morton
Based
Posts: 2,811
Likes: 2,954
|
Post by morton on Oct 21, 2019 21:27:47 GMT
Decided to start a thread on it because vinnyt also got to see it recently. I loved this. One of my favorites so far this year. While I do think it will get a large audience on Netflix, I do sort of wish that another distributor had done it because then there would be more concrete proof of how many people actually did see it because I think it would have done well in theaters. I expect that SAG will really love this though, and that it should get a Best Ensemble nomination even with Bombshell now being a threat there too. I know Snipes had some buzz, I found him good, but I found all of the supporting male characters to be great, so he didn't particularly stand out to me other than the fact that it's been awhile since I've been reminded that Snipes can actually act. So he was sort of similar to J. Lo in Hustlers for me in that, I thought they were good, but not anything new that I haven't seen from them before, but it has been awhile since either we're so good. For me aside from Murphy, Da'Vine Joy Randolph deserves the most attention, and I think if she would have just had one more big scene, she would be right in the mix for Supporting Actress. As it stands now though, aside from Zhao Shuzhen and Diana Lin probably my favorite supporting actress performance so far this year; although as I said in the Best Actor thread, I haven't really seen that much yet. She does so much more and leaves a much bigger impression than Robbie does in OUATIH, but even without Bombshell, Robbie would have comfortably in and Randolph might be lucky to get a few regional nominations and maybe a Spirit Award nomination. Anyway, I'm not sure if anyone got the same impression from the trailer, but I was expecting something more like Bowfinger, so more like laugh a minute, but while there were laughs, it wasn't a film where they just keep coming nonstop. That didn't mar my enjoyment any. In fact, I loved that the script treated all of the characters with a lot of respect and what they were doing and what they achieved with such reverence. Snipes's Martin had a great line to Murphy about John Cassavetes and how Moore were the same in the lengths that they both went to, to make their films, which was a really nice touch.
|
|
sirchuck23
Based
Bad news dawg...you don't mind if I have some of your 300 dollar a glass shit there would ya?
Posts: 2,672
Likes: 4,772
|
Post by sirchuck23 on Oct 22, 2019 13:52:08 GMT
Can't wait to see the film! The reviews so far for it have been great.
|
|
|
Post by therealcomicman117 on Oct 25, 2019 17:19:02 GMT
Honestly this might be my favorite film of the year thus far.
I always love movies about making movies, especially period pieces, and this is no exception. It's an incredibly stylish film, sporadically funny, but with a great soundtrack. I finally watched the first two Rudy Ray Moore flicks prior to seeing this, and it's amazing how well they were able to recreate the first Dolemite film, especially the low-budget feel. It takes me back to some of my favorites "movies about movies" like Ed Wood, and Singin in The Rain, in that's it's a man who's determined to put on a good show no matter the odds against him.
As for Eddie Murphy's performance, it's incredible. He's so fast lighting rod talking, and off the wall humorous, that it takes you back to the old Eddie, and reminds you why he became a star in the first place. He dominates the movie with his presence through, and through. Easily his best film since Bowfinger too.
Because it's the Eddie Show, all the other supporting actors are in service of him. The cast is a who's who of great current black comedians (fitting this was released on Craig Robinson's birthday), and while they do have some good bits, and stand-out to a certain extent, there still playing second fiddle to Murphy. Wesley Snipes has a few moments to shine, but I was surprised by how short his screentime was, mostly limited to the scenes where they actually film the movie. At least between this and Coming 2 America, Eddie is helping to give his career a much deserved boosted comeback.
My only major complaint is that I wish they had explored Moore's career further, like shown how The Disco Godfather essentially killed his career, and or the major setbacks that happened after, but then again that would probably stretch the film to a good three hours, and I might not have enjoyed it as much as a result. Either way it's a fine piece of filmmaking, a great look at an influential entertainer, and I'm supremely glad I watched it.
|
|
|
Post by quetee on Oct 25, 2019 17:52:06 GMT
This came out today on Netflix, right?
|
|
|
Post by TerryMontana on Oct 25, 2019 18:08:20 GMT
This came out today on Netflix, right? Right.
