunting white tent at the center frame @ 48 seconds.........
A ruthlessly edited, cinematic language heavy trailer.......
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Nikan
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Post by Nikan on Jan 25, 2024 14:31:19 GMT
The most anticipated & leftover 2023 title for all of you Glazerheads... predict the film and your reaction to it.
I was pretty in when it's title and a few shots were all I knew about, but after the trailer I'm like, "really? another cold Nazies were monsters film?"
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Pasquale
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Post by Pasquale on Jan 25, 2024 14:53:18 GMT
It's not about that. More like, another 2001: A Space Odyssey film.
I would like to remind that, The Zone of Interest is rated PG-13.
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Post by ibbi on Jan 25, 2024 15:02:19 GMT
I like to picture The Zone of Interest in a tuxedo T-shirt because it says I want to be formal, but I'm here to party.
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Post by JangoB on Jan 25, 2024 15:11:13 GMT
I think it'll be about the banality of evil and I'll react to it by thinking "Man, evil sure can be banal."
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Pasquale
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Post by Pasquale on Jan 25, 2024 15:13:03 GMT
Honestly, the best description for the film is worldless. Just void. I agree with the phrase that "It says without saying". At least, 2001: A Space Odyssey has mystery, visuals and is entertaining. The Zone of Interest is completely naked, and is not entertaining.
I want every person who sees it, to take something from it, instead of feeling absolutely nothing.
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Nikan
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Post by Nikan on Jan 25, 2024 15:35:20 GMT
Honestly, the best description for the film is worldless. Just void. I agree with the phrase that "It says without saying". At least, 2001: A Space Odyssey has mystery, visuals and is entertaining. The Zone of Interest is completely naked, and is not entertaining.
I want every person who sees it, to take something from it, instead of feeling absolutely nothing.
So it's more Birth than Under the Skin. sad
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Pasquale
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Post by Pasquale on Jan 25, 2024 15:49:23 GMT
Honestly, the best description for the film is worldless. Just void. I agree with the phrase that "It says without saying". At least, 2001: A Space Odyssey has mystery, visuals and is entertaining. The Zone of Interest is completely naked, and is not entertaining.
I want every person who sees it, to take something from it, instead of feeling absolutely nothing.
So it's more Birth than Under the Skin. sad It's funny. Birth is the only Glazer I have not watched.
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Nikan
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Post by Nikan on Jan 25, 2024 16:02:19 GMT
So it's more Birth than Under the Skin. sad It's funny. Birth is the only Glazer I have not watched. You *might* wanna give it a go... some (a few) love it. For me it is, alongside something like Sacred Deer (the Kidman coincidence) the go-to example of post-Kubrick art house confusion.
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