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Post by stephen on Apr 5, 2019 12:01:11 GMT
Saw Pet Sematary last night. I think it had a really decent tone and I thought the cast was exponentially stronger overall than the ’89 film’s (although no one came close to hitting those perfect dulcet heights of Fred Gwynne, who ranks in my Top 5 King performances of all time), and I do appreciate what it was going for . . . but at the same time, I thought it was rather horridly edited and lacked grace (for lack of a better word). It was super rushed, and I think if they’d taken the care to let some scenes play out longer, they would’ve been more effective. It suffered a lot of the same issues as 2017's It did for me, but also had less room to hide behind than that movie. Overall, a passing grade—but it’s like they did the bare minimum when they had the tools at their disposal to do so much more.
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Post by Johnny_Hellzapoppin on Apr 5, 2019 12:20:13 GMT
I'm going to see it on Sunday. Honestly, my highest hopes for it are that it be a so-so kinda film, and from what you've said it is.
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Post by TerryMontana on Apr 5, 2019 17:37:48 GMT
I'm going to see it on Sunday. Honestly, my highest hopes for it are that it be a so-so kinda film, and from what you've said it is. Up to now, ratings agree with you.
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Post by cheesecake on Apr 6, 2019 19:32:51 GMT
Pretty forgettable. The cast is really strong but the complete lack of atmosphere, tension, scares or creepiness in any facet really blows. lol. The editing kills it.
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Post by Ryan_MYeah on Apr 7, 2019 2:13:30 GMT
I’m seeing it sometime in the next few days, but my anticipation went way down when I heard how jump-scare heavy it is. (Yay, cheap thrills!)
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Post by Deleted on Apr 7, 2019 2:14:24 GMT
but it’s like they did the bare minimum when they had the tools at their disposal to do so much more. Sounds like a lot of King adaptations. I generally find his stuff overrated but even then, the movies seem to have such a hard time capturing his voice.
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Post by Ryan_MYeah on Apr 7, 2019 2:40:08 GMT
but it’s like they did the bare minimum when they had the tools at their disposal to do so much more. Sounds like a lot of King adaptations. I generally find his stuff overrated but even then, the movies seem to have such a hard time capturing his voice. I generally feel like King’s only as scary as what other people bring to his stories. He can write a good story, and he can write scary people, but I don’t typically find what he writes about - specifically his supernatural tales - scary. As a result, when you translate his words and descriptions to the screen, what may have seemed scary on paper actually turns out to be really goofy. Of course, that can usually depend on who it is adapting his material, and *how*. You can see that especially in Kubrick’s Shining vs the mini-series King wrote. I know some folks have issues with Kubrick’s, but when it came to King is most famous for (being a horror writer), Kubrick succeeded where King faltered. And of course, It sounded like it wouldn’t translate well on paper, and yet that’s one of my favorite horror movies this decade. Mainly because it has a lot more going for it than scares, but it took what sounded silly on paper, and reconfigured them to be genuinely frightening.i
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Post by Tommen_Saperstein on Apr 7, 2019 2:46:26 GMT
but it’s like they did the bare minimum when they had the tools at their disposal to do so much more. Sounds like a lot of King adaptations. I generally find his stuff overrated but even then, the movies seem to have such a hard time capturing his voice. King is a huge guilty pleasure of mine, especially his grosser and more visceral stuff (dude can write manglings and nasty mutations like no one else), but I don't think his voice is cinematic at all. Like every time I hear his characters talk I'm imagining how cringey it would sound in a movie. The best adaptations of his films IMO are the ones that throw everything out but the bones and add their own flair. Carrie and The Shining are the best.
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Post by Deleted on Apr 7, 2019 3:16:42 GMT
Sounds like a lot of King adaptations. I generally find his stuff overrated but even then, the movies seem to have such a hard time capturing his voice. King is a huge guilty pleasure of mine, especially his grosser and more visceral stuff (dude can write manglings and nasty mutations like no one else), but I don't think his voice is cinematic at all. Like every time I hear his characters talk I'm imagining how cringey it would sound in a movie. The best adaptations of his films IMO are the ones that throw everything out but the bones and add their own flair. Carrie and The Shining are the best. By voice I meant the unique fabric of his artistry expressed through his writing. I typically just don't get the "oh yeah, this is King" feeling from the adaptations I've seen, whereas it's usually very clear I'm reading one of his books as soon as I pick it up (even when he's calling himself Richard). But I'm also not sure I agree that the dialogue would likely sound bad - of all of King's weak points as a writer, dialogue generally isn't one of them - especially in the hands of a director who would bring a more distinct or stylized approach to the table.
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Post by Sharbs on Apr 7, 2019 11:09:51 GMT
Terrible. It destroys every bit of what made the novel so devastating in the dumpster. The makers of this movie took out the grief bone and added a dead people want other people dead element and it did not work at all there wasn't any reason behind that. Silly silly stuff.
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Post by Sharbs on Apr 7, 2019 11:10:49 GMT
but it’s like they did the bare minimum when they had the tools at their disposal to do so much more. Sounds like a lot of King adaptations. I generally find his stuff overrated but even then, the movies seem to have such a hard time capturing his voice. this one doesn't even try.
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Post by Johnny_Hellzapoppin on Apr 7, 2019 17:26:57 GMT
It's fair to say this was a disappointment, even with my expectations correctly being suitably low going in. I do appreciate that they tried to change it up a little and not just directly reproduce the crappy but lovable original, but what they switched up and did differently, didn't really add anything of interest or worth. I also didn't like the way the Jud and Louis relationship, which should be bordering on a loving father and son one, was turned into something tense and awkward, although perhaps this is realistic. I do give it props for that final twenty seconds or so, which were wonderfully hilarious in an utterly dark and hopeless way.
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Post by Ryan_MYeah on Apr 9, 2019 22:50:04 GMT
I’d actually give this an anti-endorsement. Go see Us again before this.
Almost inconceivably awful. Despite whatever atmosphere this movie tries to build, it’s all in vain. Say what you will about It, but the jump scares of that movie weren’t all it had to offer. Here, it was almost all it had to offer (take a swig for every ten seconds of silence and slow walking). Even as a story, whatever morality play it wants to be is completely abandoned once we get into the last act, making a lot of the story feel completely pointless as a result. Acting’s decent, but there’s only so much that can be elevated here. Despite the in-jokes, it doesn’t even feel like one of King’s stories, abandoning any sense of nuance or personality, and just feels like any other modern horror movie (it was one gratuitous panty-shot away from being one of those Platinum Dunes cheapies).
And the ending is hilarious. Way to take a dark and disturbing source material, and turn it into a big joke.
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Post by Ryan_MYeah on Apr 10, 2019 18:06:33 GMT
I was pretty angry at this one.
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Post by Ryan_MYeah on Jul 10, 2019 18:29:06 GMT
This alternate ending is much better than the actual shit ending we got:
Fuck this movie.
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