|
|
|
Post by pupdurcs on Oct 26, 2019 0:02:19 GMT
Honestly this might be my favorite film of the year thus far. I always love movies about making movies, especially period pieces, and this is no exception. It's an incredibly stylish film, sporadically funny, but with a great soundtrack. I finally watched the first two Rudy Ray Moore flicks prior to seeing this, and it's amazing how well they were able to recreate the first Dolemite film, especially the low-budget feel. It takes me back to some of my favorites "movies about movies" like Ed Wood, and Singin in The Rain, in that's it's a man who's determined to put on a good show no matter the odds against him. As for Eddie Murphy's performance, it's incredible. He's so fast lighting rod talking, and off the wall humorous, that it takes you back to the old Eddie, and reminds you why he became a star in the first place. He dominates the movie with his presence through, and through. Easily his best film since Bowfinger too. Because it's the Eddie Show, all the other supporting actors are in service of him. The cast is a who's who of great current black comedians (fitting this was released on Craig Robinson's birthday), and while they do have some good bits, and stand-out to a certain extent, there still playing second fiddle to Murphy. Wesley Snipes has a few moments to shine, but I was surprised by how short his screentime was, mostly limited to the scenes where they actually film the movie. At least between this and Coming 2 America, Eddie is helping to give his career a much deserved boosted comeback. My only major complaint is that I wish they had explored Moore's career further, like shown how The Disco Godfather essentially killed his career, and or the major setbacks that happened after, but then again that would probably stretch the film to a good three hours, and I might not have enjoyed it as much as a result. Either way it's a fine piece of filmmaking, a great look at an influential entertainer, and I'm supremely glad I watched it. Right on Motherfucker! Put yo' weight on it! Loved this movie. I've been high on it (and Murphy) since the trailer, so I was afraid I'd be setting myself up for disappointment. But it's legit one of the most joyous movie experiences of the year. From beginning to end, this movie does not let up. Not only is it hilarious, but I'd argue it's the feelgood movie of the year (something more obviously suited to the Mr Rogers movie or something like that). Quite an achievement for a film with more cursing than most Tarantino films. This is a love letter to dreamers and blaxplotation films. Eddie Murphy is as great as he's been in a very long time, gives a wonderful performance as Rudy Ray Moore. Murphy is effortlessly funny as expected, but also gets several scenes to show real drammatic pathos (like when he's bitching out his father in front of the mirror). He should absolutely be up for a Best Actor Oscar for this performance, and in a just world, he'd be a frontrunner. I've argued that he's maybe the greatest comic film actor of all time, and should have more than 1 Oscar to his name already. In this movie, he more than lives up to my rating of him. Murphy is the film's special effect. Wesley Snipes goes to town as D'urville Martin, a coked up drunk actor who gets coaxed into directing Rudy's movie. It's a scene stealing performance that deserves recognition as well. The other standout performance belongs to Da'Vine Joy Randoplh whose characters Rudy decides to mentor to become a comic act herself. The rest of the cast does well, mostly letting Murphy do his thing, but it's Snipes and Randoplh who manage to shine outside of Murphy. This is easily in the class if the best movies about movies, like Ed Wood. I'd put it above The Disaster Artist as well. Awards wise, this should really be competitive for nods across the board, especially for Murphy and Original Screenplay. But Best Picture, Costumes, Supporting Actor and Supporting actress should also be in play. Here's hoping the anti-comedy bias doesn't put a kibosh in it's chances, but I feel there will be a fair amount of passion for this. So we'll see. A damn near perfect film that I wanted to watch again almost as soon as it finished. Titties, Funny and Kung-Fu! What more can you ask for in a movie?
|
|
|
Post by therealcomicman117 on Oct 26, 2019 1:12:07 GMT
Honestly this might be my favorite film of the year thus far. I always love movies about making movies, especially period pieces, and this is no exception. It's an incredibly stylish film, sporadically funny, but with a great soundtrack. I finally watched the first two Rudy Ray Moore flicks prior to seeing this, and it's amazing how well they were able to recreate the first Dolemite film, especially the low-budget feel. It takes me back to some of my favorites "movies about movies" like Ed Wood, and Singin in The Rain, in that's it's a man who's determined to put on a good show no matter the odds against him. As for Eddie Murphy's performance, it's incredible. He's so fast lighting rod talking, and off the wall humorous, that it takes you back to the old Eddie, and reminds you why he became a star in the first place. He dominates the movie with his presence through, and through. Easily his best film since Bowfinger too. Because it's the Eddie Show, all the other supporting actors are in service of him. The cast is a who's who of great current black comedians (fitting this was released on Craig Robinson's birthday), and while they do have some good bits, and stand-out to a certain extent, there still playing second fiddle to Murphy. Wesley Snipes has a few moments to shine, but I was surprised by how short his screentime was, mostly limited to the scenes where they actually film the movie. At least between this and Coming 2 America, Eddie is helping to give his career a much deserved boosted comeback. My only major complaint is that I wish they had explored Moore's career further, like shown how The Disco Godfather essentially killed his career, and or the major setbacks that happened after, but then again that would probably stretch the film to a good three hours, and I might not have enjoyed it as much as a result. Either way it's a fine piece of filmmaking, a great look at an influential entertainer, and I'm supremely glad I watched it. Right on Motherfucker! Put yo' weight on it! Loved this movie. I've been high on it (and Murphy) since the trailer, so I was afraid I'd be setting myself up for disappointment. But it's legit one of the most joyous movie experiences of the year. From beginning to end, this movie does not let up. Not only is it hilarious, but I'd argue it's the feelgood movie of the year (something more obviously suited to the Mr Rogers movie or something like that). Quite an achievement for a film with more cursing than most Tarantino films. This is a love letter to dreamers and blaxplotation films. Eddie Murphy is as great as he's been in a very long time, gives a wonderful performance as Rudy Ray Moore. Murphy is effortlessly funny as expected, but also gets several scenes to show real drammatic pathos (like when he's bitching out his father in front of the mirror). He should absolutely be up for a Best Actor Oscar for this performance, and in a just world, he'd be a frontrunner. I've argued that he's maybe the greatest comic film actor of all time, and should have more than 1 Oscar to his name already. In this movie, he more than lives up to my rating of him. Murphy is the film's special effect. Wesley Snipes goes to town as D'urville Martin, a coked up drunk actor who gets coaxed into directing Rudy's movie. It's a scene stealing performance that deserves recognition as well. The other standout performance belongs to Da'Vine Joy Randoplh whose characters Rudy decides to mentor to become a comic act herself. The rest of the cast does well, mostly letting Murphy do his thing, but it's Snipes and Randoplh who manage to shine outside of Murphy. This is easily in the class if the best movies about movies, like Ed Wood. I'd put it above The Disaster Artist as well. Awards wise, this should really be competitive for nods across the board, especially for Murphy and Original Screenplay. But Best Picture, Costumes, Supporting Actor and Supporting actress should also be in play. Here's hoping the anti-comedy bias doesn't put a kibosh in it's chances, but I feel there will be a fair amount of passion for this. So we'll see. A damn near perfect film that I wanted to watch again almost as soon as it finished. Titties, Funny and Kung-Fu! What more can you ask for in a movie? I would like to have mentioned Joy Randoplh as well. She killed it as Lady Reed AKA Queen Bee, who was always meant to be quite the character. You're also not wrong about it being a crowd-pleasing movie. It ends up being quite inspirational by the end. As for awards, I'm not really sure about best picture, but I think costumes are locked, and Murphy's nomination depends on how well he does in the precursors. He is certainly worthy of a nom.
|
|
|
Post by pupdurcs on Oct 26, 2019 3:12:50 GMT
|
|
|
Post by pacinoyes on Oct 26, 2019 10:04:43 GMT
In Scott Alexander and Larry Karaszewski's typically on-point screenplay (they basically own this genre) there is a great, peripheral detail hinted at about much of the Art in America's fabric, specifically (but not exclusively) Black artistic expression - the "who did it first?" principle. This idea you often see in music - the Blues (and Rap too) - who wrote what, when and where ..........myths and outright lies sit side by side with the work itself. Who wrote the Blues song say is tied eventually to who laid down that rap line, who stole what from whom and what is the implication of it anyway (and racially how does this differ from whites appropriating from blacks then)?
This is a complex idea and it is brilliantly conveyed in the movie's fantastic first hour - When Rudy Ray Moore essentially disses Marvin Gaye, James Brown and Redd Foxx and "steals" the old jokes of a vagrant to transform that into something "other" and different and "now" (1970s version). This theme is clearly punctuated in the films best scene, an update of The People vs. Larry Flynt's "Playboy's stereo system" bit - when Moore goes to see the remake of The Front Page and finds it ......out of touch, condescending, unfunny and overly genteel, unconcerned with pleasing a paying audience in any way - the exact opposite of the "who did it first?" principle.
In the films 2nd hour - still funny, but less so - this gets lost, so it's less funny and less profound - it's sweet but way more formulaic as it predictably recreates the Dolemite film (the first). This whole idea has then been sort of shifted, the Dolemite story becomes a validation of success which defeats the profound initial point and set up behind it.
Still Murphy is in very fine form, and the movie zips along even as we know what's coming and how.......there's a better (and thematically much darker) film here but this will do just fine.
7/10
|
|
|
Post by alexanderblanchett on Oct 26, 2019 13:36:17 GMT
A very entertaining and well acted biopic about a common man who found his luck and became the inspiration for many artists in future generations. One of those artists is Eddie Murphy who now brings Rudy Ray Moore on screen, a man who even influenced Rap and the way it developed. Murphy is fantastic and easily gives the best performance of his career. He really nailed the role and was able to completely vanish into that character. A very award worthy turn and great comeback for him. Another comeback story is Wesley Snipes who is absolutely hilarious and self ironic. Never thought he had that in him and that gives me the feeling his comedic and also dramatic talent was wasted all those years before. Another noteworthy and beautiful turn was done by Da'Vine Joy Randolph. The film itself had a very realistic and colorful look with nice production design and great costume work. The screenplay was very good as was the direction of Craig Brewer. It perfectly mixes comedic elements with dramatic moments and in its result is a very respectful and faithful biopic. Definitely worth to see and another winner feature for Netflix. Watch out for Eddie Murphy in this Oscar race. At least a Golden Globe nomination should be a given.
Nominations for:
Best Actor in a Leading Role: Eddie Murphy Best Actor in a Supporting Role: Wesley Snipes Best Original Screenplay Best Costume Design Best Ensemble
Rating: 8/10
|
|
|
Post by TerryMontana on Oct 26, 2019 22:14:33 GMT
Very entertaining. Not something we haven't seen before but still quite funny and amusing.
I loved Murphy in this. He carried the whole film and reminded me of the old Eddie Murphy. Sure, his dramatic scenes were not many (leaving the diner twice, talking in front of the mirror...) but he was very convincing. As for his comedic parts, well, that was a piece of cake for him.
The script was sharp but the way it ended, it gave the impression R.R. Moore became a big star very well known until the day he died. That's not exactly true but whatever.
The costumes deserve an Oscar, it's as simple as that!!! As for other Oscar chances, I can't see any. Murphy is fantastic but the movie is very light and he could easily be snubbed. Snipes is hilarious but doesn't have much to do.
Overall, one of the best movies I've seen this year but not a masterpiece. 7.5/10
|
|
|
Post by theycallmemrfish on Oct 26, 2019 22:51:27 GMT
But is he better than Adam Driver?
|
|
|
Post by Ryan_MYeah on Oct 27, 2019 5:00:04 GMT
But is he better than Adam Driver? I’m sure it’s no RM in BH, if that’s what you’re asking.
|
|
|
Post by JangoB on Oct 27, 2019 11:27:26 GMT
Even though the movie was kind of enjoyable, I thought it was a disappointment. This has got to be the most generic and by-the-numbers 'unusual biopic' script that Alexander/Karaszewski have produced, and just like with "The Disaster Artist" I find reading about the real events much more entertaining and engaging than seeing them dramatized in this pretty safe and vanilla way. It doesn't help that the direction is thoroughly pedestrian - the only interesting touch I found was the scene with the electricity turning on in the hotel. I suppose Craig Brewer thought that the unappealing brown color palette was gonna give the movie a feeling of distinction? Because otherwise I didn't see him try to accomplish that in any significant way.
Eddie Murphy is a total joy to watch though and the whole ensemble is actually quite good. As a piece of fun fluff the movie sorta works. And yes, the costumes are terrific. But I feel that "Black Dynamite" was a much better tribute to Rudy Ray Moore and Dolemite.
And don't get me started on that 'Thank you for putting someone like me on the screen' speech which was just the lamest and most cringeworthingly obvious attempt to cater to the internet crowd (who's predictably eating it up).
|
|
sirchuck23
Based
Bad news dawg...you don't mind if I have some of your 300 dollar a glass shit there would ya?
Posts: 2,672
Likes: 4,772
|
Post by sirchuck23 on Oct 27, 2019 16:00:49 GMT
Finally got to see this last night, and it was one of the most enjoyable films I've seen this year...hands down the best comedy movie of the year imo. Eddie Murphy finally doing R-rated material in god knows how long was absolutely phenomenal to see. I'm of the opinion that Murphy is the greatest comic actor ever and it was a pleasure to see this legend back in his natural form as a comedic force. Hopefully this is a start of a new phase in his career where he can start doing more films like this and even more dramatic films and leave the PG kids films in the past. As Rudy Ray Moore the struggling comedian, it was interesting to see Murphy inhabit a comedic artist who had a vastly different career from his. Murphy not only delivers with a passion in the comedic elements and performing Moore's comedic acts and catchphrases but also in the more dramatic scenes of the film, especially his relationship with Lady Reed, played by Da'Vine Joy Randolph who is a revelation in the film. Murphy also shows the drive this man had in wanting to become famous and a "somebody" in the world while coming from humble beginnings. He is definitely Oscar-caliber for this performance, and if he gets nominated it will be well deserved. Welcome back Eddie!
As far the supporting cast, all of them played their roles well..the trio of Mike Epps, Titus Burgess, and Craig Robinson are a hoot and Keegan-Michael-Key as the serious activist playwright Jerry Jones was great as well. Of course, the two standout supporting players in the film are the ones that have already been discussed...Wesley Snipes...my goodness...Snipes is absolutely hilarious as D'Urville Martin..who Moore convinces to be a part of his Dolemite film by offering him the director's chair. Martin doesn't really care for Moore or the amateurish film production but goes along with it to earn some money, and the Dolemite filming scenes involving him are some of the highlights of the film. I wish Snipes would've had more screentime as Martin, because it's one of the most interesting performances Snipes has done in his career, but it was good seeing him again. I would not be surprised if there is buzz for a supporting actor nomination for him. As stated earlier Da'Vine Joy Randolph is a revelation as Lady Reed. The Yale Drama school alumni and Tony nominated actress more than holds her own with the stacked cast and the scenes with her and Eddie Murphy are the heart of the film really..especially the scene of her thanking him for putting someone like her on the screen when she had never seen people like her before in movies. She's also at ease in the comedic parts of the film for her character as well. I can see why there has been buzz for her performance, and as with Snipes..I would not be surprised if she gets in nomination morning for her wonderful performance.
Craig Brewer did a great job directing this movie and you can see he has the same empathy and heart towards the Rudy Ray Moore character as Tim Burton did towards Ed Wood. I see why people make the comparison between Dolemite is My Name and Ed Wood. The costumes by Ruth E. Carter are sublime and the script by Scott Alexander and Larry Karaszewski is Oscar nom worthy in making this film such a strong comedy.
Overall this film was great to watch and people being introduced to Moore's comedy for the first time are going to be saying his catchphrases for the forseeable future..lol. The filming of the "love scene" for Dolemite is probably the funniest sh/t I've seen all year. Definitely can see multiple Oscar-nominations for the film and Eddie has to be the favorite for the Best Actor - Comedy category at the Globes.
|
|
|
Post by stephen on Oct 27, 2019 19:14:26 GMT
This movie was *chef's kiss*.
|
|
|
Post by cheesecake on Oct 27, 2019 22:40:06 GMT
Such a blast! Murphy was great and Snipes was a scene-stealer.
|
|
|
Post by stephen on Oct 27, 2019 23:17:15 GMT
My only complaint: no room for Aries Spears? His MADtv sketches as Dolemite are classic.
|
|
|
Post by quetee on Oct 28, 2019 3:44:52 GMT
Entertaining movie. I can't see oscar for bp but actor, supporting actress or actor possible.
|
|
|
Post by quetee on Oct 28, 2019 15:59:34 GMT
So i was reading up on this eddie used to have rudy ray moore parties in the 80's.
He tried to get movie made over 20 years ago but nobody wanted to fund it.
10 million dollar gross on 100k dollars.... that's a lot.
There is a dolemite doc on amazon prime with the real rudy.
|
|
|
Post by Johnny_Hellzapoppin on Oct 31, 2019 13:43:01 GMT
I'm finding I'm becoming a little bit of a softy as the years tick by; and films with a lot of heart, which used to rub me up the wrong way, no longer do.
So Dolemite Is My Name definitely worked for me. It was such a fun, entertaining and occasionally hilarious film, with bags of heart and a lovely message that was never delivered in too ham-fisted a manner. It shone on so many levels, from the solid writing, to the brilliant ensemble and across (most of) the board in the technical departments.
This really was a return to form for Eddie Murphy, and I'd have no issue if he picked up the Best Actor nomination this year, which he should have had 23 years ago for The Nutty Professor. Snipes was a scene stealer for sure, and Titus Burgess did that thing he does so well, but the real star of the show for me was Da'Vine Joy Randolph, my new Supporting Actress winner. I'll be crossing my fingers for her until the nominations start rolling in, and we see if she has a shot.
|
|
|
Post by quetee on Oct 31, 2019 21:18:42 GMT
I'm finding I'm becoming a little bit of a softy as the years tick by; and films with a lot of heart, which used to rub me up the wrong way, no longer do.
So Dolemite Is My Name definitely worked for me. It was such a fun, entertaining and occasionally hilarious film, with bags of heart and a lovely message that was never delivered in too ham-fisted a manner. It shone on so many levels, from the solid writing, to the brilliant ensemble and across (most of) the board in the technical departments.
This really was a return to form for Eddie Murphy, and I'd have no issue if he picked up the Best Actor nomination this year, which he should have had 23 years ago for The Nutty Professor. Snipes was a scene stealer for sure, and Titus Burgess did that thing he does so well, but the real star of the show for me was Da'Vine Joy Randolph, my new Supporting Actress winner. I'll be crossing my fingers for her until the nominations start rolling in, and we see if she has a shot. im hoping she scores a nod.
|
|
|
Post by Viced on Nov 2, 2019 15:48:17 GMT
Even though the movie was kind of enjoyable, I thought it was a disappointment. This has got to be the most generic and by-the-numbers 'unusual biopic' script that Alexander/Karaszewski have produced, and just like with "The Disaster Artist" I find reading about the real events much more entertaining and engaging than seeing them dramatized in this pretty safe and vanilla way. It doesn't help that the direction is thoroughly pedestrian - the only interesting touch I found was the scene with the electricity turning on in the hotel. I suppose Craig Brewer thought that the unappealing brown color palette was gonna give the movie a feeling of distinction? Because otherwise I didn't see him try to accomplish that in any significant way. Eddie Murphy is a total joy to watch though and the whole ensemble is actually quite good. As a piece of fun fluff the movie sorta works. And yes, the costumes are terrific. And don't get me started on that ' Thank you for putting someone like me on the screen' speech which was just the lamest and most cringeworthingly obvious attempt to cater to the internet crowd (who's predictably eating it up). Pretty much my thoughts exactly... I was totally into it for the first half hour or so... it had a very interesting energy to it and I never knew what Rudy was gonna do next... but once they start making the movie it just got so damn vanilla out of nowhere. Rudy Ray Moore seemed like he was anything but conventional... so this turning into a by-the-numbers cheesefest was super disappointing. But Murphy carries the hell out of it (I wouldn't say worthy of an Oscar nom... but compared to some of the crap performances that have been nominated or even won in recent years, I wouldn't begrudge it), the rest of the cast was fun (though Keegan-Michael Key was lame and Kodi Smit-McPhee gave me the creeps), and I guess it stays watchable even when it goes downhill. solid 6/10
|
|
|
Post by quetee on Nov 3, 2019 0:50:13 GMT
|
|
|
Post by Mattsby on Nov 3, 2019 2:28:22 GMT
7 or so / 10 .... Starts really great, slides along, with a career-highlight Eddie Murphy perf, but I agree with what others have said - it loses something in the stretch. I think it’s that it just becomes so uncomplicated and, worse, congratulates itself. Big mistake was forgetting the importance of contrasts - Rudy Ray Moore’s personal life against his creation/reinvention of the Dolemite badass-womanizer persona, what a “fanbase” or his own idea of success (and maintaining it) might demand of him. It puts a nice coat on a fascinating, but pretty complicated character...
DaVine Randolph and Wesley Snipes had some moments but all their praise is a little baffling. Anyway, overall - very entertained and Murphy is just right, he's charismatic, some big laughs ("We'll put the devil in another movie") and subtle moments too like that telephone call where his movie is being rejected.
|
|